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Violent in sentence

2197 examples of Violent in a sentence

Comparisons have been made with Scorcese's Mean Streets and the squalid but recognisable world depicted there and truly Duris does have more than a hint of the early De Niro - that disarmingly sweet face allied to a troubled often explosively violent character.
Sticks and Stones is a coarse, crude, violent, and largely pointless film.
This feature is a grim, violent urban saga of a dysfunctional family that plays out amid the decay and ugliness of Harlem.
The film has an odd symmetry in that it opens and closes with scenes of drug overdoses which may explain why two impressionable youngsters who should know better get swallowed up drug distribution activities and violent crime.
Antonio Climati, a man notorious for Mondo cinema, which has some of the most disturbing and violent images ever put to celluloid, makes a movie that some high school kids could make.
Its an interesting parable on how the government uses scapegoats such as drugs and violent cinema (particularly that of Marins' films which were subjected to much censorship) to cover up other issues.
Part one is a pure creepy and extremely violent exploitation horror film.
Not that you can't tell he might've had a hand in some scenes, notably the most violent and abrasive ones where the hero of the title gets his revenge (albeit with the head of one yakuza and the heart & body of another, ho-ho).
The deliberate slowness of the camera as it moves throughout scenes; the way characters react to one another with little more than glances and smiles and polite gestures who imply much more than what they say; the theme of a rigid society and the woman who unknowingly disrupts it with her "scandalous" conduct; the story of a repressed love affair: this is not the stuff that makes Martin Scorcese films as he's more known as a filmmaker of aggressive, extremely violent films depicting mainly Italian-Americans in a gritty New York City.
This production incorporates startling relevant human relation issues that pertain to today's violent world.
However the concept of a very violent and aggressive Crocodile movie gets me a tad excited.
I'll even accept the horrendous sex scene which is just as bad as the abomination known as Ninja Scroll Resurrection, which by the way had tons and tons and tons of sex scenes bent on being violent and there for the sake of getting some sick and twisted individual horny as heck.
Hilarious, hysterical, violent, satire..
I love the style of Robot Chicken, how it uses stop-motion animation and turn it into something random and violent.
I must have seen worse movies than this - films that were offensive or overly violent.
Hung and Ann(Pauline Chan and Rena Murakami)are down-on-their luck prostitutes trapped in Hong Kong.Pauline's boyfriend,Sam back in China,who is under the impression that she is away working at a factory,is double-crossed by Billy Chow,and while looking to escape;flees for Hong Kong and winds up at the brothel where Pauline is employed.He is crushed when he finds out the truth..."Escape from the Brothel" combines plenty of gory fighting,romance,sleaze including several violent and unpleasant rape scenes and comedy,all into one.There is plenty of full-frontal female nudity and I'm not complaining about that.The violence is rather brief until the full-blooded finale,although one scene where a woman is strung up and has her nipples wired to a portable electric generator is strong stuff even for Cat III sleaze.A must-see for die-hard fans of smut!
Nicholas begins to vomit up leech like creatures that then start to bite & infect the other residents of Starline Tower who in turn go on a violent, sexual deviant rampage as the strange disease carried by these grotesque parasites spreads rapidly through Starline Tower.
As with all great thrillers the fear comes through the gradual realisation of what is really happening, rather than the continuous portrayal of graphically violent acts.
Thirty years after entering the cultural conscience with the his groundbreaking performance as Alex deLarge in A CLOCKWORK ORANGE, Malcolm McDowell returns to the screen in this unabashedly violent and emotionally detached film about envy amongst gangsters and the need to be the "gangster no.
When Trevor Blackburn awoke from a coma,he had no memory of his past.In search for answers,he breaks into the secret attic with another patient,as the others are being killed one by one.A darkly sinister doctor played by a horror regular Jeffrey Combs informed him that he'd been committed to a sanitarium for the criminally insane for the sacrificial murder of his fiancée.Thrown into a bizarre halfway house filled with strange psychos he plunges into a violent world of magic,nightmares,wild sexual escapades and torturous medical experiments.The above synopsis on the back of my tape sounded pretty good,so I finally decided to check this film out."The
It was cool, it was violent and the twist was really fun and unexpected.
It is somewhat interesting from a historical context if you are a criminal investigator or anyone involved in the study of serious psychological / neurological disorders or any areas of research that may involve violent dictatorships without any remorse to humanity.
I concede that the film uses rather ordinary plot devises of violent setting, young vs. old, etc., to contrast the characters' predicaments.
Recap: A brutish and violent gunfighter holds the little frontier settlement of Hard Times in terror.
Recently, near a London school for boys, several men have experienced violent, and unexplained deaths.
One goes to the video store and has to comb through aisle after aisle of violent, gory, immodest, indecent trash... and then you find a movie like this.
To me that movie was way too violent.
A mysteriously silent and beautiful female becomes number one lead for them and target of police investigation and questions and the more the film runs, the more we get closer to the truth and revealing the identity of the violent killer.
But toward the end of the movie, as it got darker, more violent, more depressing, I realised the importance of the musical bits.
Beginning with a drug store shootout that leaves three junkie punkers and a few policemen dead, this film is rapidly engaging and shows off Besson's violent chic.
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