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Tunes in sentence

115 examples of Tunes in a sentence

If you want a fun story with great tunes from a director who clearly put his heart into his work then check this out.
It has remained with me since then with its catchy tunes, memorable portrayals, less-then-successful animation, and a story full of heart, coldness, and ultimately good vanquishing evil.
The music is a real plus too with some old familiar tunes heard.
musical score does enhance the viewing pleasure.. Rahman a find of Rathnam has given some great tunes the lyrics r apt 4 the movie the locations used for the movie are very good and makes viewing pleasant the movie starts of in a light manner moves over to capture the feelings of the girl finally goes on o shed light into the life of people in war torn places across the world this is yet another classic from ManiRathnam
I love the characters, the great little tunes, and the very good drawings.
There are also some very catchy tunes in this movie.
Symbolism galore, great tunes, this film crushed their "soon to be no more" target audience's expectations.
It is a Ruritanian Opera Buffa without the tunes to send you home from the theatre whistling.
The tunes are repetitive, predictable, and tedious.
Even when the score is practically a throwaway, non-existent one depending on just a couple of catchy tunes.
Not only is it a musical with annoyingly forgettable tunes, the requisite cheesy effects and cameos by stars long past their collective primes, it seems to have been produced as somebody's good acid trip.
Drastically unfun, Heavenly Days is another reminder that the Devil has all the best tunes.
The soundtrack is an amusing choice of rock tunes.
Afterwards the only thing to see is actors incompetently mouthing the classic tunes, filmed in fake 20s black and white intercut with the likes of Beck and Shemekia Copeland raping the same songs afterwards.
The whole town turns out and the world tunes in.
The closest any come to catchy tunes are the title song and One Night Only - the much acclaimed And I Am Telling You That I Am Not Going is less a great song than it is a dramatic set piece for the character of Effie (Jennifer Hudson).
If you'd leave out all the footage of hunky boys lifting weights and yummy girls wiggling their butts and racks to insufferable 80's tunes, there probably only have about 15 minutes of story left.
A typical teens vs. Establishment story line is beefed up here with some absurdist humor (those exploding mice, that giant mouse, the Hansel and Gretel hall monitors) and some truly rousing tunes.
Kelly has earlier been established as a pavement artist in Paris, so the sequence is the logical ending to a musical bursting with life and energy, Gershwin tunes, and cast members like Georges Guetary and Oscar Levant.
The soundtrack features some very fun Garage-Punk tunes and the raspy, raucous meanness of it meshes well with the film's mood.
I am very familiar (from repeated listens) with the classic "Purple Rain" album and all its songs, but to see them in the context of the movie completely alters your perception of the tunes and lyrics - like COMPUTER BLUE, THE BEAUTIFUL ONES, WHEN DOVES CRY and PURPLE RAIN itself.
This movie features sweet tunes, MJ as robot, and a crazy, messed-up plot.
It has some Muppified traditional favorites, but also some original Denver tunes as well.
Recommend multiple viewings with some cool tunes, good friends and a couple of cold ones!
Whoever compiled it definitely was in touch with the tunes of each era.
Everything takes place in a bubble-gum colored world where everyone is attractive, there are some easily-resolved conflicts that occasionally take away from the mostly happy proceedings, and vast amounts of plot are summarized by montages set to bouncy pop tunes.
One of the most enduring animated films of all time, the Disney-fide adaptation of the gory Brothers Grimm fairy tale became a classic in its own right, thanks to some memorable tunes (including "A Dream Is a Wish Your Heart Makes," "Bibbidi-Bobbidi-Boo," and the title song) and some endearingly cute comic relief.
While it lacks the stand-out great tunes of SWNG TIME (although the final number "Face the music and dance" is one of the team's best and rightfully so), it is hugely enjoyable, as these two could virtually do no wrong together in the 1930's.
The sets and costumes are as lavish as any to be found in an MGM musical, the script is by the reliable Anita Loos ("San Francisco," "The Women," "Gentlemen Prefer Blondes," etc.), the Rodgers and Hart tunes (albeit altered a bit by MacDonald-Eddy regulars Bob Wright and Chet Forrest) are given celestial treatment by Herbert Stothart (Oscar-winner for scoring "The Wizard of Oz"), and best of all, the "singing sweethearts" look great in their contemporary clothes and seem to be having fun with the bizarre proceedings.
This is a musical the tunes are every bit as catchy to sing later as any of the other Disney films.
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