Cameras
in sentence
434 examples of Cameras in a sentence
The sets are stark, as befits the plot, and clever in allowing the swift scene changes required and the
cameras
catch the action without obliterating the fact that this is a stage production.
This is exactly what happens -- minus the
cameras
planted at every minuscule corner of the house in Barcelona, Spain, where Xavier (Romain Duris) comes to stay, having to learn Spanish to fill into his job's requirements.
Trey Parker and Matt Stone, the creators of South Park, finally get out of their grueling schedule to talk to the
cameras
while sipping champagne in their hot tub.
As always, this is a thought-provoking sensory overload, skillfully captured in high definition with 15
cameras!
And during the entire film, multiple
cameras
are employed to record the action within the scene, and extraneous commentary by cast, crew, and onlookers.
After a decade of turbulent unrest, American movies began to switch gears and turn their
cameras
away from war-torn battlefields, political corruption, and general social unease to the more intimate world of family dysfunction.
The director is also competent, you cannot see lots of moving
cameras
around but the positions of the
cameras
are also good.
Mainly instead of a trio, the
cameras
and magazine articles concentrate more on Daniel and Emma, being that they're the leading male and only leading female in the saga leaving Rupert dead-end.
Pretty soon, he starts to see dead people, thanks to EVP, or Electronic Voice Phenomenon, which is evidently this deal wherein dead people can send messages to living people through tape recorders, video cameras, dead cell phones ("Anna cell calling?
I had expected horrible dialogue, crappy monsters, and shaky
cameras.
Most successful part of the film is the trenchant satire of Reality TV
cameras
intruding on the future victims, but the not-so-elaborate deaths (which include a hidden piece of red candy!) are disappointing and dispiriting.
I'd bet $10 they used home video
cameras
to make this.
His lame excuses are taken at face value and this must be the only computer center anywhere not to bother with video
cameras.
Improvised dialogue, handheld
cameras
for no effect, directionless plot, contrived romance, ick! to the whole mess.
The only thing he needs is to get her on stage, surrounded by
cameras
and reporters.
The action is so unclear, work of
cameras
is so poor, actors are so affected ... and this lamentable 5 minutes of Arnie on the screen.
If you loved "Pulp Fiction" and like hand held
cameras
you should love this film.
Shot with low-dollar video cameras, it's essentially home videos of kids play-fighting in back yards.
Just eliminate the bank workers, see who was at the bank-from all the
cameras'
footage angles-prior to the robbers entry and you have those extra 4 remaining robbers among the hostages.
Duration might have been also the reason why the budget was better spent on TFTC: directors got to have REAL film music composers (composers on MOH are if inexistent, very bad), REAL actors (whereas on MOH it's nothing but unknown actor after unknown actor!), REAL directors of photography and, it can help sometimes, REAL film
cameras
(while MOH is shot on HD
cameras
with very wrongly chosen lens-pieces), the result of which being that the episodes of TFTC looked and felt "cinematographic" in the sense that there was real actors being casted, ranging from Michael J. Fox to Tim Roth to Kyle McLachlan to Kirk Douglas, but there were also film composers behind it, of the range of Alan Silvestri, great directors of photography like Dean Cundey, high-end screenplay writers, and in that sense each "Tale" was a little movie of its own true kind.
There appears to be three
cameras
on Hendrix, but amateur fools operate all of them.
She was smiling too much when she first went in front of the
cameras
to talk about her daughter.
Some outfit called "PKO Productions" gets the producing credit, but it doesn't look produced at all; it looks more like Mike stole one of the
cameras
from the SNL set and made the whole thing in an afternoon.
We're to believe that a knife-wielding idiot has access to and murders a baseball player in a lavish hotel with no witness, security, or
cameras?
The movie is very much styled after Baraka, wide angles, very similar shots with
cameras
set to capture long time passage in each shot.
Pendragon films could have made a great film with good old fashioned models and computer controlled
cameras
a la George Lucas circa 1975-83, and actors who actually look like they care about what they are doing (or ruining in this case) for about the same 20 million.
With obviously low budget, extremely bad acting, bad lightning, no plot, really bad so-called 'special effects', shaky
cameras
and a horrible soundtrack this makes movies like House of Wax look like Oscar-winning masterpieces.
The budget for this film was at least 50 bucks and they must have used the cheapest
cameras
they could find.
Characters stand still staring at each other for long minutes, saying nothing, hand-held
cameras
hold forever on faces showing interminable reactions way longer than they need to, edits repeat the same reaction is triple redundancy.
The film is shot on hand-held cameras, and a lot was made of this at the time it was released originally, since we hadn't had many studio pictures made in this way.
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