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Respective in sentence

363 examples of Respective in a sentence

Both films feature comparable nonstop action (in crime and in love), two young super stars (big names in their respective cultures), basically the same plot (change the location to Argentina & Uruguay in the 1910s here), and roughly similar shock values, relative to its time of release.
basically story of two people with belief in their respective different ideologies.
Be Kareena Kapoor, Rati Agnihotri or Fardeen Khan everyone portrays there part so well in fact they were 1st time so close to their respective profession of acting.
There are clues a plenty; both were based on well-loved reminiscences masquerading as short stories - by Sally Benson and Booth Tarkington respectively; both featured charming (but with a touch of the 'cutes') American families; both were set in the Mid-West, Missouri and Indiana respectively; both featured Leon Ames as Banker patriarch; in both stories the girl of the family falls for the Boy Next Door (who, this time around has relocated to the Boy Across The Street); both families boasted an outspoken maid in the respective shapes of Marjorie Main and Mary Wickes plus a youngest member (Margaret O'Brien, Billy Gray) whose tall stories result in misunderstandings that lead to physical assault.
Debutant director Farhan Akhtar's (son of Javed Akhtar and Honey Irani) Dil Chahta Hai is the story of three friends and their respective thinking of love.
Michel Gondry is a very respective figure in video, movie and commercial business.
I thought this movie was definitely original, funny, sad, and emotional in many ways...I didn't expect much and was simply curious about the film due to having been the number 2 movie of 2005 in Korea...I'd definitely recommend it - it really reminds us about what's important in life...I found it quite heartwarming how such adversarial parties could learn to enjoy a genuine fellowship sans the rigid, conformist partisanship that was indoctrinated by their respective countries.
Because in both her films, this one and'Wicker Park', she's made audiences truly hate her respective characters.
Realistically, how could these two hook up again, and then find their respective spouses going at it less than 20 feet away?
All of the actors here are pretty good in their respective roles.
the cast are remarkably well chosen for their respective on-screen characters.
There was a reason Transformers is remembered and loved and Gobots gone and forgotten-- the difference in quality of their respective television shows.
They became immersed in 'pop culture' (as another reviewer here notes) rather than having any historical or dramatic interest; 'Apocalypse Now', 'Platoon', 'Full Metal Jacket', etc., despite their respective claims to be hard-hitting, uncompromising, gritty dramas, etc. etc., are just glamour-fests that tend at times to degenerate into little more than music videos.
Demi Moore, Sissy Spacek and Anne Heche are all nearly perfect in their respective roles as the three leading women at odds with family members, friends and society in general over the situations that they've found themselves in.
Two families of sons, same father, different mothers, have spent their respective lives "knowing" that they belonged either to the favored family or to the rejected family.
Both actresses, fresh off their respective 1960's TV series' "Peyton Place" and "The Big Valley," give excellent performances.
I really can't add much to the already illustrative comments that have been posted on this site but I have to say that this movie was SO BAD!! that I actually found myself laughing out loud many times, particularly when both leads were locked up under "arrest" in adjoining cells and touched hands through their respective windows -- now that is cinema!!
My personal favorite episode is the one where steven and lizzie each have a respective night out with their gender, where steven, lloyd (my fav character), ron, and marshall (my 2nd fav character)go to a party and marshall gets lloyd's overflow.
Some seventy-odd years after its release in 1932, GRAND HOTEL today holds an interesting attraction more for the presence of its two leading ladies than from its cinematic power, although there will be some purists who will state that because the images of Joan Crawford and Greta Garbo have been immortalized in their own respective canons, that in itself is cinematic power.
Nevertheless, I found their respective introductions to the story - the most important in this version were Little John (David Morrissey) and Friar Tuck (Jeff Nuttall) - rather jarring and sudden, which I thought left the respective actors struggling a little bit with the parts.
The 2006 movie Boston Strangler is not a remake of the 1968 movie with that same name, since they have completely different perspectives on the historic basis of the respective stories, although both versions attempt to blend fact and fiction about events in the early to mid 1960s.
A respective display of teamwork, good dialogue and visual display of characters that made the show look it was aiming to reach more than just children.
Everyone in this movie does a great job in their respective parts.
It is the cinematic equivalent of absolute zero, and I saw both Toxic Avenger and Battle beyond the Stars in theaters on their respective opening weekends.
Hodiak, Nolan and Conte are all solid in their respective roles.
"Swimming Pool" is a thriller in the style of "The Deep End," and more than once I was struck by similarities between the two in their respective tones and reliance on water as a recurring visual motif.
It was also great fun to see renowned British actors John Rhys-Davies (of "Indiana Jones" and "The Lord Of The Rings" fame) and Malcolm McDowell (of "A Clockwork Orange", "Time After Time" and "Star Trek: Generations" fame) both hamming it up in their respective roles as General James "Paladin" Taggart and Admiral Geoffrey Tolwyn.
At bottom, the series is a direct peel-off from the late, great "Hill Street Blues" template, from ensemble characterizations to the true-blue "realisms" of the respective subjects and themes.
The kind of work executed in His Girl Friday is no shorter than masterful; it should be a frenzy, a fiasco of dialog going and overlapping and reverberating and the pacing clocking in at ridiculous amounts at times (other times, oddly enough, it slows down just enough for us and the actors to catch respective breath).
It's a simple portrayal of 2 guys, both having been dumped by their respective girlfreinds, who decide to spend a day at the local mall.
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