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Woman in sentence

8132 examples of Woman in a sentence

The suicide of a colleague of the woman that seems to set off events in the film is not a subject in itself.
In the first 15-20 minutes there was nothing but topless teenage girls with no brains running about (for a moment there I was wondering are the zombies brain-dead? or the girls are?) then at night time the zombies popped out of nowhere & started attacking people later a woman started shooting them I mean it takes you one place then the other every 5 minutes.
About a woman who commits suicide in a scene more fitting a horror movie, she is given the opportunity to return to earth briefly to live the life of lust she never did before in her mundane life.
Denzel Washington is weighed down with the clothes and bad-ass jive talk of a "Shaft" movie thirty - five years earlier (he even has that "no-one understands him but his woman" thing going on, replete with his "hot" girlfriend, baiting her with some downright crude and inappropriate "dirty-talk") and his mild "In The Heat Of The Night" riff with Willem Defoe (in almost a bit-part) raises barely a ripple.
The "eye candy" of this movie looked to be a 50 woman with a bad face lift.
An unpleasant woman and an equally unpleasant man are violently and horribly assaulted by a group of two-dimensional psycho thugs during a night-time encounter on a forest road in Shropshire, England.
The token troubled black guy (LL COOL J) who is with a gorgeous woman who he otherwise would not even belong with in real life.
There is this girl and she's running in the woods but she ends up at this woman's clinic and she wants an abortion.
Redgrave's character was unappealing as the 60 something woman trying to compete with Thurman's 20 something for the love of Fox's character (why is beyond me).
The only thing the film had going for it was the cutesy moments, the scenery, and the character of Violeta being a strong, independent woman during times when women were not really associated with those characteristics.
It's as if the screenwriters try to make Michael into a woman.
Poor, old-country-beautiful Sophia Coppola is saddled with a hopeless role, with too many short lines in the film that don't fit what a young woman would say in casual conversations - was given "remarks" rather than "lines" to emote.
The young woman is kicked, beaten, submitted to continuous noise via headphones until she drools, and then pelted with raw meat and innards and left hanging in a hammock out in the woods somewhere.
This is a sad movie about this woman who thought her ex who she loved so much was probably dead, but really his scientist dad had just put a spell on him to turn him into this really cute shark-guy.
The scientist guy is a good dad who tries to reunite his fishy shark son with the woman he was engaged to, he even arranges for them to have private time for s-e-x, but the woman in this is a really shallow snob and thinks the shark-guy is an ugly, icky monster and wants nothing to do with him.
I mean any normal person would suspect something is up when a strange woman suddenly appearing out of nowhere to seduce you, let alone an experienced hunter.
This October, Lifetime takes a break from the courageous tale of a woman surviving (insert disease name here) to tell the somewhat creepy tale of a woman pursued by a stalker ex-boyfriend.
Three years after this, she would star in "Airplane!" as the woman who hangs herself while listening to Robert Hays pine for Julie Hagerty.
The talented Barbara Stanwyck is undone by a sudden metamorphosis from independent and assertive woman to a compliant female of the kind she has put down all her life.
At one point her character finds her husband in bed with another woman and she forgives him about five minutes later.
There's nothing romantic about a deadbeat rock star and a woman who can't seem to realize it until he actually dies.
To add to her amazing talents, her portrayal of this woman was why I was engaged.
There's plenty wrong with suggesting a woman who could get herself to an African jungle in 1910, could be this offensively stupid and plastic.
She tries turning this distinctly unlikable woman into a shadow of her own personage (lots of kooky outfits), but it doesn't sit well with the viewer since Keaton has always been warmly likable and flexible in a flaky way.
Here, she's a crazed harpy who doesn't learn many lessons on her journey of self-discovery (the movie quickly forgets it's about a dead young woman and becomes an odyssey for the nervous wreck of a mom, who appears to be an overage hippie who has never lost anyone close to her).
Keenan Wynn has a few amusing scenes as the rich old man who runs the athletic program and doesn't think a woman should coach sports.
Stella is a GOOD woman, and a VERY GOOD mother.
Annik Borel plays a disturbed woman believing her families ghost stories that her ancestor who eerily resembles her was a werewolf, and believes their fate are destined to be the same.
In this movie, the old Amitabh Bachchan falls in love with a much younger woman, again.
The younger woman, Tabu, flirts with him.
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