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Artificial in sentence

1025 examples of Artificial in a sentence

Slick and artificial as it is, the film has its charms.
He was also the founder of modern day computers and artificial intelligence (just Google 'Turing Test').
Artificial ozone?
Jayston managed to bring the character to life as none before of after him has managed; the viewer never has the feeling that he "plays", that he is artificial; he really becomes Rochester while on screen and looks like he feels any line and any movement he is acting.
Animated Coke ads were far more entertaining than this cliché-ridden garbage: armies of Munchkins borrowed from Wizard of Oz, ear-splitting insipid music stolen from Star Wars to induce an artificial sense of excitement, a forgettable tale of morals with no morals.
He's also a one-note actor, like Bernie Mac in a way because his acting range also consists solely of gulps and looks of surprise in response to stupid, artificial situations.
The Bad Guys brutally rape Gaily Morton and get away with it, leaving her brother Albert Morton (who conveniently is working on Artificial Intelligence) to seek revenge after her suicide.
when this director will direct a original film..Surya acting is very artificial. he has to learn a lot. the budget is too high with bad quality.totally
As a result it has an artificial feel to it, and does not cut it as a movie.
The movie is 35 years old now but it is still the most intelligent and accurate portrayal of Artificial Intelligence ever put on film.
Although BOB is largely free of the artificial dialogue which spoils many of Woody's other films, it was spoilt by unrelenting and continuous overacting.
Even the original "Brat" was influenced by these ideas - to depict how artificial this life of "raw power" was.
The problem with the movie is its awful script;The dialog is so stilted and artificial were shocked that doesn't involve androids.
The sets may seem a little dated, but the story is every bit as exciting as it was then, and given the developments in computer technology and artificial intelligence, even more relevant.
But for those with an openness & romantic spirit, even with the artificial, high tech volcano scenes of the day, this is good attitude adjustment of modern life in civilization.
The major flaw of this movie, which struck me after the first 20 minutes is that it is somehow artificial.
All of his movies are extremely stylized, with slow motion sequences, wide lenses that slightly distort the frame, and privileged, depressed characters with family issues all thrown together in a slightly artificial, timeless, carefully detailed environment.
For generations, the people of the City of Ember have languished in a world of artificial lights.
The overriding theme is not man creating artificial life, and the consequences of this action.
Overall, the film virtually leaves us as an audience to feel, when all is said and done, that it is little more than an artificial and slightly shallow misrepresentation of many real-life situations similar to what Panabaker's character goes through here.
The acting is perhaps deliberately somewhat artificial, but in a few cases gets downright hammy.
Today it remains a still timely, pertinent and even frightfully plausible cautionary tale about the perils of artificial intelligence run amok.
Too much of an artificial appeal to be realistic, too pretentious to be funny, too silly to be taken seriously: so the film doesn't even make it to be a "good bad movie".
If you want to see a truly natural and realistic movie without artificial lighting (except the electric lights already at the monastery) this is for you.
Simply put, life is a virtual-reality dream controlled by a master artificial intelligence, a computer ruling the world in the conspiracy to end all conspiracies.
Characters are flat, artificial, they declare but not talk.
A handful of scenes work (particularly the moments between Muni and troubled youth Billy Dee Williams), yet the doctor's relationships with his eager-beaver nephew and stalwart wife are sadly artificial.
Into this artificial, romantic world comes the dialectical opposition: Laurel & Hardy, with their arguments and bad luck.
The greatest sequence involves our heroes attempting to get a piano across an Alpine valley rope bridge - the precarious position of artificial human culture within a dangerous natural world is exposed.
In the end, the composer welcomes his wife back and accepts the artificial, anything-but-innocent nature of his art.
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