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Argue in sentence

2151 examples of Argue in a sentence

No one would argue that this 1945 war film was a masterpiece.
I'd argue that the whole point of using drawn animation (instead of actors/CGI) is to really push the limits of imagination and design; to do that which is too difficult/impractical in other mediums.
But it's hard to argue with that assessment, even if it is presented to the viewer somewhat unsubtly.
Now, one can argue that Goldsworthy's works are a reflection of mortality, or words to that effect, but isn't it easier to say that what he does is just beautiful art.
You can make an excellent case that this is Russell's best performance and I probably wouldn't argue.
O'Brien and Scott argue over teaching methods, while their students vie for the affections of Anne Shirley.
The plot centers around Max and Diane trying to capture Livingston while they fight and argue with each other about who gets the money for the respective agencies, throw into the mix the Assassain Sutherland, who pretty much has all the good one liners, this is the perfect crime caper, there is the usual love story,, but played very differently than you would think by Carerra and Griffith.
I'm not going to argue which one is better, but I will contend to the idea that they share the same message.
It is possible to argue that the the NOFTH and Shower themes are similar, and that Lillian Gish in the former represents the purest form of Christianity as the operators of the bathhouse represent the purest form of Daoism.
I would not in any way argue against such an interpretation.
If we're willing to accept that the Germans were not the only filmmakers to create expressionist cinema (and that those above-mentioned characteristics are not prerequisites for expressionist film), then I would argue that Dodes'ka-den (DKD) is a prime example of this type of film.
You could argue about the twists being predictable.
My sisters and I joke about what the perfect meal would be from her, and we always argue because there are so many to choose from!
The Long Voyage Home is a compilation film of four one act plays by Eugene O'Neill who some will argue is America's greatest dramatist.
Even when they argue it is done with mutual respect.
You can only argue about a great film!
One can argue that Charlie Chaplin wrote, directed, and starred in greater films than his neglected 1928 gem, The Circus, his last fully silent film, which he also wrote with Joseph Plunkett, but one cannot reasonably argue that he made a funnier film; nor can one argue that The Circus is not a great film itself.
I don't care if he decided to do a comedy, but this one is so lame, boring and vulgar that I'm shocked.Some people seems to argue about the fact that this film is pro or anti drug, but that's not the point.
One could argue that the Federation Network television deliberately parodies current television propaganda hypocrisy and contradiction of glorifying both extreme militarism and religion.
You might argue that this is a portrait of just one teacher, but why are we not provided any examination of Auster's motives or character flaws?
Hires Karloff AND Lugosi, buttresses them with a couple pug-ugly manservants and a truly goofy romantic-interest duo, and puts them to work: running through this outrageous modernist mansion built on a WWI bunker (they have electric clocks!), performing satanic rites and playing the organ, murdering (and stuffing) wives and daughters, settling ownership of virgins with a nice game of chess, fainting a lot, flaying each other alive, listening to stupid ass cops with feathers argue over whose home town is prettier, plus a line that EVERYONE should have implanted in their brains: "Supernatural - perhaps.
People may argue that's its contrived, ridiculous, and all that garbage, but this film isn't to be taken seriously.
If you want to argue, just go look at the results of the Soap Opera Digest Awards.
The film certainly contains scenes of horrific, deplorable, violence, but I would argue that the over-the-top 'cartoon' violence is done to let the audience know that the film is not meant to be taken too seriously.
There is no way to argue something like this.
Some say that art imitates life, while others argue that life imitates art.
Besides, you can't really argue with teaching kids that they can get where they want to by working at it.
Please, I beg you, argue with me on this one.
I know there are those who champion The Idiot and No Regrets for Our Youth, and even the one film I had previously seen from the set, I Live in Fear, is quite good (though it's hard to argue with it being a lesser film is such an outstanding oeuvre).
While some people argue that "H.R. Puffinstuff" was the most psychedelic, drug-fueled kids' show of all-time (and of that period), I would say it comes in a close second to "L.L."! Watching "L.L" now, you can almost picture the haze of pot smoke and LSD trips the creators and writers of this show must have gotten their ideas from!
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