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Woman in sentence

8132 examples of Woman in a sentence

Bihn, a tall muscular guy, is a son of an American GI and a Vietnamese woman during Vietnam War.
It would be nice if just once someone would create a high profile role for a young woman that was not a prostitute.
After seeing her in the likes of A WOMAN IS A WOMAN and A BAND APART, her presence here is quite jarring.
Most notable (?) is a scene involving one young woman who is tied to a chair and an apparently amorous German Shepherd, and while what's going on is merely implied (thankfully) it is probably a scenario that I could have done without.
The premise is about a gold digging woman, named Jewel who dates men to get them to steal and sometimes murder, so she can have all the worldly possesions she so desperately desires.
Eg: guy sees interesting woman in lobby.
The Disney studios' remake of their own 1965 slapstick classic concerns a clever feline leading an F.B.I. agent to a kidnapped woman.
Years later, the girl grows up into a woman with problems.
Only his motivation for dressing up like a girl is that he got mugged by a woman?
The blessing given to the young couple on the plane by the girl's coach is shmaltzy, the man who plays the saxophone is annoying, and the woman with the bladder problem is just plain silly.
There is a voodoo woman that loves the character Di Pace plays and in real life her name is Di Pace too.
There was an early scene of men in caps and moustaches sitting around a table, with a woman serving, and an accordion playing, that brought tears to my eyes, just because of the way it captured a way of life that must be incomprehensible to many today.
The whiny woman is never seen again(best part of the story), and the guys' corpse is found with no legs.
It started with that the woman he loved chose to marry his brother instead, causing him to leave his home town.
One of the swordsmen is Huang who is himself in the middle of a complicated love story, where a woman wants to have him killed for having ran away from a promise to marry her younger sister.
As the night draws on the few remaining residents, a fat woman named Rosalie (Diana Bellamy), a telephone repair woman Marsha (Katherine Cortez), an elderly couple Mr. (Bill Zuckert) & Mrs. Menges (Frances Bay) must come together with Clifford & his kids to fight the Critters.
Having a woman as one of the two detectives on the case puts a spin on the exploitation genre.
Right away, a woman arrives and announces that she is the wife's half-sister.
It had something to do with a stupid looking Aztec mummy, a 'human robot' that's the dumbest looking robot I've ever seen bar none, and a woman who is the reincarnation of some ancient Aztec chick.
First with a man and a woman playing music in a room, the man singing in a distorted voice through a mic, both of them apathetic in their task.
Other problems with this film are odd segments that have nothing to do with the core of the film, such as the opening sequence with two cleaning women and the woman in a bed with a severed hand climbing over her writhing, naked body.
Although the woman is quite adequate doing this it does nothing storywise.
Blake Edwards' film about a woman who is both music-hall entertainer and German spy during WWI doesn't know what tone to aim for, and Rock Hudson has the thankless task of playing romantic second-fiddle.
A young woman, Jodie Foster, is witnessing a mafia murder, reports the killing to the local police, and becomes herself a hit target by the mob operatives.
The only woman who shows any "balls" (unfortunate pun regretted) is made to look, talk, and seem like a guy, the other 2 women are portrayed either as sexual objects with one thing on their mind- sex / being sexy, with sex as their only attribute and skill (Iris) - or as freaked out pretty little princesses who's neurosis negates any strength and professional authority they had before all hell broke lose (Doc).
Kristin Scott Thomas is exactly the sort of woman you don't picture shaking hands with greasy ex-junkies in filthy slums, or squeezing into smelly crowds and kissing babies.
Anyway, Eric saves Dilly who is very impressed & decides to see if he can trust Eric in his shady activities like the cold blooded murder of a traitor, being the fine upstanding guy that he is Eric isn't impressed when Dilly kills a woman & he is asked to keep it quiet.
The plot focuses on a young woman living in an apartment block and being terrorised by a telephone.
However, her Eva Galli is creepy even before she meets her fate; I mean, a young woman who says things like "I'd like to take a bite out of you" or "Dance with me, you little toad!" is already not in the land of the living.
While Lopez de Ayala tries hard to portray Juana as a romantic and passionate young woman, completely obsessed by love to her handsome husband, it seems as if she weren't able to develop her character over this one-dimensional feature; Juana was an important figure in Spanish history, and politics of that time were essential in her storyline... but here she's introduced as a romantic leading lady out of a soap opera; this is a real pity, and the film a missing opportunity to show the way personal lives can influence History and vice versa.
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