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Woman in sentence

8132 examples of Woman in a sentence

One forgives banal plots and stupid unrealistic dialog in opera, but why waste Hayak, Don Sutherland, a beautiful rendition of LA in the 30s, a deus ex machina earthquake that conveniently kills the other woman, and all that beauty on this mediocre turkey where there isn't even any beautiful singing?
Acclaimed Japanese director Takashi Miike can't seem to get the wheels moving with this torpid thriller, an adaptation of Yasushi Akimoto's book concerning an evil old woman (and child abuser!) who is part of a new urban legend: if your cell-phone rings with a strange tone--and you see the message 'One Missed Call'--you will replay the message only to hear your own final words before your death.
No mermaids are featured here either as a beautiful island woman tries to escape the clutches of her people, who worship a god and try to force her to be its bride.
The premise of the story revolves around a fat lawyer, always on a diet, who "accidentally" kills an old gypsy woman.
The father of the dead gypsy woman places a curse on the 3, with our main character, Billy (the lawyer) getting thinner and thinner by the day.
A young man kills a young woman for no reason.
The film portrays France's unresolved problems with its colonial legacy in Western (Francophone) Africa through the befuddled and complex psychoanalytical prism of a young woman, France (herein symbolically representing her nation).
It is an often engaging and challenging portrait of a young woman's desire to come to terms with a traumatic moment in her past, in particular, and a nation's desire to reach out to the 'other' it once 'owned' and moulded.
Once the preliminaries are out of the way (with the predictable arguments over whether or not a woman should take part), this becomes a fairly engrossing entry, though one which breaks no new ground (it instead resembles something from Gary Cooper's era).
At one time, there is a song being sung by Bjork to go along with the ephemeral rituals being played before us, and at other times there is just a constant droning of a high-pitched instrument, which we see a mysterious woman playing at the beginning and end of the movie.
Imagine a woman alone in a house for forty five minutes in which absolutely nothing happens.
On paper, the script seems hopeful, and the choice of actors leaves one with hopes - I liked Pacino in Scent of a Woman and have seen Anny Duperrey and Marthe Keller in several French and other films of the 70s/80s.
Very low-budget police procedural film about homicide detectives trying to solve the murder of a woman whose body turns up in a stolen car in Central Park, and their only clue is a tattoo on her arm.
When Maddy accidentally murders a woman in a parking garage because of a dent put into her car by this person, she finds that Shawn's pals were jerking her chain.
"A young woman suffers from the delusion that she is a werewolf, based upon a family legend of an ancestor accused of and killed for allegedly being one.
Bo Derek is the opposite, always playing a strikingly handsome young woman with or without clothes.
Whoever thought the idea of a woman being brutally raped with a stick of butter was comedy gold deserved to have his head handed back to him on a platter of dog mess.
The story is typical mystery material: killer targets newlyweds; woman investigator falls in love with her partner and is diagnosed with a fatal disease.
Bogey basically plays the same character as in the Marlow films; always in control of a situation, never nervous - no matter how dangerous a situation, calls women "slim" and "dames" and other such nonsense, is the only "real male" i.e. alpha male in the movie (the only other alpha male male being the head of Gestapo - but he is only a fat alpha male male), and - naturally - every attractive young woman who comes his way cannot resist his charms and wants his penis within hours of their initial introduction.
If a man can get away with living in the flat of and professing to love one woman, sleeping (mostly in this very flat) with another, and running around Paris proposing marriage to yet a third, well, I suppose I can wish him the best of luck in the dog-eat-dog world he's chosen to create for himself.
However, interest soon turns into stunned disbelief as you realise the 'alien' is a huge body-builder woman in a steel bikini.
Distasteful, cliched thriller has young couple doing cross-country research on America's most infamous murder sites, becoming road partners with a dim-witted young woman and her snarling boyfriend--who is an actual psycho.
Herbie, the Volkswagen that thinks like a man, is back, now being driven by Maggie Peyton (Lindsay Lohan), a young woman who hopes to become a NASCAR champion.
The film, however, takes a standard stance for the time it was made, portraying this woman's experience as harsh, unforgiving, and nearly pointless.
In A Woman Under the Influence Mabel goes crazy, but I can see why she does go crazy.
As did the scene that was repeatedly seen over and over again of a woman's arm centered in swirling flames after a car crash.
A woman's nightmares fuel her fear of being buried alive.The cheating husband wants her dead and decides to make good use of her phobia by sticking her in a coffin and leaving her in the basement.Of course B-horror movie queen Brinke Stevens transforms into hideous ghostly creature.The only reason to see this amateurish junk flick is Michael Berryman in a really small cameo and two sex scenes with Delia Sheppard.And the last twenty minutes of Brinke's bloody rampage are quite fun to watch.The special effects for example laughable decapitated head are truly awful.Better watch "Scalps" or "Alien Dead" again.Of course I ain't expecting classy entertainment from Fred Olen Ray,but "Haunting Fear" is too dull to be enjoyable.
Guernsey is the story of a woman who suddenly starts looking at her own life.
The plot had potential (who wouldn't love a movie about a woman who accidentally kills every Elvis impersonator she meets?) but it got screwed up a million different times by really poor writing.
As for the rest of the cast, Yvonne De Carlo is adequate in a most vacuous role(though showing more cleavage than usual for a woman of her years and experience).
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