Touch
in sentence
1568 examples of Touch in a sentence
I guess what gives this one it's special
touch
is the direction from Shinichiro Watanabe, director of the incredibly popular (and for good reason) series Cowboy Bebop.
It is detailed enough to
touch
upon very real problems children, who grow up in poor, dysfunctional environments.
Not as good as the novel it was based on ("The Brick Foxhole") in which it was a gay man who was killed...but Hollywood wouldn't
touch
that in 1947.
He is seen as being cold and unfair and not in
touch
with the times.
And we can't remain indifferent: even if we don't agree with him, Jazek's screams of anguish
touch
our hearts with pity in the same manner that Terri Schiavo's entreating eyes do.
The screenplay plays with the introduction of Merimeé as a character , it's a nice
touch
but it's unbelievable.
The Czech pilot who played piano gives a mellow
touch
to the story.
I really liked the
touch
of his daughters reference to him as being her Robin Hood.
The ability of characters to rise above their base natures and respond to the
touch
from God warmed my heart.
As well, Lon Chaney adds a classy
touch
with his wolfman.
THE CRANES ARE FLYING is, for the first half at least, supremely entertaining, boasting a lightness of
touch
completely unexpected from its country of origin; a fresh, brisk, spacious technique that eventually irritates as much as it initially charms; two stunning subjective set-pieces; and a romantic verve that flirts with, but never quite topples into, Lelouch territory.
Although seeing some of the Munsters spooky relatives was a nice touch, I didn't enjoy Sid Caesar as the hammy mad scientist mainly because there's too much of him and not enough of the underused Munsters (ironically that very year, 1981, Caesar's old partner in comedy, Imogene Coca, was also inappropriately cast in a major part in a TV movie reunion RETURN OF THE BEVERLY HILLBILLIES).
Also, the loudspeaker calls to prayer are there the whole time, another
touch
of authenticity.
Director Alex March takes an interesting tack on this material, shooting it in a quasi-documentary fashion (with macho commentary) and yet giving the tale a
touch
of Capraesque whimsy; still, by bringing out the cinematic flashiness in this set-up, he turns the main narrative into a jumble.
They constructed this one as a kind of fantasy Man From Snowy River meets Butch Cassidy and the Sundance kid, and just for a romantic
touch
Ned and Joe get to play away with high class talent, the bored young wives of wealthy older men.
With no likable characters, including, but not limited to, a kid who's the freakiest looking guy since "Friday the 13th part 2"' a girl who leads men on and then goes into hissy fits when they want to
touch
her, and the token fat slob, because after all what would an '80's sex comedy be without a fat slob?? Well this one has two.
I would say 0 but I give it 2 out of 10 instead for some of the period art direction (Doc's answering machine at the end was a nice touch) and the cast of 3rd stingers getting a moment in the sun.
Not only does he get disfigured, but he also can electrocute people with a
touch.
First off, some of the acting is great, in particular Nick Stahl as 'The Bully', and the girl with the curly brown hair (I can't recall her name), but most of it was so out of
touch
and incredibly unbelievable, especially Leo Fitzpatrick.
After 30 minutes into the film, you would be in
touch
your inner scourge and say "Bahumbag" at how unfunny this film is and after another 30 minutes, you will want to walk out over how unbearable the film has gotten during that point.
Its clear right from the outset that director Kenneth Branagh wanted to add a different
touch
to this film and he does so by way of the central location, which has been changed from the charming games-ridden country house of the original to a technical marvel kitted out with layers of security equipment.
It does
touch
a few interesting points.. But! - It fails to show evidence of all the 'exclusive' studies shown.
And saying that it is the same director as The Boogeyman, when a new version of that just came out...nice
touch
guys, it was misleading enough to rope me in.
Joan Woodbury is quite pretty and has a nice light touch, and she and Renaldo have great chemistry together, although--like the rest of the cast--she has none at all with King.
They made it look like WWII footage, with just a
touch
of graininess, but it was still a pleasure to watch.
The opening voice-over with old, embellished inter-titles was a nice
touch.
When childhood memory tells you this was a scary movie; it's
touch
and go whether you should revisit it.
Good movies are original, some leave a message or
touch
you in a certain way, but sometimes you're not in the mood for that.
So how on Earth you Porsche, Lamborghini or whatever could allow those people to get in
touch
with your cars and ruin you reputation for which you give millions.Stop the getting an advantage of the cars and earn money on their chests.
Akhras agree to speak with her."why should I?" she says.(since the movie was made the home has been destroyed- apparently the interview didn't result in what she wanted- so bring on the bulldozers)Mrs Levy claimed that she "wanted the movie to be cathartic as well as a symbol of hope, a chance to transcend entrenched hatreds"- instead she uses it as an excuse to harangue Ayats mother, while dangling the house as a carrot.Moreover although the two women live only 4 miles apart, she is so out of
touch
with the realities of the occupation for her Palestinian neighbors, that she really thinks that Mrs. Akhras can just drop over for a cup of coffee?Please.And she forgoes the one chance she had to meet Mrs. Akhras in person and see what kind of life she lives.(the
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