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Approaching in sentence

811 examples of Approaching in a sentence

Approaching the climax, they apparently ran out of budget as well, since the lighting becomes very poor and the guy in the monster suit isn't very well camouflaged anymore.
This movie gets an D- rating approaching an F
I was so eager to see this one of my favorite TV shows.I saw Universal trademark followed with a newly acquainted title and theme song which still impress me.Computer animation on some scenery like a solid title name"The Jetsons" or a dimension view of a spaceship approaching an amusement park and more made this version splendid and fantastic.Shortly after that till the end...I couldn't believe my eyes!!!!How lucky I was that I could forget all I had seen.Just songs by Tiffany and its theme song in new arrangement were in my head.Anyway,I wish to see this space-aged family (also The Flintstones and Yogi Bear) in all graphic computer design as Toy story or Bug's life.The best style for Hanna-Barbera's in my opinion.
But there is nothing approaching the scenes depicted in the film.
Now that I am approaching their age, I still remember, and find I understand many of the things my kids love.
Sure, the viewer is treated to numerous fine scenes of Los Angeles in the thirties--I especially liked the view of the trolley approaching the tunnel, and the tram rising up the hillside--but in a sense this fine cinematography is self-defeating, because it creates a mood that "something's going to happen"--and nothing does.
While not even approaching Ozu in greatness, Hou has communicated nothing of Ozu's depth of emotion and concentration on meaning within a closed space.
This might work as an allegory, if Julian Po had any defining characteristics or anything approaching wisdom to impart.
As Ed falls on to one of his arrows and notices his enemy approaching him, cocks his rifle, only to shoot the floor as he falls with an arrow in his neck; was possible the greatest piece of cinematic shooting I have seen in a film.
In fact one almost can't help drawing comparisons to the last 'Prime Suspect', as one of the sub-plots focuses on a single, cynical female cop approaching retirement: and it's not just the absence of Helen Mirren that makes the comparisons unfavourable.
Super-slick entertainment with a stellar cast, an outstanding script, and a firm grip on the approaching 1950's.
Given how many recent trilogies have stumbled over the finishing line instead of striding triumphantly through it, I was somewhat wary of approaching "The Bourne Ultimatum" but I really shouldn't have been worried.
Many directors have turned Greek tragedies into film, many directors have filmed contemporary stories as if they were a Greek tragedy, but no director, in my opinion, has succeeded as admirably as Ettore Scola in approaching the purity and force of the great Greek tragedies both in story line and formal setting.
If you approach this film expecting an actual movie, you might as well be approaching Satan expecting a hug; although that may well be possible if you greet this film's Satanic figures.
In Canadian director Kari Skogland's film adaptation of the Margaret Laurence novel The Stone Angel Ellen Burstyn is Hagar Shipley, a proud and cantankerous woman approaching her nineties who wishes to remain independent until the very end, stubbornly refusing to be placed in a nursing home by her well-meaning son Marvin.
I can understand why Connery would want to re-image himself, especially since his time as James Bond was approaching its end.
But focusing on heroism alone dangerously narrows down the subject and approaching it from an American viewpoint warps and twists it into a failure.
The story is about a beautiful young girl, Blue (Nina Siemaszko), who is approaching sexual maturity.
Scene of the spaceship approaching planet (repeated more than three times of course), tough soldiers, colony on the planet, Ripley character, Hicks character, Newt-like character, Burke character, elevator scene, what more do we miss...?
He is the ultimate anti-hero and villain, slave of his own contradictions, master in dupe business, putting up with his proper suffering, rejected by the woman of his partner(probably Sara is also the woman of his dreams)in this game of personality mirrors which deserves a warm and cautious approaching as well as passionate comprehension.
1) The Jag is seen approaching the starting line with no race number, and in the next shot it is still approaching the start bearing the '55' that had been allocated.
Although the remake in 2003 was excellent and had a tighter, more involving plot than this film, it breaks a barrier because rather than directly approaching the style of the remake and trying to live up to its success, this equally grisly thriller ignores all of the gloss, cinematography, pacing and story that it was inspired from.
But seeing it today in the 21st century and knowing that there is as far as I know NO Movies today that even come close to approaching the examination of marriage/love/friendship that Bob Carol Ted and Alice does I feel like I've accidentally stumbled on a forgotten gem.
I think I am approaching this film with a slightly different perspective than a lot of people here.
Now I am al for pretty pictures, but as I was approaching the end it just all became a bit too much: the predictable switches between high and low society, the over-the-top staged settings (Bella Wilfer in front of her cottage in the last installment), the stilted switches between scenes.
Kudos goes to the director and his creative staff for approaching this heavily debated topic with such fearless creativity.
Miss Kerr was approaching 50 years of age when this movie was made, but was able to been seen close-up and naked with Burt Lancaster in what what must be one of the few (if the only) scenes where Miss Kerr reveals all.
My memories of the film, which was played over and over again on the closed-circuit television network of the USS Forrestal during my 1974 Mediterranean cruise, were two: Richard Burton hoovering booze from the floor of his limo and Walter Matthau approaching Candy for sex in the cockpit of a military transport (this scene was repeated in Private Benjamin with Goldie Hawn).
You can tell what sort of movie this is by the way the music changes depending on whether we're looking at the (extremely phallic) American or Russian missiles; whether we're watching them changing aim, whether we're watching them launch, whether we're watching them run out of fuel, whether we're watching them approaching the asteroid or strike it in a cataclysmic 'strobe' effect or whether we're just watching them gleam in space.
Robin Williams plays Jakob, a Jewish prisoner in WW2 Germany who hears some news about the approaching Russian army, and lets it slip to his friend Mischa who believes Jakob has a radio to have gotten this news.
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