Stock
in sentence
2378 examples of Stock in a sentence
The biggest problem was that Stiller's character's "development" really seemed to come from nothing - like your average school play, the writers knew where he started and where he ended, but didn't put enough
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into properly telling the middle bit.
As for this waste of film stock, Burt Reynolds sleepwalks his way through the entire movie, Jim Nabors is wasted, the other actors aren't given very much to do, the car races are obviously
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footage, the humor is uninspired, and many of the scenes are more dull and lifeless than staring at a wall for two hours.
The drippy
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film library score, the painfully obvious stagebound sets, and the crude cinematography are pretty lousy and unimpressive as well.
Pullman played his
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in trade "nice but dim" character the F-word coming out of his mouth when the lady from "frasier" miscast ed as a detective accuses him of murder sounds so wrong.
And what was with all those
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characters in that bizarre supposed Midwest town?
Add in Harry Andrews (with a strange accent, no less) chasing an ostrich, tons of
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footage of wildlife, and poorly composed and dull photography by Raoul Coutard, and you end up with a thoroughly unexciting romp through the jungles of Senegal.
It kept dragging on and the true purpose seemed to be to use absolutely all the
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footage they had shot of Elaine driving the Newport convertible.
All this dismaying waste of film
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needs is Count Floyd popping up every sixty seconds.
The movie looks like it was made with dad's handy-cam, It had footage that I believe came from another film along with
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footage from a slaughter house.
No wonder BOllywood is the laughing
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of the whole world!
I asked the clerk what the worst movie he had in
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was.
As a result, they had to make due with a lot less--including an over-reliance on
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actors that were seen again and again, no money for re-shooting scenes and a need to get the films done FAST!
She's accompanied continuously by what is apparently
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music from romantic to western to mother-does-the-dishes, mixed randomly to produce, among other things, the most thrilling cigarette lighting ever captured on film.
However, in a move that movie historians still are baffled by, at the end of the silent era, Keaton gave up his independence and became a
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MGM actor.
I was interested to see the move thinking that it might be a diamond in the rough, but the only thing I found was bad writing, horrible directing (the shot sequences do not flow) even though the director might say that that is what he is going for, it looks very uninspired and immature) the editing could have been done by anyone with 2 VCRs and the
stock
was low budget video.
It's fun to look at his different facial expressions in what is really a
stock
character.
if you want a good crime film watch the usual suspects or the godfather, what about lock, stock.... thats the peak of the contemporary British crime film.....
Little more than training film quality with poor camera work, muddy
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footage and perhaps the low point of stereotyping 'Japs' with laughing Japanese infantry, laughing Japanese fighter pilots and one-dimensional square-jawed Americans dying left and right.
With Randolph Scott, and his jaw, as Colonel Thorwald (Carlson) leading a unit comprised almost entirely of
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caricatures, the green recruit (Harry Landon, Robert Mitchum), the grizzled veteran (J.
There were just too many semi-boring old friends anecdotes and too much filler
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footage.
Once they realize that the ancient evil has again been unleashed and is on a killing spree what do the
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issue leading man and lady do?
Also, many scenes seem to have been jump cut edited possibly because of overuse of the film
stock.
wow! It's hard to know where to begin -- the incredibly hokey special effects (check out the laser beams shooting out of Willie's eyes!), the atrocious acting, the ponderous dialogue, the mismatched use of
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footage, or the air of earnest pretentiousness that infuses the entire production.
I started playing a game with myself, counting the number of times they looped the
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orchestral music.
After all of this, the production is abandoned and the
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reels are left to gather dust.
This is the type of treatment the horror of Nanjing deserves, not this hackneyed exploitation garbage (a better executed exploitation movie minus the disrespectful use of
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footage would have been fine, but again this is not even a very good exploitation movie).
I suspect that such an unconventional way of working as employed by Wendy's team would not have become a reality had it not been for youthful reclusive 'free spirit' Peter Longman inheriting his thirty per cent
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in the company from his father and allowed a more trendy, relaxed modern way of business become a reality.
"Stardust" is good
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fantasy, the likes of which one should expect from Neil Gaiman (or Gaiman adaptation, as it were).
In low light conditions the characteristic video umber tone prevails but, surprising, it rivals film
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for brightness, clarity, and, saturation in brightly lit situations.
About the only serious negative, and this is mostly for nitpickers, is that some of the
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footage is somewhat sloppily integrated in the film and "nuts" like me who are both history teachers and airplane lovers will probably notice this--all others probably won't notice.
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