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Woman in sentence

8132 examples of Woman in a sentence

Why Tatyana Samojlova as the young woman didn't become an international star after this is beyond me(though she has remained successful in her own country).
You take the journey with her: young, defiant impetuous young girl, who, through the ravages of war becomes a very sober, somber woman who keeps a glimmer of hope (her final scene is devastating).
He is perfect as Jonathan, a curious man that heads for Ukraine to find the woman who saved his Grandfather in World War II.
I love all the characters, especially Alex, who is the PERFECT woman!
Dylan thomas is not the hero as sadly he was not throughout his life and neither really are the so called 'feisty woman' of the pr spiel.
a man that leaves the woman he loves to fight a war that they ignore.
The ravishing woman first panics and then, only a few minutes later, she starts kissing the young lad while the old guy is right next to her.
A man driving on the road at night comes across a woman that is in her slippers and bathrobe and picks her up, while in the background yet another woman lingers, wearing nothing.
As they drive along it's obvious that there is something not right about the woman, in that she forgets things almost as quickly as they happen.
The man leaves for work and some strangers show up at his place and take the woman away to this 'tower block', a huge apartment building referred to as the Black Tower, where others of her kind (for whom the 'no memory' things seems to be the least of their problems) are being held for some reason.
Time and events march by in the movie, which involve mostly trying to find what's going on and get out of the building for this woman, and she does manage to call Robert, the guy that picked her up in the first place, to come rescue her.
It shows how the police took statements from the husband of the dead woman of the description of the man that killed his wife.
She is incredibly inspiring and her story is the story of a great woman !
When Julie's sister writes a letter to Louis asking her sister to write to her, Louis discovers that the woman is not Julie that is missing.
Further, he finds that the woman has cleared his bank accounts and left the island.
Louis and Julie's sister hire an efficient private detective Comolli (Michel Bouquet) and Louis travels to France seeking the woman, but he has a nervous breakdown in Nice and is submitted to an intense sleeping therapy in a clinic.
He recovers and finds that the woman, actually Marion Vergano (Catherine Deneuve), works in the Phoenix Club Privé in Antibes and lives in the low-budget Monorail Hotel. Louis breaks in her room and when she arrives from the club, she tells that she was happy with him but her former dangerous lover Richard had blackmailed her. Louis is still in love with Marion and escapes with her to the countryside.
Where the woman is the research aggressor in the book, it is the man in the film and the woman is never a willing co-researcher.
The "congresswoman up for re-election" sub-plot for the woman is also new, yet it works better.
I am going to see if Stu will come over sometime and do the box light wave thing when i'm doing it with my woman.
A woman on horseback named Amanda Marvin (Barbara Bach) is revealed to be Claudes saviour.
I think that Pierre Léaud, or his character, to be precise, is really outlandish but with grace: I also remember the chess player, and of the girl who seems to be appearing by chance in his home, something really curious...the woman acting as the lawyer, is to me one of the most beautiful actresses ever seen on the screen...but I must admit that the plot is too inconsistent to be taken seriously....The character who plays as the lead theater actor is really nice, especially when he's annoyed by the new actor, the one in purple t-shirt...also, the scene where the bearded actor - who belongs to another company - directs the stage is really fascinating and relaxing, as it often happens with this movie - for example, when they drink tea, they just make you want to have a cup...
I like the mix of real stories pertinent today (the stereotypical career woman who only has affairs with married men, therefore doesn't have a family when she is older) with ones that make you wish, "ah, if only I could fall in love with a doctor and he'll love me even though he knows my sordid past, and saw me all messed up after the scandalous accident!!" Also, I just got the DVD, widescreen, it's yet even more beautiful than full screen... Yay!
Don't let this mislead you; the film is not about a female reporter, a woman struggling to succeed in a male-dominated profession.
Although the main theme revolves around a delusional young woman, the story delightfully flirts with physics, medicine, religion and even politics as it questions our perceptions about what is true and what is real.
On board ship en route to the U.S., The Saint meets and tries to make time with a woman (Wendy Barrie) who gives him the brushoff.
It's ostensibly a road movie involving a disconnected young woman bored with domestic life, and pregnant with a child she isn't sure she wants, fleeing the trappings her dull marriage and hitting the open road in search of freedom.
Coppola also deserves credit for addressing the issue of domestic discontent from a woman's point of view in the culturally turbulent 60's.
Kathy Bates does an excellent job of portraying a woman of false faith who is either oblivious to her cruelty, forgetful or just doesn't want to be confronted.
In an early scene, Luca (David Pasquesi) and James (Jeff Garlin) are walking down a neighborhood street in Chicago, admiring the bucolic architecture, when a woman, angrily arguing in French on a cell phone, passes by them, prompting James to remark, "There's nothing hotter than an angry French woman."
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