Spark
in sentence
331 examples of Spark in a sentence
While 2006's 'Hills' remake was one of the year's best, and truly frightening, horror films, this sequel takes every
spark
out of what made that such an accomplishment.
The film tries to
spark
patriotism and a sense of debt to the fighting men, but the film misses that point totally because of its weak plot line and weak cast.
Alice Tremblay's supposedly humorous journey in fantasy world fails in every way to entertain it's audience (I didn't hear a single laugh throughout the entire presentation), going through it's page-thin story line and one-dimensional characters without a single spark, not a sign of the magic it wished it had.
This film mucks up a good story with three endings (none satisfying), a couple of unneeded and pointless bar fights and two alleged "romantic" relationships that have as much
spark
as dead campfire.
The directors star appeal and the subject matter was sufficient fodder to
spark
interest and ticket sales, but this is a flop.
In fact, none of the characters in the film had any depth or
spark.
Joe, the bright
spark
that he is, realises what has happened & talks his/her way out of it by claiming his/her dad had sent him/her to buy it.
But this cast just gets by dancing, does a "nice" job singing but none of them
spark
one bit.
While they speak, they find themselves in a car accident where Cliff is left with only scratches and bruises, but Abbey is thrown from the car and catches on fire when a
spark
ignites and gasoline that had dripped onto her catches her on fire.
She brings him along to Springwood to
spark
some memories but three teens (Lezlie Deane, Breckin Meyer and Ricky Dean Logan), who unexpected came for the ride.
A short temper and plenty of things to
spark
a fire, shes about to get kicked out of school for fighting.
Though the plot elements to "The Eighth Day" seem like they have been done plenty of times, the film still has much of the spark, mystery, and symbolism that Jaco Van Dormal's first film had.
Even David's humor matched up to Jolie's
spark
and fire.
Cagney does add
spark
& interest to a rather routine tired out formulated storyline & plot.
Clearly, the soundtrack to this footage had been lost or damaged, so some bright
spark
at Disney decided to dub the scenes with new dialogue.
Somehow this rewrite fails to capture the zany
spark
of the original, which is an excellent movie (try watching both movies back to back).
In general you can tell that this is a low budget production all around but there is a genuine
spark
with the director/star and most of the acting.
However, I don't like the film very much, even though it is quite faithful to the book in both content and tone; for in spite of this, it has lost the spark, and the vision, that the writing possessed, and appears coarse and clumsy in comparison.
She doesn't stick up for herself, and there's nary a
spark
in her eyes.
This film was lacking that spark, the songs were poorly constructed and the actors uninspiring, if you liked Rocky Horror & Little Shop of Horrors then avoid this, the values those films had aren't here.
The character's lack any kind of spark, the plot is very weak, and for a thriller, it's not in the least bit thrilling.
And the totally unknown cast (and crew) goes through their paces without a
spark
of originality or inspiration.
It delivers in spades in every department, the three main performances are exceptional and they
spark
of each other to perfection.
At times, a real
spark
is evident, but it is sometimes filmed too much like animation.
Now I know it is only a film, and, yes, maybe I am over analyzing here - but this Hammer entry lacks the ingenuity, creative spark, and acting/directorial talents associated with Hammer.
It's this aspect of the film, the subplot about Nestor and Marcos, very different but social outcasts all the same, and their ability to relate to one another, that gives this film an extra
spark
of originality and much needed subtext.
The scene between Flynn and de Havilland in the newspaper office has the
spark
we expect from these two great stars.
But as soon as Powell and Loy are on screen together, the fizz begins, and they
spark
off one another like two cheeky little flints who just can't wait to make wonderful fire together.
They may be in the gutter, but they both have somewhere inside them a
spark
of romance and dreams of a better life...somehow, somewhere.
The cast struggle gamely with the subpar material: Kelly just about manages to retain his dignity throughout, the lovely and personable Irene Tsu adds some
spark
and spunk as feisty lady cop Pam, Geoffrey Binney is okay as the hip Joe Chicago, and Brown ain't half bad in a second role as the fetching and duplicitous femme fatale Leslie.
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