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Black in sentence

5065 examples of Black in a sentence

This movie is one of the only historical documents displaying the talents of so many black singers, actors, actresses, and dancers.
There is one guy in Eastwood's poncho, one in Lee Van Cleef's black suit, and one seeming to act like Gian Marie Volonte's Indio.
The first scene I remember is a framed black and white shot of the ocean, that then opens to full screen and color.
IT was about a middle class black family who had a teen aged daughter and son who moved to a middle class neighborhood from Oakland or somewhere (I can't remember).
Director Mario Penzauti and screenwriter Tecla Romanelli cram this fetid filth with a teeming surplus of sizzling sleaze: we've got nasty rape, interracial copulation (one white lady makes wild love to a muscular black stud while he's tied to a cross), copious female nudity, brutal whippings, vile degradation, lots of lurid soft-core sex, and a severely twisted tragic surprise ending that mixes elements of incest, murder and miscegenation in a questionable attempt at making a statement about the horrid inhumanity of slavery.
Lucas Beauchamp may be the most prominent of all of Faulkner's black characters (he plays a major part in one of Faulkner's out-and-out masterpieces, Go Down, Moses); unlike all of the other black folks in Yoknapatawpha, he refuses to bow down to any white man.
He has pride, and many in the white population find that an execrable quality in a black man.
This black & white gem was shot marvelously by Gabriel Figueroa,one of Luis Bunuel's favorite cameraman.Film critic Lalit Rao saw "Nazarin" at Trivandrum,India during 13th International Film Festival of Kerala 2009."Nazarin" was introduced by eminent Indian cinema personality Mr.P.K.Nair as part of a special package called "50 years ago".This is a film which should be with any discerning DVD collector.
The story is told through the relationship between the attorney and the black inmate.
Burt Reynolds and Mark Wahlberg got the most praise for this, but I felt the true stars were Julianne Moore as the cocaine-sniffing mother wannabe, Don Cheadle as a black man struggling with identity as pornstar/stereo-salesman in some wild getups and William H. Macy, who's wife is the ultimate slut.
Moreover, we've also got rough, grainy cinematography that constantly alternates between washed-out color and grimy black and white, ineptly staged fight scenes, lousy acting from a uniformly pathetic no-name cast (Jerry Angell in particular cops the top crummy thespic dishonors for his laughably abysmal histrionics as slimy no-count psycho criminal Joe Bob), a grating head-banging thrash metal soundtrack, and a generic shivery'n'ominous synthesizer score.
There are moments of black comedy, but I would classify "My Suicidal Sweetheart" as a unique romantic comedy, with a touch of dark humor.
John Arthur Morrill's bright, polished widescreen cinematography, Jamie Mendoza-Nava's spooky score, and the wild, rousing climactic black mass ritual are all likewise up to speed.
Certainly one of George Sanders best performances; as a man working the black market to get pay back for what he lost in the war, but nemesis waits; Patricia Roc plays a refugee from Eastern Europe eaten with despair.
These students (uneducated black kids on an island off South Carolina) are actually shown learning, and their collective wide-eyed innocence is remarkably sweet.
If you took a really good jack black movie, added a little jeepers creepers, and then a dash of joyride with a hint of texas chainsaw massacre and house of a 1000 corpses...you would have MONSTER MAN! i went into this movie, not really expecting much at all, but i wound up really enjoying the movie.
he is identical to jack black.
This joyous motion picture experience is centered around Santiago-Hudson's childhood guardian, Rachel "Nanny" Crosby, a strong, big-hearted black woman who ran a boarding house in upstate New York during the 1950's.
S. Epatha Merkeson, who has been wasted for years in the thankless role of Lieutenant Van Buren on NBC's LAW & ORDER, turns in a powerhouse performance as Nanny, the neighborhood mother-figure whose boarding house became a symbol for the downtrodden black folks in her town.
When it comes to those eerie and uncanny little crime films, the sorts that revolve around characters that are bordering on scum and inhabit equally scummy surroundings, and additionally carry that wavering and bleak feel thanks to some pretty grotty cinematography and some very black comedy; Dead Bodies is the sort of film Paul McGuigan wishes he could make.
This is a story of early black settlers, cow boys and infantrymen returning from the Spanish-American War with a cache of gold.
The racism applied to the new black settlers and infantryman is explored in this film with excellent casting including Melvin Van Peebles (Marios father), Billy Zane, Stephen Baldwin and a wonderful performance by Big Daddy Kane.
Visually speaking, it appears that Bogosian's only friend is the black foam that absorbs his routine vitriol.
A group of black siblings are the center-point, with one trying to get better gigs than the average strip-club, and has a sister, much more light-skinned than him, who gets entwined with a white man in a relationship, which shatters both sides.
Nuri Bilge Ceylan's 2002 film Distant (Uzak)- his third feature film (his first was 1997's black and white The Small Town- Kasaba), is a significant step up from his good but flawed 1999 film Clouds Of May (Mayis Sikintisi).
Rose and the good Doctor find themselves in a space station that is on a planet that's quite impossibly hovering in orbit right below a black hole.
This escalates into a strange sequence of white and black neighbours vandalising their each other's homes.
(WARNING - CONTAINS MILD SPOILER) A movie almost designed to make you pause and check your recollection of it - it's confined to an almost empty motel where the huge courtyard resembles a circus ring and the rooms seem like temporary withdrawal points rather than refuges; as the characters become increasingly preoccupied by the past, the present increasingly falls away, until the ultimate incendiary appearance of the Countess in the black Mercedes marks the fusion of reality and fantasy.
Very funny romantic comedy blends in elements of black comedy and '80's cheese that make this all the more fun to watch.
The plot is conventional in general but told through the perspective of a single black woman on welfare who has 6 children and trying to deal with all the problems that persist.
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