Transformation
in sentence
1295 examples of Transformation in a sentence
Her gradual
transformation
in character from an obedient if unwilling complicitor in social injustices of her day is adeptly evidenced by telling sequences: her witnessing of the hated local Duke's casual rapist activity, her forbidden love affair with a Jew, her criminal defection to the invading Moslem forces of the sensual Prince Ahmed (Anthony Corlan) There are some painfully realistic gory sequences (human flaying) in this film that are not for the squeamish, but viewers with strong stomachs and an interest in medieval history should find ample interest.
As Mildred Rogers, Davis burst forth with a completely unsympathetic role of a slutty waitress who becomes the target of Leslie Howard's affections, and already eager to sink her teeth into a role like this, she had no qualms of the awful things her character was meant to do throughout the course of the film and the awful
transformation
she would undergo.
The hero handles the garage mechanic to physicist
transformation
well.
It's so forthright, uneasy, repetitive and awkward, it becomes a static
transformation
of stage material onto film.
I think one element pivotal to werewolf films is "the
transformation"
scene, and this movie robs its audience of this payoff.
For a werewolf movie I was expecting somewhat brutal kill scenes and I was hoping to to see a man to werewolf
transformation.
This film should be about the characters
transformation
through their love for each other, but in the end there is exactly nothing that changes in either of them, except that we completely lose empathy for Collette's character at the moment we should be weeping with her.
No, I am not talking about the football team, but Borgnine undergoes a weird
transformation
where he dons horns and an entire male sheep's head!
And the
transformation
sequence of a human into a werewolf - something the original Howling was famous for - is bizarre and goofy in this movie.
Based on actual events, this movie recounts the
transformation
of a man sentenced to death by guillotine or in French slang "widow".
It is about the psychological
transformation
of a very conservative, and somewhat shy woman, into what in the US we would hypocritically call a slut, i.e., a woman who wants sex and is not averse to using it to make a living as only a woman can.
Sex, which was initially foisted upon a woman who resisted ferociously, effects a
transformation.
The woman who exists at the beginning of the movie is completely gone at the end, and it is the kind of
transformation
that can happen only to a woman.
Barbara Hershey's characterization is superb -- hers and the other performances had me mesmerized (like a frog by a snake?)-- it's that thing that actors do, that
transformation
that gives a shiver of the uncanny.
And another problem: in the french TAXI the
transformation
of the car it's made much better.
Sad, because it starts out with a bang when the prison fakes Liotta's execution and he is then transported to Dafoe's lab to begin his
transformation.
The worst part is the ending where Tom Cruise (an Amercian officer who came to teach Japanese the modern Western war technique and subsequently underwent a
transformation
embracing the "old ways" of noble fighting with the katana sword) together with his noble friends dash in their last suicidal charge with the naked swords right onto the machine guns of emperor's army and... what I see: all Japanese are dead and Tom Cruise is still hanging on, all wounded of course, but alive and with this tremendously heroic face he tries to stand up, alone among the corpses of all his friends.
It's really Mick that we see undergoing a
transformation
when he visits the college from a thug to a misunderstood kid trying to find a better life for himself.
The make up used on Jeff Goldblum is brilliant and changes very subtly during Brundle's
transformation
from man to Brundlefly.
In a fit of jealousy one evening, Brundle--who has only recently met with success in teleporting a living ape--steps into the pod-like contraption, unaware that a housefly is trapped inside with him; afterward, he exhibits an abnormally stunning physical range, and undergoes a
transformation
that is truly horrific (Cronenberg, with the assistance of makeup artist Chris Walas, spares us no small detail).
Seemingly all the main characters in the movie are unlikeable ,but Arthur Hill lets us see the subtle
transformation
from a man on a mission of hateful revenge(against a fed-up wife and the shifty trail guide who left him to die with a broken leg in the merciless desert)to a man who, in overcoming incredible obstacles(almost too incredible), he finds his place-connection in this stark natural world and an inner peace.The scene where he finds a water hole is beautifully done.This film is certainly a worth a look.
Then, as he watches the painful
transformation
of his son into a vampire, the father calmly asks, "Would you like an aspirin?".
His
transformation
from a young adventure-seeking farmer's son to a fearless and feared lawman is believable and compelling.
This is not a retelling of the universal stories of
transformation
through adversity or rites of passage.
An awesomely powerful look at the divide between social classes in the US circa 1950 culminating in the
transformation
of law-abiding citizens into a violent, blood-thirsty mob bent on taking the law into their own hands.
The varying themes center around personal strength, love, connections to each other, and
transformation
as the characters struggle to stay above water, each in an individual way.
But don't underestimate the power of this farce as a vehicle to show the
transformation
each character.
The
transformation
of the teacher during the movie isn't handled smoothly nor sympathetically.
Of course it is a simple and predictable story, but the actual
transformation
did it for me.
And the special effects are jaw-dropping - Brundle's hideous
transformation
is reminiscent of Lynch's 'The Elephant Man'.
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