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Shift in sentence

2957 examples of Shift in a sentence

The only problem is, the director keeps making you shift your allegiance and at the end of 90 minutes we're still not sure who has one.
Some of the problems with this movie is that its plot went here and there and the movie had a very uneven flow to it, that and it seemed to shift genres a bit much too.
For much of the movie it seems to be mostly a comedy, but a shift takes place that the film ends up a tragedy.
One of the lectures dealt with the Psycho-Sexual Stages of Developement, basically the shift over time on what part of the body and its attendant stimulations gets our main attention, as well as the changing emphasis on what gives us pleasure.
Anyone trying to understand the shift in Russian cultural sentiments since the fall of the USSR should begin here.
The film makes much use of slow, wide-angle pans which shift to extreme closeups, and highlight the spiritual quandary within the souls of each man.
This series also would take a rather strange shift in tone as this one and two are both family friendly movies while part three and four are more adult oriented, more like the old teen sex comedies of the time.
The car doing 30 mph when it's supposed to go 100... the shift lever that's stuck (in Park!), the nurse that drives for almost 2 hours with the cell phone on the shoulder...can't any of the 2 morons take this damn phone?
The eye shape shift effect on the evil designer drug addict females was decent.
I wondered why they didn't just put the cue-cards on camera so the actresses wouldn't have to constantly shift their gaze.
The scenes shift suddenly with long black-outs you could drive a Mack truck through.
Vampire cyborgs rule the world and use the blood of humans as fuel, however there is going to be a shift of power thanks to a renegade android (Kris Kristofferson) and a warrior woman (Kathly Long) as they face off against Lance Henriksen and Gary Daniels (Who play the cyborgs in this ridiculous movie) Of all the questions left unanswered by this dreadful movie, the most poignant is Who's idea was it to cast country singer Kris Kristofferson as a cyborg warrior who is able to give as good as he gets.
A shift toward the end of the film to create an opportunity for heroism by Bolton is still-born with poor stunt work and camera action in evidence.
In Hollywood Hotel, the appearance of Benny Goodman and His Orchestra and Raymond Paige and His Orchestra in the film indicates that the film industry was ready to capitalize on the shift in musical taste (the film was in production only a year and a half or so after Goodman's Palomar Ballroom engagement).
The movie, about a young woman's quest to make her mark in the music world, captures the times perfectly, from the overt sexism, rough economic times, social upheaval, to the shift in pop culture from rough-and-tumble punk to terribly fey and pretentious Futurism/New Romanticism.
Then we shift to Southeast Asia.
Hell what a paradigm shift!
Pabst's manner of "invisible editing" that segues action from shot to shot through movements of players proves to be smoothly integrated within this landmark film that also showcases sublime cinematography utilizing cameras mounted upon vehicles, enabling the director to shift amid scenes without having a necessity of cutting.
An interesting thing the movie does not address well is the shift in the Tintin books from the early rightist and imperialist books (Tintin in the Congo, Tintin in the lands of the Soviets) to fairly anti-imperialist books just a few years later (The Blue Lotus).
The movie takes its time in showing how Jones recruited followers (Brenda Vaccaro's and Brad Dourif's character are stand-outs in that matter) but also in observing an uncanny shift in Jones' perception of reality.
A shift in outlook is neccesary to enjoy modern British films, one that somehow allows them to be seen in their own right and for their own qualities rather than by the criteria that American films are judged.
Winkler plays Chuck Lumley, a lowly morgue attendant who used to work for Wall Street got stuck doing the night shift with a very wild and outlandish partner named Bill "Blaze" Blazejowski(Keaton) who happens to be businessman wannabe.
I have also noticed a shift in his story telling style particularly his use of a lot of "Hollywood special effects" instead of the use of natural surroundings to create that distinct Shyamalan style of storytelling suspense which I loved and saw in his previous films.
Beyond application to corporate, what the world needs now is people who can shift perspective in a nanosecond and change world views so that the assumptions are smoked out.
But even the saddest ones (and they now, because they have had a fight about who the saddest one was) can shift to a better life.
As the movie progresses, we gradually shift to the edge of our seat, figuratively at least.
Nebbish everyman Henry Winkler (shedding his Fonzie image) abandons Wall Street brokerage for the more quiet and subdued night shift at the city morgue, much to the aggravation of his weight worrying girlfriend.
Of course I am mostly complaining about Adrian's shift to bad acting, we want more Highlander, but no more movies like Breed.
I worked three or four days a week, and since I usually arrived for my shift hours earlier than I needed to...well.
Craig Wasson's portrayal of an idealistic draftee who progresses from caring about the Vietnamese, to accepting the brutality they perpetrate on each other is a chillingly accurate metaphor for the shift in American attitudes to come.
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