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Attitude in sentence

1007 examples of Attitude in a sentence

"All or Nothing" shows that an individual's happiness is the direct result of his or her attitude and choices.
John Stockwell and Michael Dudikoff star as two private dicks who emerge from a fallout shelter in the future after the bomb has dropped, once there we witness our two heroes fight mutants, midgets, cannibal hippies and a terrorist group, they've also grown up on 50's style literature and music so their whole "Gee whiz" attitude contradicts the mean world outside.
There may be times when you are in the mood for a story about someone without the modern "I,Me,Mine" attitude, about someone who knows that the real meaning of love often carries with it the need for making sacrifices and may mean caring more about the other person's needs than your own.
I mean, it demonstrates -- TO A T. -- word-for-word, attitude for attitude EXACTLY HOW MEN THINK ABOUT WOMEN.
In this film we see the human side of Sadako before her death & the cruel attitude of others towards her.
Catholic whores, whipping, swamps, children in the whorehouses, racism, the accent, the voodoo, the attitude, the sexuality.
Despite the protestations of everyone she knows, including Preston, she wears the dress to the ball, causing her to be ostracized and the official break up of her engagement to Preston when he realizes that he cannot deal with her headstrong attitude.
Anything was possible, Korea had not yet erupted, and there was still a homey and "gee wiz" attitude towards the future.
American Kickboxer David(Evan Lurie), a long haired, buff, black-belt pretty boy and a LAPD cop with a foul attitude, Mike Clark(Dale "Apollo" Cook)join forces to find the kidnapped daughter of a former flame, Lillian(Kathy Shower).
I think Bette Midler's attitude reflected that.
In reality the ankle biter only has huge strength and a nasty attitude.
After he succeeds, he reveals himself, furious at her perfidious attitude.
One can understand the teenage John Lennon's attitude towards society, especially since his love of rock 'n' roll fueled his political views.
I think most people who have commented on this movie have watched it with the wrong attitude.
I reckon that writer/director John Gilling then added some fictional elements to his film, like the characterizations of the main roles, since Hare's persona is almost blackly comical and Dr. Knox' attitude is stubborn and typically obnoxious like nearly every scientist in horror cinema.
Her attitude alienates her from homelife and family which leads her straight into trouble.
Instead of showing appreciation for his efforts to save the lives of her and her family, however, Houston proceeds to fight him at every turn, insulting him, mocking his attempts to turn her house into a secure area and generally making a complete ass of herself, and her attitude spreads to her entourage and hangers-on, all of whom turn on Costner.
One guy said he thought the movie rocked but after repeated viewings he thought it sucked, and that's a video game player attitude - movies don't have to have good replay value, it's okay to enjoy them once.
Rather condescending in its attitude towards western stars (as non-western movies tended to be in the 1930s, 1940s and 1950s), Cowboy From Brooklyn was another step backward in the (temporarily) fading career of Dick Powell.
There was a lot going on in this movie including a film with a film, a carefree attitude, along with a harsh, deadening one that seemed to be somewhat jarring for this movie.
These topics are subtly woven into the rich tapestry of the plot and I was left not only captivated and deeply moved, but it has also led me to reassess my outlook and attitude to life.
Forget the cruel world and your cineast attitude.
I usually adore his cast of freaky characters, his hyperbolic dialogues, his great music selection and his DIY attitude.
There was no "rah-rah" attitude anywhere in this film.
"What Do You Say To A Naked Lady?" is a fascinating look at the sexual-social attitude changes in the United States during the transitional late 1960s.
Much of Miller's appeal comes not just from his go-to-hell attitude towards life and art but from the way he expresses his sentiments on the page.
Verne seems to adapt best to the screen with some Spielberg like tongue in cheek attitude, which is sadly lacking in this film.
Like most made for tv movies, this potentially moving film about the plight of a very brave disabled little girl is hi-jacked by a script that always sticks to the obvious, dialogue which is painful in its banality and a patronising, simplistic attitude to the issues that it raises.
After watching this film on CMT recently, having not seen the film since I was a young man in the '70s, I was impressed by the fact that the filmmaker had definitely captured a time and an attitude prevalent in the South.
It's the sort of situation where her relatives sort of irk you, but you can't help but admire them (mainly due to Flora's snobbish attitude about everything).
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