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Remains in sentence

5913 examples of Remains in a sentence

This DVD version of the classic tear-jerker "Penny Serenade" may only be a standard production (considering recent technological advances in digital entertainment), but all of the delightfully sappy "soap" effect of the 1941 original remains 100% in tact.
It's truly movies like these that make life worth living, and Chaplin remains possibly the greatest comedian in all history.
Now, thirty years later, it is a fairly stylish soft blue film, which is served beautifully by its soundtrack and somehow by photography, which remains charming and announces the David Hamilton style of Bilitis.
Whether this is a stalker's attempt to desperately get a date with a actress he adores, or a clever ploy to jump start some sort of career for Herzlinger (I'm thinking more the latter), the fact remains that whichever it is, te film is manipulative at best and slightly alarming at worst.
And if it WERE the former, rather then the latter, all the likability of Brian flies out the window as no matter how charismatic a stalker may be, the fact remains that they ARE in fact stalking someone.
This film or what there is of it, still remains an Italian Classic.
There were however some cool effects, made me leave hoping that artificial intelligence remains just an idea.
Great to see Canadian Molly Parker carrying off her role with aplomb, however, and Ian Hart remains as convincing as ever.
The filmmakers shouldn't have bothered: Edge of Doom remains one of the bleakest, least comforting offerings of the entire noir cycle (no mean feat), and probably the most irreligious movie ever made in America.
The reason why Faster Pussycat remains Meyer's best-known film is because the females are the main characters.
It wasn't long before 'Vertigo' and by then, Kim Novak had become an icon, which she remains to this day.
You do not go over the same territory in this one like in Within so the game remains fresh.
Owing more to the British thrillers such as the Quatermass films and the stark black and white horror films of Hammer (X The Unknown) or things like the Day the Earth Caught Fire (which while released 2 years later has similar feel) or Corridors of Blood, this is for a good chunk of the film a dark detective story of sorts as the monster remains hidden and the scientists try to figure out whats going on.
But Terry Moore remains the only reason to watch.
This remains until the 3 minutes before the end of the movie.
Peter remains an enigma through much of this documentary and is dubbed the "Greta Garbo of porn".
The episode is full of "300" style special effects, and is still remains hilarious.
The one image which remains strongest in the mind about this movie is how, when, and where the Indians, single out which members of the rescue party are to be killed (one by one).
After each effort at generating laughs, there seems to be an uncomfortable silence as the audience consistently remains silent, or worse yet, sighs at this unbelievably unfunny movie.
Errol Flynn may not have been one of the best actors of his time, but I think arguably he was the best action star/swashbuckler of his time and remains one of the best to this day.
Robin hood, Captain Blood, The Sea Wolf etc. he remains the only actor to capture the flair and fun of a Swashbuckler.
None-the-less, the prestige, is not a description of an illusion's parts, but rather the remains left of the magician who has transported himself via the Tesla device which, apparently, does work.
However this systematic fodder remains enjoyable (for most part, despite its often lumpy pacing) on a very b-grade level, as it doesn't pretend to be anything else than cheap, exploitative fun.
The central problem remains, however: like most 'post-modern Westerns,' it's very unclear what of this we're to take seriously, if any of it.
The flag that stands on Japan's Iwo Jima remains as one of the nation's most prevalent symbols of freedom, justice, victory, and, most of all, freedom.
The cinematography is quite ahead of its time (the camera rarely sits still, yet remains unobtrusive), the drama is milked for maximum effect (and there are numerous sudden shocks), and the science-fiction/occult aspects of the film never overshadow the human element.
Constructed in a much flashier and faster-paced visual style than the first film, the song still remains the same as Foley tries to keep his job in Detroit while solving crimes for the Beverly Hills cops.
Nevertheless, it remains a highly recommended splatter flick!
I loved this movie when I first saw it on TV in 1979 (at age 11) and it remains a favorite.
Some good acting from Eastwood and Bujold elevate this one above mediocrity, but some interest still remains especially since the serial killer plot angle offers some good ideas.
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