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Angles in sentence

328 examples of Angles in a sentence

job here with solid camera work, using a creepy setting, good angles and keeping the film at a fast moving pace.
While most looked as cheap on screen as they were to make, Warner Bros. (which abruptly stopped making them in 1946) often distinguished theirs with offbeat camera angles, mirrors and optical effects, thanks to some creative directors like Jean Negulesco.
I happily admit that I'm a sucker for a beautiful film, and sufficiently inventive camera movements and angles can be enough to keep my interest in a fairly long film.
A completely original concept, some screwy camera angles, and one Bruce Campbell make for an entertaining combination.
Murders are done without a feeling, and are often cencored using different camera angles.
A mulligan stew, inherently of low expectations: throbbing music; lots and lots of different locations, sometimes interesting but fleeting; abundant gun play; a plethora of characters (more than indicated by IMDB); wild camera angles, till they tire of them; deceit and treachery all over, with vaporizing loyalties; super high-tech weapons; and something about intelligence agencies, computers, encrypted passwords, and critical databases doctored by the good (???) guys for sale by the bad guys to unseen other bad guys of murky pedigree.
The camera angles are often unique as well and give the entire scenery a strange sense of familiarity although they are actually portraying future scenarios.
Director Brian Yuzna's camera angles are inventive at first, but the music-video edits occur so regularly that they become annoying after a while; yet perhaps the one thing "Faust" can hold to its name are the impressive special effects (impressive for such an obviously low-budget production), even though I'm of the opinion that people shouldn't even bother adapting comic books to film.
However, in this case, as a result of the butchering, the story does not make sense, lacks any depth, and is a disappointment from A to Z which the director tries to hide by using cheap effects and repetitive and lame shooting angles.
The shoot-outs are amazing and the camera angles are just dazzling.
I am both a movie fan and a fan of this type of comedy so I can appreciate it from both angles and I love it.
There is something both enchanting and disorienting about watching a Christopher Guest film that features conventional camera angles and a narrative structure.
He was very good at camera angles and editing and this film falls flat on both those counts.
Robert Zemeckis does a great job here, with awesome camera work, good angles, and keeping the film at a very fast pace!.
Bill Rebane does an atrocious job here with inept camera work, terrible angles, making everything look cheap and amateurish, and keeping the film extremely dull throughout.
The camera angles and lighting make up for the lacking plot line.
All the sharp cutting and ridiculous Camera angles can do nothing to hide her lack of skill and rhythm.
I found this a very refreshing film in that the camera angles are creative without becoming annoying, and the focus is on the characters rather than on effects.
I enjoyed almost everything, the emotions, the story progression, the camera angles, the pacing, the acting, blah blah blah.
Kim Manners does an absolutely superb job as first-time director on the show - his weird camera angles and movements and spooky lighting really ratchet up the horror factor as the story progresses.
Great camera angles that create more suspense help you really understand what they are going through.
All the fight scenes took place in the dark making it difficult to see the action and the camera angles suggested that someone else was doing Mr. Seagal's fighting for him.
I just totally dig the cool music and the rad camera angles!
The very uncool camera angles and quotes like "Come here you sexy bitch" just makes you think that the movie is made by some sort of primate with the brain the size of a peanut.
The first things you notice is the great soundtrack and the film ( camera angles, etc.) itself is engaging.
Dutched, off kilter camera angles, jerky, idiotic camera operation, poorly framed compositions, blown out exposures, thrown focus--you'd think between the "DP", the director and all the "lighting assistants and ACs" listed in the credits, one of these guys would know how to look at a digital viewfinder and compose a proper shot.
The camera angles had me dizzy at times.
The camera angles and close-ups are runny and imprecise.
Good looking, and with camera angles and tricks to disguise his short height, he was soon a leading star at the studio.
It seems that the director was experimenting with camera tricks--something he put to great use in NAPOLEON--featuring a "tryptic" view on the screen of three separate scenes in this film and many odd camera angles.
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