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Charm in sentence

780 examples of Charm in a sentence

I don't think any player in Hollywood history lasted as long as David Niven did given most of the weak films he had to carry by dint of his incredible charm.
But the Seagal in this movie barely exudes a fraction of the same swagger, confidence, bravado, charm, and sex-appeal he so easily showed us in ALL of his previous movies.
Where is that in-your-face attitude and charm that made him such a huge star???
Perhaps this adds to his charm, but in my opinion an action hero is not suppose to "chill out" whenever he gets the chance.
Instead of romance and charm, we see some excruciatingly dopey parallel characters emerge who ruin the film.
How the charm and elegance of the first portion of the film can give way to dopiness is beyond me.
Whatever Gable had by way of charm is missing in this portrait of a thoroughly selfish man, Crawford is as endearing as ever she was i.e. to me, not at all, and the whole look of the film makes it seem as if it was made 10 years before.Compared to contemperaneous films like "Stagecoach" and "Mr.
All joking aside this is a truly bad film whose only charm is to look back on the disaster that was the 80's and have a good old laugh at how bad everything was back then.
This is just a pure propaganda series, very dark, without any charm, or romanticism, it is just boredom itself.
O'Donnell might seem charming as Robin (with Batman), but in this picture he lacks any charm.
Probably while he becomes older, he is loosing his childish charm but does not gain any charm of a grown up.
over and over, works like a charm: he's such a genius, omg how does he do it?
It's incredibly low-budget special effects (you'll see what I mean) and use of non-actors was what gave this film it's charm.
It seems a shame that people would spend so much time and effort producing something so poor, when really they could have made something pretty decent out of the premise (albeit not very believable!), but instead we are treated to a rather nauseating and cheesy tale of dragons and knights, that lacks any of the charm to be found in other such fantasy films.
The children are super as far as charm and delivery of the lines but as I say, the whole plot depends on each and every adult being complete idiots, and therefore in THAT case, making more sense out of their actions (and at the same time being the only way to explain the boys actions of total mistrust).
I'm afraid the second season lacks the charm, the chemistry and more importantly the drama of it's predecessor Grey's Anatomy.
Sometimes crap films like this have a certain charm about them; but Horror Rises from the Tomb doesn't even have that.
His charm, looks, and easy wit go a long way in making the film bearable.
The stars are a mismatched pair: Brandon Lee, despite the terrible lines he has to say, actually shows traces of charisma and screen charm - things that Dolph Lundgren is completely free of (at least in this movie).
Without the charm of The Black Stallion.
Future astrologist Joyce Jillson does bring some vacuous charm to her role as Tara, and the film looks handsome enough to please.
Poor Mastroianni, given a role which lacked integrity or charm.
The only real characterization that's developed is Mabel's who exudes charm with just her face and big eyes and seems so optimistically cheery here except, of course, when she's frightened.
There are movies like "Plan 9" that are so bad they have a charm about them, there are some like "Waterworld" that have the same inexplicable draw as a car accident, and there are some like "Desperate living" that you hate to admit you love.
Richard Burton's Ashleigh lacked the charm, the charisma and the complexity to attract even women of his own age, let alone a fifteen year old.
Neither of the three central characters has any charm, and Erika's good looks aren't enough to carry the film.
The part of Heath was played with great charm and belief and I think that the casting is the strongest point of this project.
It had much the charm of "Get Smart".
When his "father" kicks him out on the street he must learn to fend for himself with nothing but the chauvinistic outlook on life that his youth has taught him... that and an unfathomable, nearly mystical level of charm and dumb luck.
Clayton warns Sidney that he'd better impress and charm everyone he can, if he wants to succeed.
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