Example collocations logo

Chair in sentence

1197 examples of Chair in a sentence

Hilarious highlights include Lucy van Pelt pulling the old football trick on hapless Charlie Brown for the umpteenth time, Snoopy's battle with a pesky uncooperative folding chair, Snoopy tossing plates of food at everybody, and Peppermint Patty blowing up at Charlie Brown at the unacceptable meal of junk food.
In the final 15 minutes the drama is high as Kristin is held captive by the serial killer, Kristin is taped to a chair you name it tape all the way around her arms, hands, legs, and yes the mouth to keep her quite.
Even though it's a one camera comedy with no studio audience or laugh track, it's a sitcom I really enjoyed since the episodes usually featured Bernie talking to the home audience from his easy chair, referring to the people watching at home as "America."
It's almost hard to believe that it wasn't Miike himself on the director's chair.
The various strategems she uses to distract witnesses at her trial are delivered with the precision of a knife and she does more acting in the defendant's chair than most actors manage in a typical Hollywood flick today.
Although Nikhil Advani started off in the backseat, it looks like from now on his job is in the director's chair.
Humphrey Bogart plays the Burton Turkus character, who was so successful in putting away many of the members of Murder Inc. and sending to the electric chair the only major mob boss ever to be executed, Louis (Lepke) Buchalter.
John Newlands' beginning monologue reels you in, to have you gripping the arms of your chair during the story, too scared out of your wits to even move, then having the story ending to Mr.Newlands epilogue to further heighten your anxiety of being too fearful to go to sleep!! Unlike..Twilight Zone, Hitchcock, Night Gallery,Tales from the Crypt, Outer Limits and X-Files which ALL have humorous episodes which discount their "scare-quotient", and leaves you disappointed....however "O.S.B."satisfies the most discriminating of "scary-movie" tastes !!! O.S.B never had one "hokey" episode that would tickle your funny bone and that is what makes for excellent scare tactics.
I'd give a month's pay for that red chair.
I think a lot of detail was put in things as simple as sitting in a chair, when to lean back, when to lean forward.
And the proliferation of hideous cliches ... the child running back into danger; the ram scoot (which was tired by the 40's); the fight sequence predictably ending in the stretching chair.
When he picked the fight with the guy in the wheel chair I thought I would bust a gut.
Apart from an occasional laugh, I watched it till the end as if I was sitting in the chair at my dentist.
As a new wheelchair user I learned more about driving a chair from this movie than from any other source.
I've never seen any movie which shows as much detail of a guy in a chair and how he deals with everyday situations -- stairs, transfers, rough terrain, getting in and out of a car.
I was having just regular fun with the movie saying o my god and chuckling at times but during the rampage, i almost fell outa my chair laughing.
I for one am also happy that Ghost stories are making a comeback, and I would much sooner jump in my chair a few times than cringe or hide my eyes or be disgusted by the graphic slasher films also doing the rounds.
DO NOT watch this movie unless the TV is already on showing the film and you 're tied tight in a chair with your eyes open and the tv control hidden and you suffer heavily from insomnia.
The only thing funny about this movie is when Brad Pitt gets punched in the face and the chair George Clooney makes in his basement!
Part of what makes this one work so well is that they point out the negatives of war, especially the more traditional battles, so marvelously; the officers are devoid of a sense of reality beyond their comfy chair and desk, the assignments all contain the unwelcome promise of certain and meaningless death, boredom is rampant during a lot of the waiting, and the front runs out of supplies and the substitutions... you don't want to know(not sure why they felt the need to go into such detail about it, much less have so many of that type of jokes, but I digress).
Hollywood great Michael Curtiz directs Boris Karloff in this middling thriller about an ex-con, just out prison, who is framed for a judge's murder by racketeers; after he's convicted and killed in the electric chair, a team of scientists revive him.
It has some rare Hitchcock touches, as with the superimposed "candidates" in the chair (I loved it when Minta sat down to take their place).
An over-the-hill Robert Englund heads the rest of the no-name cast, playing a sheriff who watches a serial killer fry in the chair.
In this doomed love story of an ex-con (Henry Fonda) trapped in a world that won't forgive or forget and the woman (Sylvia Sidney) unconditionally bound to him, Lang sees the criminal potential in everyone, from the neighborhood cop who swipes apples from an immigrant fruit-seller, to the station attendants who exploit the couple's gunpoint gasoline theft for a payday of their own, to the guards who leer over Henry Fonda's supine form as it awaits escort to the chair.
Despite being bound to a chair, developing circumstances will lead to his release causing an escalating series of events which will leave few people standing.
Tales from the Darkside: Ring Around the Redhead starts as convicted murderer Billy Malone (John Heard) is about to be led to the electric chair, before he is though a journalist named Adele (Caris Corfman) is allowed to interview him.
Geriatric hysteria, helmed by a man who must've been dozing in his rocking chair.
Before we had reached the climactic scene, every one in the class had already guessed it, as we had seen images so far of a man purposely sharpening a razor blade, and then approaching a complacent woman in a chair and holding wide open one of her eyes.
An experienced cast of indie-film veterans (including Martin Donovan and Peter Fonda) and David Lynch in the executive-producer's chair does little to help what is, at heart, a stylish yet poorly calculated gloss on an ages-old premise.
All this is mixed in a tale that, despite of its slow pace, makes you want remain in your chair desiring for a happy final that you know has no place in the story.
BackNext