Certain
in sentence
5192 examples of Certain in a sentence
Many of the sketches are too long and "peter" out, but ALL of them have very funny jokes and insight, but two of the sketches are classics and are as funny as anything Allen ever wrote: Gene Wilder's bit where he plays a man who is destroyed after a
certain "
fetish" is introduced into his life and the last sketch, where they show the inside controls of a man's body as he gets ready to have sex with a date: Burt Reynolds and Tony Randall help run the master control room.
However, I found
certain
segments of the film unnecessary.
The vision of the movie is fluid and only gets slow at
certain
points, which is totally understandable when considering the task of trying to fit in the whole Authorian legend into one movie.
It probably pitches like it could be funny (and even successful), but it falls apart as a film, completely...If you understand this, then you also understand it sounds more like an off-Broadway play...As a matter of fact (and the ore I think about it), this 'movie' would probably do very well in a live theatrical format...Heck, it could take on a life of its own and become syndicated, making the US cities tour, complete with building sized promos appearing in each city months before it premiers to build the anticipation...I'm
certain
performing arts centers all over the country will sell out all the shows quickly as anticipation grows and of course the wealthy season ticket holders would let everyone know they'll be busy on Friday evening, because they will be at the 'premier' of that play...'The Grand'...As a matter of fact, the more 'I' think about it, given the opportunity; 'I'd' pitch it!
This company's research department missed the boat when it comes to
certain
actual events and even, in one episode, makes mention of a mouthwash product that didn't "make the scene" until the mid-'60s.
Done with genuine heart and a
certain
sweet charm, this baby sizes up as a total treat that's essential annual viewing on Thanksgiving day.
An honest character study that is fearless in finding humor in
certain
racial stereotypes.
So many themes have been overworked as reminders to us all, that
certain
events should "never again" happen.
However, the female protagonist is sympathetic and there's a
certain
nightmarish edge to the storyline.
It all has a
certain
well-measured charm, even if the whimsical wordplay gets overbearing quite often, and ultimately it loses this charm when it is decided that the character Marie is maintaining her dignity when refusing to read aloud pornographic material by de Sade for a geriatric judge and his friends, while finding no moral objection in allowing herself to be seduced by another client.
Gramps is the holder of the skull, but
certain
beings from the alternate universe rooms each desire to covet the skull.
To be certain, much of the comedy adheres to the "racial tension" theme, and there is of course plenty of the proverbial cultural clash that abounds- consummating with, you guessed it, a torrential family dinner scene in which Kutcher's "empowerment" eventually gets the best of him, but "Guess Who" isn't content to strictly deplore racial boundaries, as it also works effectively as a howlingly funny "meet the father from hell" scenario, succeeding solely on Mac's uncannily nimble charisma and wit, who has an aura about him that would make any future son-in-law shrink to his skin, or to a greater extent, be obliged to sleep and "spoon" with the man!
The first time it almost frustrated me too much for an immediate response, even though I did like
certain
parts.
You can only fault her to a
certain
degree, however.
It is simply an attempt to portray as objectively as possible the impacts that
certain
social issues have on society, including: poverty, child abuse, divorce, addiction, spousal infidelity, anger, revenge, and unforgiveness.
Director Jim Tushinski obviously saw a chance to put the urban gay-lib era of the seventies under a microscope by focusing on one man's story instead of a general documentary--and the man he focused on just happens to be "the" icon of gay sexual life at a
certain
crossroads.
The zombies were not the main point of the story though...the writers were actually smart in the fact that there was a
certain
step to follow in the movie to survive.
I'm
certain
that this one will be in the top ten of anybody's list.
If you ever wondered why
certain
items are considered more valuable than others, this film will answer all of your questions.
Only this time, it was a batch of gruesome B-movies from the 1970s that were aggravating the blue-nosed guardians of public decency as well as the government and
certain
over-zealous members of the police force.
Oh no, this has a
certain
scuzzy charm to it that may be only appealing to bad movie fans like myself, but I think this is a rather fun, if messy, movie.
It's funny how Joan Collins has obtained a
certain
amount of respectability after having starred in MANY terrible films, such as The Bitch, Empire of the Ants and I Don't Want to Be Born.
Fannie Hurst's tear jerking 1933 novel about the sacrifices mothers make for their daughters spawned two popular movies separated by a quarter century of glacially-changing social attitudes - a highly regarded 1934 version that remains faithful to the book's narrative and an elaborate 1959 remake which changes
certain
plot details to service German-born filmmaker Douglas Sirk's heavily Baroque style of film-making.
If someone came into MY office and told me I only had a
certain
amount of time to live, I would call the police.
The plot, what there is of it, doesn't make much sense and the film doesn't explain why
certain
things are happening, Price's wifes relationship with one of the guests for example.
I used to remember when b-grade movies used to have at least some redeeming quality about them, be it the effort that some actors went through to do what they must to make a buck, or even something about the story that had a
certain
charm.
Unfortunately no one had the nerve to tell him it was a small role and he gives us his usual "lovable" foreign schmuck stereotype,shouting and waving his arms.His comical misuse of the word "Pussy" should have you rolling in the aisle.It has Tom Arnold in a rather bigger role.He too spends most of his time shouting and waving his arms in between "hilarious" attempts to kiss Hugh Grant.It also has Joan Cusack,a sort of madonna (with a small "m") figure worshipped for her fecundity.She too is very loud,her screams in labour are truly terrifying.And then there is Julianne Moore wafting through the movie half - heartedly,looking as though her mind is really on where she left her car keys.She is so disinterested she can barely be bothered to look at Hugh Grant,which is a sentiment I can at least have a
certain
sympathy for.
Having said that I did smile on occasion and the film definitely has a
certain
innocent charm, although the film does contain some bad language.
The film's best and most interesting angle is his obsessions, which ruin him, a reason to watch this film with a
certain
fascination.
The film is like "a day in the life" to a
certain
degree so for those who always were dying to know what this man is like, it is extremely exciting for them.
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