Tradition
in sentence
1090 examples of Tradition in a sentence
What makes this film so good is the touching of the human element.This film is definitely in the
tradition
of such British line classics such as "Mrs.
You will hear Chief Carl Brashear say, the Navy has greatest
tradition
of all - Honor - practiced thoroughly by these two characters.
I rented it not knowing much about it, but I essentially expected it to be a martial arts/action film in the standard Hong Kong action tradition, of which I am a devoted fan.
It is in the
tradition
of what I call "reality based" satire following in the footsteps of "In The Company of Men," "Chasing Amy", "Your Friends and Neighbors" and "Two Girls and a Guy".
In the
tradition
of G-Men, The House On 92nd Street, The Street With No Name, now comes The FBI Story one of those carefully supervised films that showed the Federal Bureau of Investigation in the best possible light.
This is one of those films that you need to know how it ends, a true whodunit it in the Hitchcock tradition, compelling, controversial and thrilling.
As in the
tradition
of "Y Tu Mama Tambien" this was simply one boy's coming of age tale.
Going with the
tradition
of what comedies have been for thousands of years, the subject matter of this film is exagerated.
It is darkly witty, playful and seriously faithful to elements of the Jewish
tradition
and to modern scriptural interpretation.
Fessenden successfully continues George Romero's
tradition
of using the genre as parable and as a discussion forum while still keeping us creeped out.
As a Westerner watching another culture's view and
tradition
of marriag, I found Just Married mesmerizing and delightful.
There's song, witty dialog, poignant moments, blending and comparison of new ways and
tradition.
Villa "Paradise-Paranoia", true to the Moliere
tradition
from which it is partially derived, is a heartwarming, multi-layered, serial-comic psycho-drama that literally has something for everybody and only needs proper placement to attain the kind of general international outreach it richly deserves.
This one in particular shines for the episode Sweets to the Sweet, where Christopher Lee is stalked by his evil little girl child, heiress to her mother
tradition.
As usual the lovers--Sally Field as almost-over-the-hill soap opera queen, Celeste Talbert; and Kevin Kline as marginally employed and marginally talented actor, Jeffrey Anderson--are working at cross purposes, seemingly unaware that they are madly in love, etc. Owing a little to Bette Davis's Margo Channing in All About Eve (1950) and a whole lot to the slapstick theatrical tradition, Sally Field goes over the top towards hilarity as she malaprops her way to love and happiness.
You have the master who is steeped in
tradition
and kind hearted in his own way, Doggie despite being a girl thing to win his affections and you top it off with one cute monkey with a thousand facial expressions.
This movie does a good job at showing how steeped in
tradition
one can be, so steeped that they are willing to die without sharing their secrets.
This is a great vehicle movie in the
tradition
of Abbot & Costello or more recently Don Knotts.
The film is side spliting from the outset, Eddie just seems to bring that uniqueness to the stage and makes the most basic thing funny from having an ice cream as a child to the long old
tradition
of the family get together.
It I hesitate to make comparisons, because these filmmakers have really digested their influences (Cassavetes, Malick, Loach, Altman...the usual suspects) and found their own unique style, but if you like modern directors in this
tradition
(Lynne Ramsay, David Gordon Greene), you're in for a real treat.
This homey western evokes an American
tradition
which accompanies the complacency of the typical U.S. household during the era in which it was viewed..
However, we learn that Wang's family
tradition
allows him only to pass his secrets to a son.
This 1998 film was based on a script by the late Edward D. Wood, a script that featured NO dialogue in the
tradition
of films such as THE THIEF.
This hard-hitting, often violent western in the Peckinpah/Leone
tradition
is surprisingly directed by Andrew V. McLaglen, whose previous westerns (particularly those that starred John Wayne) were mainly in the John Ford mode.
They are on a collision coarse; appropriately, the wedding, which represents the lifeline and pulse of the village, i.e. traditional values, are about to collide with the funeral mourners, exemplifying the death of
tradition
within this context.
She definitely has talent and her screen presence is in the
tradition
of Lauren Bacall.
This continues with the
tradition
started by "II" of letting the plans work out occasionally.
This movie just continues that bad
tradition.
In the
tradition
of "Cube" you felt trapped with the Characters and even if they were criminal, you developed some sympathy with some of them, only to change your mind by the twists the story takes.
i thought this movie was really really great because, in India cinemas nowadays, all you see is skin, music, and bad acting...in this movie, you can see some tradition, ethnicity, and at least some decency...although some parts were a little dramatic, guess what? that is what Indian cinema is all about!
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