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Toward in sentence

6776 examples of Toward in a sentence

Although some clues are kept from the audience, much of each of the 90 minute mysteries can be deduced along with the protag offering an enjoyable "play along" aspect as Foyle slogs toward the inevitable crime busting conclusion.
the points i alloted it go toward a kind of amusing introduction (the entire forrest gump analogy and whatnot) and a few scenes with interesting CGI backgrounds.
Anyone moved by the ending of "City Lights" will love the ending of "The Circus:" Chaplin's character, strolling toward the horizon, leaving love and friends behind, disappears into the distance, setting up a scenario to be repeated in "Modern Times".
Watching the film I was sickened by the first world's apathy toward Africa.
Toward the middle, I was groaning inwardly.
well no sooner had milla jovovich done away with her previous zombie killing fest, another adventure lurches menacingly toward her, or so the makers of this film would have you believe, in fact this films does little to further the praise (if there was much for the original) franchise, its loud brash incredibly clichéd, wise cracking black man anyone?
In trying to jumpstart itself, this movie is somewhat heavy handed at the beginning, taking one notably big and questionable dramatic risk, but gains power slowly and turns into something of a monumental mini-epic with John Payne's changes of hair coloring registering his slow and merciless journey toward a godless end...what a performance, but it's not as good as Gloria McGehee's as the unwanted wife Lorry - which is about as good as you'll ever see from an actress on screen, period.
Except one person toward the end after we find out that they like to eat flesh.but
The few scenes of kindness toward one another were almost worse than their mutual spitefulness.
I watched the UNCUT EDITION and assume the exploding blood packs used toward the end of the movie were not seen in the original.
But toward the end of the movie, as it got darker, more violent, more depressing, I realised the importance of the musical bits.
Norma Shearer, who here was toward the end of her career, puts in a topnotch performance as the doomed, conflicted dauphine and queen, which serves as the core of the film.
It starts with an injury to a young soccer player (McDowell) and then proceeds to show various stages in his mental adjustment to his permanent condition, the relationships he forms, and moves toward a powerful look at meaning and purpose in life beyond the difficulties we face, without minimizing those difficulties.
As the movie went on, I was drawn into the drama of the girls being kidnapped... but the moment that Laura pulled up to her house, saw the infamous black car moving toward her daughter, and I suddenly remembered the mechanic at the beginning of the movie mentioning that all he had to repair the bus with was a racing engine and transmission, I was glued to my seat.
Bess Armstrong is Quaid's lady love who decides to go down and watch his back just in case the shark swims toward them.
But it's main attempt to be edgy is through a nasty and quite ludicrous twist which destroys any previous good will toward the film.
Much criticism is directed toward Lee Majors' acting in the other comments.
With 2002's Sum of All Fears in close 2nd, this one remains the best of all 4: it has Harrison Ford as Ryan, solid sub-plots (the one involving Dafoe as John Clark [Liv Schreiber in SOAF]being the best!) and moral dimension, especially in the ambiguous sense toward the end.
Somewhat talky in the beginning, it gradually builds toward a very satisfying hunted in the woods movie experience.
In an effort toward scientific curiosity, the two countries allow for communication between the two systems.
He was pretty heroic in Robin Hood toward the Saxons, and he's just as heroic to the people of Dodge City.
I liked the idea, and am not biased toward poor cinematics, poor dialog, and poor acting if the plot or narrative of a story is really original and fresh.
The second that Adrien Brody ran past Bill Murray in slow motion running toward the train as The Kinks' "This Time Tomorrow" kicked in, my heart started racing at the idea that I was about to watch a new film by Wes, which I look at as something special that comes every few years.
The robots merely zap and stun, firing the occasional laser toward the hapless, horny and idiotic humans.
More toward the ending you start to see what it is.
In her sexy voice, moving him toward the bed, they ACTUALLY start unpacking!
I suppose the writer/director was aiming toward a light comic drama.
(He has to be taken into custody early on in the movie in order to start this parody of getting him on the 3:10 to Yuma!) In one scene, toward the end, the gang offers the townspeople a $200 per person bounty on the Sheriff and each of the good guys and the townspeople go crazy in their desire to make $200 or more.
Of course, while this is consistently amusing and funny, what we're mostly left with toward the end are the platitudes of mawkish sentimentality, of "rekindling the love we lost" that seem to always hobble the comedy of even the most outrageous of premises, as if the premise has been exhausted enough and becomes more of an "endearing love story" than a convivial comedy... Why is that?
The character is intelligent, curious, full of wonder, and caring toward her younger brother.
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