Stages
in sentence
536 examples of Stages in a sentence
One of the lectures dealt with the Psycho-Sexual
Stages
of Developement, basically the shift over time on what part of the body and its attendant stimulations gets our main attention, as well as the changing emphasis on what gives us pleasure.
Director Don Chaffey relates the endearingly dopey story at a constant brisk pace, maintains an amiably silly and lighthearted tone throughout, and
stages
the goofy slapstick gags with considerable flair.
Not top-notch Bunuel but a "surreal" dream sequence that bunuel
stages
whithin where the message of the movie is framed and is worth noting for it shows you the capability of the director, Bunuel.
I'll admit that I've never seen "Waiting for Guffman", 1997's critically acclaimed comedy mockumentary about a small town thats that
stages
a pageant.
Somehow, countless close-ups of Russo's face slipped passed in the post-production stages, and she literally fills the screen so many times the poor apes are upstaged.
so... it's really sexist, and classist, and i thought that it might not be in the beginning
stages
of the movie, like when stella tells steven that she would really like to change herself and begin speaking in the right way and he tells her not to change.
With Jimmy Stewart at 20% of dramatic capacity, Vera Miles chewing the scenery, the film features every c-lister known in the mid-fifties with nary a hint of irony or humor, from the 'Amazon jungle' to the 'back yard barbecue', everything reeks of sound
stages
and back lots.
The main aspect about the Superstar's movies at his later
stages
were the frequency, the lacuna between one movie and the next.
Director Brian De Palma is really on a pretentious roll here: his camera swoops around corners in a museum (after lingering a long time over a painting of an ape), divvies up into split screen for arty purposes, practically gives away his plot with a sequence (again in split screen) where two characters are both watching a TV program about transsexuals, and
stages
his (first) finale during a thunderous rainstorm.
Dr. Eliot Hackenstein (David Muir) is in the early
stages
of his rejuvenation of living tissue experiments, Dr. Hackenstein manages to bring a skinned rat back to life which confirms he has succeeded in bringing the dead back to life... It's now 'Three years later' & Dean Slesinger (Micheal Ensign) is round the Doc's house for dinner.
Near the closing
stages
of Baby Mama, one of the central characters goes on to describe the basic outline of everything that came before and summarises that it 'was all just a mess'; I really couldn't say it any better than that.
Writer/director George ("Miami Blues," "Gross Pointe Blank") Armitage whips up a delightfully amoral, cynical and wickedly subversive redneck drive-in exploitation contemporary Western winner: he expertly creates a gritty, no-nonsense tone, keeps the pace brisk and unflagging throughout, and
stages
the plentiful action scenes with considerable muscular aplomb (the rousing explosive climax is especially strong and stirring).
They have couples at different
stages
of life and relationships in their life the film beautifully depicts quite a few
stages
in parallel in the same story.
As one who has encountered a number of families who are facing the potential of Alzheimer's or who are in the formative stages, I would suggest that every health care giver recommend this movie to any family facing the trauma of this disease.
I believe one of them has passed on but the other is still filming Cristo and Jean Claude in their
stages
of creation.
Tessari
stages
a couple of decent car chases and the death of a don in a train traveling through a train tunnel is as bloody as this violent yarn gets.
Careful not to over glorify the most powerful and persuasive of all human emotions, Paris, JE T'AIME explores love at the many
stages
of its own game.
Life is what it is shown in the movie: when people are young, they seem not to understand their parents, their own spouses; people have every excuse for not sharing the dearest time with their children until too late; people always have to work hard to support the whole family but are just liable to neglect the subtle feeling of their partners; people always change their perspectives at different
stages
of their lives; people can always be forgiven if their heart is full of love for their beloved; nothing is more important than the blood relation people share in this world, and one is never too late to talk with their folks about what they feel at the bottom of their heart so as to achieve a better understanding between themselves, so that when life has to end some day, people should not feel sorry or regretful since they have kept their words and there is always hope ---a new life.
The story is altered a little from the traditional version: early on it is oddly combined with the plot of "King Lear", and in later
stages
Cinderella is rather more assertive than is usual.
Janet McTeer, a spectacular actress when younger, has become a much less sympathetic type of person now that she is older, has coarsened in some way, and puts one off, but she redeems herself in the latter
stages
of the story by showing how brilliant an actress she can be when she has a chance by pulling off one of the most convincing and original drunk scenes I have ever seen on film.
There are 16 worlds, with a number of stages, and there are star doors, which you need a certain number of stars to get into.
If you've had drama in your life, either your own or by someone close to you, the
stages
of pain this woman (but, in my opinion, it could easily have been a man too)goes through are very very real.
Director Michele Lupo, working from an absorbing script by Sergio Donati and Luciano Vincenzoni, relates the neat story at a constant brisk pace, sustains a suitably gritty, but occasionally lighthearted tone throughout, and
stages
the rousing action set pieces with considerable rip-snorting brio (a rough'n'tumble jailhouse shower brawl and a protracted mondo destructo car chase rate as the definite thrilling highlights).
Moreover, Anderson handles moving moments of humanity well (Todd's struggle to get in touch with his previously repressed feelings is genuinely poignant) and
stages
the stirring action scenes with rip-roaring gusto.
Couples, in the early
stages
of their relationships will struggle with who will call who next, or who will say "I love you" first.
A very pretty film about three 15 years old teenagers, all of them just at about the same psychologically
stages.
This documentary is incredibly thought-provoking, bringing you in to the lives of two long-time lovers who are in the final
stages
of AIDS.
In gradual stages, he begins to dispense with his glasses, to walk and talk differently and even his face looks different as the movie progresses.
Director Duccio Tessari relates the absorbing story at a constant snappy pace, maintains a properly serious and no-nonsense tone throughout,
stages
the stirring shoot-outs and exciting car chases with considerable rip-snorting brio, and punctuates the narrative with jolting outbursts of explosive bloody violence.
One is Archie (Scott) a physician in the latter
stages
of divorce.
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