Calls
in sentence
2192 examples of Calls in a sentence
that is indeed a word)There are a few slip ups however, for example when Cal
calls
brads(?) land rover a range rover(or vice versa, It's been awhile since I've seen it)
This is not a profound movie; most of the plot aspects are pretty predictable and "tried and true" but it was well-acted and made some interesting points about what we might regret (our "mistakes" as the movie
calls
them) as we look back over our lives.
In the scene in which Michael Caine
calls
the police in tears and then stops the waterworks the second he finishes the call really displays Caine's brilliance.
I am very smart like curly sue in the movie but one thing i don't like in the movie is when that guy
calls
the foster home and makes curly sue get taken away i would kill that guy if he really had done it in real life.
It was another chapter in the history of US foreign policy, which Steven Kinzer
calls '
Overthrow' or 'sowing democracy American style'.
He plans to drown her but Charlie comes to the rescue and
calls
on King Gator who eats Carface.
Seems Abigail
calls
her nephew-in-law to sign some papers making him her heir.
A previous poster
calls
the movie cheesy, however, I think it's a simple case of not seeing the forest for the trees.
His future mother-in-law
calls
him and informs that his fiancée Karen (Selma Blair) might be arriving in his apartment, and he desperately asks Becky to leave his place in a hurry.
For example, when Paul finds Becky in his bed; when he finds her paints; his imagination in many situations; in the drugstore, trying to buy and get explanations about the crab medicine; most of the scenes of his neighbor, the minister; when Karen
calls
the department store; or when the police finds a suspect of assaulting Paul.
Like the former, it
calls
into question the security of bringing beings from one era into ours.
He stands in front of us and
calls
himself a pervert.
Bond is incredibly burly, brawny and towering, yet tender when the script
calls
for it.
And as for composer Gil Melle's cool, partly-whistled main title music... well, X-Files creator Chris Carter
calls
Mike Snow's (very similar) X-Files main title theme an 'homage.'
The Italian gent commends the play and
calls
it brilliant.
Dixon cannot reconcile these
calls
for restraint with his own extreme and irrational hatred of all criminals.
In his otherwise excellent book, Lincoln in American Memory, the historian Merrill Peterson
calls
Young Mr.Lincoln a "boring, dreadful, film".
To listen to Darius laughing from being in the water at Panama City, to see his trepidation of being too close to alligators in Louisiana, the wonder in his eyes as he rode in a hot air balloon, the excitement of rafting through some rapids, the bet to eat a spoonful of wasabi, and the phone
calls
home, and as always - boys will be boys.
The only line I really can't stomach in this is when Riff
calls
herself a teenage lobotomy but other than that, everything else is perfect.
It's a mix of horror, laughs, and gore; or splatstick as Campbell
calls
it.
Popular French art/cult director Jean Rollin's first foray into the horror genre
calls
itself a two-part melodrama and is divided into two segments that overlap; "Part One: The Rape of the Vampire" and "Part Two: The Vampire Women."
The local TV station is reporting on the zombies - a redneck
calls
up and complains that they preempted the basketball game.
A mad doctor, Mr. Pichel has isolated what he calls, "The active ingredient of the endocrine glands governing criminality."
The sexual implications in the narrative aren't ignored by Welles, though they are tip-toed around (probably due to the restrictions of 1968), and when Welles as the "old gentleman" finds himself the perfect boy to complete his plan, it's hard not to smirk when he
calls
the bottle-blonde "a fine looking sailor" and then offers him money.
(She
calls
herself Lola.) Mary is an extreme drama queen.
The opening scenes are basically a series of phone
calls
between the leads.
Jeff Goldblum did the best performance of his career as Seth Brundle, a scientist who has invented something he
calls "
Telepods".
It's about this woman named Grace but she
calls
herself Annabel and she makes dirty movies.
The films main drawback is that whilst various elements position it as a giallo the original intention was a serious minded dramatic mystery (the script went through a number of rewrites to make it into a marketable giallo) and so it never really manages to be as tense, twisted or exuberant as the genre
calls
for.
Despite a raging indifference to the acting chops of Carol Kane--I still can barely stand to watch "Taxi" largely due to her annoying grate--I decided to give "When A Stranger
Calls"
a chance.
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