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Western in sentence

4718 examples of Western in a sentence

All based on a Marxist conception of criminality in modern society that, by the way, still after 40 years rules among most criminologists in western Europe.
A must see for all western fans!
This is a notch or two above the usual "good guys vs bad guys" Western movie,being at its core about the need to bring about reconciliation after conflict ,in this instance the American Civil war .
It was highly reminiscent of both THE BATTLE OF ELDERBUSH GULCH and THE LAST DROP OF WATER--two other Western shorts he made in 1913 and 1911--as they were all about Indian massacres of White settlers.
He had the "Kings" who were of western (American) influence as the sort of rebel group, however harmless and sort of stupid, which I found funny.
I found all of the actors wonderful, the scenery so different from just a western and the horsemanship outstanding.
Errol Flynn rides to his first western in this Technicolor movie from 1939.Michael Curtiz' Dodge City is a fantastic western.Flynn plays Wade Hatton who has to safe the city where violence flourishes.It is ran by the villainous Jeff Surrett (Bruce Cabot).He runs the city with the ways of a dictator telling what to do and what to say.The citizens are helpless until Wade comes to safe the day.There is also a lady along.She's Abbie Irving, played by who else but the wonderful Olivia De Havilland.Soon there might be romance that flourishes.Errol Flynn and Olivia De Havilland work great together in this film as they always did.Whether they were in the Sherwood forest or in a western town, there was always chemistry between them.Bruce Cabot makes a fine villain.Alan Hale brings some comedy to the picture playing Rusty Hart.The brilliant Henry Travers is Dr.Irving.I must also mention the kid Bobs Watson, who plays Harry Cole.The scenes with him are the most moving in this film.I really enjoyed this western story.They should make more movies like this today.
"Tears of the black Tiger" is a one of a kind western from Thailand.
In other words, you're prepared for an experience that is out of this world.The best way to describe it is ... a hilarious and romantic candy colored spaghetti western with Asian cowboys and bloody shootouts.
Some of the better examples might be movies like THE FIGHTING FISTS OF SHANGHAI JOE, an Italian western with a Chinese star (Chen Lee) that may or may not have been inspired by the then-current American teleseries, KUNG FU.
Backing-up the big stars, you'll see all the familiar faces that made the western movies so watchable.
Of course, many of the immature, misguided western fans seem to want happy horse-riding hippies who talk hard and rough but don't live it.
The film itself has a Western feel to it, with the bowling alley scene, the easy wealthy living of the leading characters, the nod towards Arnie, the all American action hero and governor of California; Affluent educated "smart kids" leaving India to service the USA.I mean how many Indians live like this surviving on 20 rupees a day ?(80%)
This is one LOOOOONNNNGGGGGG and indulgent western, proof yet again that actors or singer/songwriters need to go to film school before spending someone elses millions.
In one, the government had chosen a family as a "model" to show off to some Western visitors.
i cant believe the writer is from another country, because the those problem of china is so complicated that to hard to be understood by the most of western citizens.
Whatever the reason may be - no resources or interests, an attempt to pacify mutual allies, or simple apathy because it's 'not a Western problem', it fills me with anguish to see the results.
To Western sensibilities, the characters are maddeningly uncommunicative, that is until pushed to the extreme of emotion or crisis.
It has the formula down for the typical old style western but it's done in a unique fashion.
Two years after their success with Django, director Sergio Corbucci and lead actor Franco Nero teamed up again for this western which, to the best of my knowledge (and surprise) was never released with an alternate title including the word 'Django'.
Much like his previous work, THE POWER OF NIGHTMARES, Adam Curtis' THE TRAP takes an intriguing and complex idea, the idea of freedom used by western governments, and expands it to three superb and detailed episodes, that looks how this idea has been developed, through cold war strategy, American psychiatry, political ideology and eventually to the Blair government and its use of free market ideas and target strategy's in public services.
Slightly overrated in its day, this is still a solid western with good scenery (Death Valley?) and a striking Indian attack involving barrages of incoming arrows.
Even if your not a western fan this show might still be for you.
Even more unfortunate, is the fact that he has succeeded in persuading a large percentage of the Western world to agree with him.
Not even the Miklos Rozsa Oscar nominated score (a mediocre one at that) can save this boring, Grade B western.
The worst part is the ending where Tom Cruise (an Amercian officer who came to teach Japanese the modern Western war technique and subsequently underwent a transformation embracing the "old ways" of noble fighting with the katana sword) together with his noble friends dash in their last suicidal charge with the naked swords right onto the machine guns of emperor's army and... what I see: all Japanese are dead and Tom Cruise is still hanging on, all wounded of course, but alive and with this tremendously heroic face he tries to stand up, alone among the corpses of all his friends.
But you can tell western electric was still playing around with sound trying to get the levels right.
It is a "catastrophe" movie, even though it has nothing to do with the typical western idea of such a happening.
The characters are not typical western heroes, willing to sacrifice themselves for the sake of the collective.
Okay, first why steal the title from a classic western if not just to yank a few more bucks from their clients (us) when the so-called remake is butchered beyond belief.
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