Black
in sentence
5065 examples of Black in a sentence
It's really taking individualized medicine to a new height and it's hyper-innovative, and I think it represents the
black
swan of medicine.
Now, here is a horse that was deathly afraid of
black
cowboy hats.
He'd been abused by somebody with a
black
cowboy hat.
If you notice, the summit of Everest is
black.
First, it turns white, and then when it's completed necrosis, it turns black, and then it falls off.
It turns out that if you take the human species about 700 years ago, white Europeans diverged from
black
Africans in a very significant way.
And one day, when I was 14, I was standing in an alley, and I was smoking a joint, and a man who was twice my age, with a shaved head and tall
black
boots, came up to me, and he snatched the joint from my lips.
One day, a young
black
teen came in, and he was visibly upset.
And suddenly, this young
black
teenager, who I'd never had a meaningful conversation or interaction with, I was able to connect with, because my own mother had been diagnosed with breast cancer, and I could feel his pain.
And of course, as karma would have it, within the first couple of hours, who walks right by me but Mr. Johnny Holmes, the tough
black
security guard I had gotten in a fistfight with, that got me kicked out the second time and led out in handcuffs from the school.
And finally, it's a rich lavender, and after a couple of thousand feet, it's ink
black.
So it immediately cools, and it can no longer hold in suspension all of the material that it's dissolved, and it precipitates out, forming
black
smoke.
You've got
black
smokers going all over the place and chimneys that have tube worms that might be eight to 10 feet long.
J.J. from "Good Times," (Applause) significant to many people of course because of "Dy-no-mite," but perhaps more significant as the first, really,
black
artist on primetime TV.
Jean-Michel Basquiat, important to me because [he was] the first
black
artist in real time that showed me the possibility of who and what I was about to enter into.
This exhibition included over 20 artists of various ages and races, but all looking at
black
masculinity from a very particular point of view.
And she pointed to the work on the left to tell me how problematic this image was, as it related, for her, to the idea of how
black
people had been represented.
She then assigned these works racial identities, basically saying to me that the work on the right, clearly, was made by a
black
artist, the work on the left, clearly, by a white artist, when, in effect, that was the opposite case: Bob Colescott, African-American artist; Leon Golub, a white artist.
Fast-forward and I end up in Harlem; home for many of
black
America, very much the psychic heart of the
black
experience, really the place where the Harlem Renaissance existed.
The space in which now, in my project of discovery, of thinking about artists, of trying to define what might be
black
art cultural movement of the 21st century.
This series of exhibitions was made specifically to try and question the idea of what it would mean now, at this point in history, to see art as a catalyst; what it means now, at this point in history, as we define and redefine culture,
black
culture specifically in my case, but culture generally.
That's what makes me get up every day and want to think about this generation of
black
artists and artists around the world.
At the same time in South Africa, after Nelson Mandela had been released from prison, the
black
population commenced the final phase of liberation from apartheid.
Your neurons are firing like mad trying to make meaning out of this so that you see something other than
black
and white blobs.
Now if your brain is still struggling to find a good match and you still see
black
and white blobs, then you are in a state called "experiential blindness," and I am going to cure you of your blindness.
Or are you going to go with a
black
version, which will allow you to create really bad TEDTalks, mostly about blogs, politics and stuff?
It's what they believed, and it wasn't about
black
versus white: 25% of the audience was white.
And this picture here, it's really interesting, it shows two things: First of all, it's in
black
and white because the water was so clear and you could see so far, and film was so slow in the 1960s and early 70s, you took pictures in
black
and white.
And in the upper right you see this
black
sort of cloud moving ashore.
Now in the lab, we can simulate tumor angiogenesis, represented here in a
black
bar.
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