Border
in sentence
1854 examples of Border in a sentence
Sylvester Stallone is impressive as Gabe Walker the expert climber especially in the action/fight sequences but some of them definitely
border
on the line of unrealistic.
Some of Smith's gowns
border
on the garish, but she suits the upswept hairstyles very well.
What begins as a life-changing friendship between Biko and Woods degenerates into a standard by the numbers escape over the
border
yarn after Biko's death.
The year is 1896.Jeff Webster (James Stewart) doesn't like people.There's only one friend he's got and he's Ben Tatum (Walter Brennan), an old sympathetic man.They're driving a cattle herd with them.That would be their key to richness.In Skagway they run into trouble when Sheriff Gannon (John McIntire) takes the cattle.Now Jeff only has to get it back and drive it through the U.S. Canadian
border
to Dawson.Now they have a group of other people with them, like the ladies Ronda Castle (Ruth Roman) and Renee Vallon (Corinne Calvet).There the two men get into the gold business.Anthony Mann's and James Stewart's fourth collaboration, The Far Country (1954) is a fine western, indeed.The acting work is superb.Walter Brennan makes a terrific sidekick to Stewart.Ruth Roman is brilliant and Corinne Calvet's delightful.Jay C. Flippen is very good as Dawson Marshal Rube Morris.The great Jack Elam and Kathleen Freeman are seen in smaller roles.It's fantastic to watch how Jimmy Stewart overcome's all the troubles in his way.There's just the man and his rifle.But also he's vulnerable.
For those unfamiliar with the history of the Kansas-Missouri
border
wars during the American Civil War.
The first is a travelog that was shot somewhere south of the US
border.
Although the substance matter doesn't belong amongst the other titles in the list, The Driller Killer often wanders on the thin
border
between trash-exploitation and art-house cinema, as it features voyeuristic elements (a gratuitous lesbian shower sequence) as well as sheer close-ups of blood-puddles and whirring drills.
The dialogues don't just
border
on the ridiculous - it's fair to say that it's miles south of the border, let alone the equator.
I now live in Maine for the last two years and was shocked to realize that illegal Latino's are shipped up here from the
border
to do the field work for the blueberry and cranberry fields (the largest producer of wild blueberries in the world is here in Maine) and of course they are 'invisible' in every way possible in a 99% white community (look it up).
The special effects sequences almost
border
on parody, not at all scary, but more unintentionally hilarious, such as when Robbie's(Oliver Robins)braces go amok or when Steve(Craig T Nelson)swallows a "possessed" worm in a Tequilla bottle, with Kane attempting to use him to harm his family, regurgitating it!
The script feels a little too calculated at times and glosses over a sequence involving a
border
crossing.
Examples of the film's shortcomings: all of the characters are extremely stereotypical (the hard-working, proud, honorable, heroic mother; her foiling party-loving, less intelligent friend; her gallant but shy suitor; her determined, precocious son; his tender-hearted rogue guardian; the ball-busting smuggler matriarchal with a heart of gold; the patronizing, unfeeling Caucasian socialite whom they un-creatively nicknamed Cruella Deville; the happy-go-lucky mariachi musicians), many of the scenes were equally stereotypical (the boy and his guardian's airing of grievances through an impromptu karaoke scene in the back of the Native-American run diner; the cathartic sacrifice of the once-gruff guardian at the end, complete with face-in-grass-knee-on-back cuff shot with the cops; the cornering of the boy at his own birthday party by his money-hungry,aggressive relatives; the bated breath scene of anticipation at the
border
patrol station), and finally, the amateur, over-the-top performances given by nearly all of the actors in the film.
The
border
patrol officials, in doing their job, come off as sassy and harsh.
So even if you are against the characters crossing the
border
illegally, the movie still won't disappoint.
It's extremely touching and the main story is just a son trying to get back to his mother, but faces many obstacles (the border, money issues, untrustworthy people) on the way.
However many people have complained about the reality of such events and the protocol at the Mexico-US
border
checkpoint, my only advice is to remember that it is a FILM! it never said it was a documentary, so aside from the several "unrealistic" events, the film is lovely and i do recommend it for everyone.
Comedian George Carlin's finely drawn panhandle scamp solidifies the theory that the
border
between comedy and tragedy is narrow at best.
Lemmon does
border
his performance on a Jerry Lewis-like character, but it does NOT detract from the story or the supporting performances.
It gives the viewer both sides of the story (though in truth the opponents of gay marriage
border
on self-parody) and allows the viewer to make up their own mind.
Charles Grodin has always been on the
border
line when it comes to being funny and serious.
While many of the interviews did
border
on maudlin, there were several fathers and sons whose cultures dictated a colder or more macho relationship.
Best of all: our heroes are sent to prison while attempting to flee the country at a heavily manned
border.
At the end of the film, they escape to Mexico by crashing through a chain-link fence at an unguarded
border.
So essentially they could have saved themselves (and us) the whole movie if they'd just done their homework on US
border
patrols.
The problem is there are people on both sides of the
border
that behave like this film.
LONG LIFE, HAPPINESS AND PROSPERITY shares some qualities with some of its north of the
border
Reel 13 Canadian Indie counterparts.
While the main focus surrounds precocious Carlito (Adrian Alonso) as he crosses the US/Mexican
border
to find his mother after a family death leaves him alone, his journey draws attention to the plight of a people who want only to pursue a better future for their families.
Soon after a leopard, hired from a traveling circus for a publicity stunt, escapes from a fancy nightclub, horribly mutilated bodies begin to turn up in a Mexican
border
town.
While films like Foxy Brown, Cleopatra Jones, and Superfly featured larger than life characters that
border
on being comic book characters, Across 110th Street seeks to give a more accurate portrait of what was happening in the inner-cities in the early 1970s.
I was disappointed and
border
line offended.
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