Example collocations logo

Weaves in sentence

37 examples of Weaves in a sentence

And so in the reverse engineering process that we know about, and that we're familiar with, for the textile industry, the textile industry goes and unwinds the cocoon and then weaves glamorous things.
Or we simply cover our hair up with wigs and weaves, only to let our roots breathe in private where no one knows what's really going on under there.
She weaves stories of the powerful kings who once ruled their land – brave warriors who were slain naked in combat but who will be reborn, as will all the Celts.
Penicillin binds to one of the compounds that weaves this mesh together and prevents the wall from being reconstructed at a critical phase.
So with Linda's future in the balance, Chili weaves an interesting web which will include a record producer (Thurman), a gangsta sound mixer (Cedric), the Russian mob, the police, Aerosmith's lead singer Steven Tyler and a whole lot of angry gun pointing.
This movie attempts many things but never really accomplishes anything, the plot time travels, meanders and weaves along without really satisfying.
The "flashback" then incoherently weaves together old footage from totally different eras, and of totally disparate film quality.
"Fire" speaks out against the misogyny and homophobia in the society to which its producers are native, and it does so with a beauty that weaves the message into multiple levels of the viewer's awareness, making it a deeply satisfying presentation.
All of the performances are stunning, and the script weaves among the various characters at the dinner beautifully.
What was most surprising was the fact the the movie appears to start off as a satire and then slowly weaves into a genuine commentary on the negative and sometimes violent reactions of the very group it started to satirize.
Its appeal is that, though there's not a lot to it, it weaves an intriguing atmosphere, and because Ida Lupino and Howard Duff (real life man-and-wife at the time) display an alluring, low-key chemistry.
It weaves interesting single and double episodes of crime-solving together with a personal aspect that you just don't get in CSI.
This is a film which weaves 6 couples together.
The film weaves an intrinsic web of motivations and double crosses that snare you and refuse to let go.
It weaves an intense web that left me unable to take my eyes off the screen until the closing credits.
Kurosawa weaves a tale that has a cast of characters as diverse as any Shakespearean drama, and the acting is true to the story, with each star playing their role as a part of the larger tale.
Kallio weaves an intricate tale of torment drawing on both the Bible and Poe's writings.
"Angels" weaves the story of Roger and J.P., two Anaheim foster kids in love with baseball but searching for a family, with that of the woebegone Angels franchise, struggling to draw fans and win games.
The ending (with some new additions, I presume?) successfully weaves all 6 chapters into a wonderful tale of fantasy.
The film weaves the idea that we are all criminals, no one is innocent.
"Magic" isn't too strong a word for the spell this film weaves.
OK so a 10 for a 2 1/2 star movie you ask?...well see this one and maybe it will make more sense.. Hitchcock never blended scenes together better....The film weaves scenes together flawlessly from the start and yet you don't get that scattered feeling you sometimes get when a movie runs you through the many characters it attempts to develop.
The film is also quite interesting from an anthropological angle in terms of how the documented phenomenon quickly takes root, consumes these good peoples' identities 24-7, organically grows, divides, mutates, rapidly spans generations and groups, sweeps up even infants who intuitively jack right in to the main line, and seems to strongly channel ancient ancestral rites straight into South Central, where it weaves a crazy web of hope and ecstatic optimism through the beleaguered community like beautiful wildflowers in a cracked asphalt lot.
Totally gripping; the story weaves between ancient myths and legends and present day reality.
The wonderful "September Song" weaves its magic throughout the film.
Orlando, written and directed by Sally Potter, explores this theme, but then also weaves another few strands along the way.
Roan Inish weaves its magic through the well written dialogue of characters who tell the story of a family ancestor who was a mythological selkie, as well as the lost infant raised by seals who populate the abandoned island.
In Stray Dog he weaves a tale that is part whodunit and part social drama.
The writing is top notch (Milch may be the best dialog writer going), and weaves the facts of the real history of Deadwood Gulch (one of the last American gold rush towns) with a few imagined characters amongst the many based on actual personages to craft and pace the storytelling properly.
Bouchard uses a few of the standard Star Wars pieces as jumping off points to some fine musical work of his own that nicely weaves known themes throughout in addition to adding excellent new character leitmotifs.