Red
in sentence
2357 examples of Red in a sentence
Twin moons illuminate the blood
red
sky.
Verhoeven's overheated, over-egged melodrama is a delicious blend of Hitchcock and David Lynch, full of OTT eroticism and religious imagery and an awful lot of the colour
red.
I didn't at first connect the
red
hair of the girl and the fox until it was pointed out to me by a friend (who also has
red
hair!)
Take Pitch for instance; the most ineffectual, camp, unhellish portrayal of a devil since Freddy Mercury and Wayne Sleep joined forces to create a ten foot Satan costume from
red
body paint and horns covered with condoms.
Before leaving, he tries to persuade one of his men, a Joe Kelly
(Red
Buttons), out of marrying Japanese woman Katsumi (Miyoshi Umeki) since that's a violation of military fraternization laws.
Often it seems he is calling attention to some favored aspect of his character over all others, a concentration which, if followed, turns out something of a
red
herring, as he turns out subtler, craftier than at first appeared.
Academy Award winners Brenda Fricker (Home Alone: Lost in New York, A Time to Kill), Ben Johnson (The Last Picture Show,
Red
Dawn), and Adrien Brody (The Pianist, The Village) amplify the atmosphere of the movie, drawing in an anxious audience.
Only until they check the thickness of the
red
lines do they determine who actually got the deer.
The similarities to David Lynch (who is even quoted literally by the presence of
red
curtains in the film) and the novels of Franz Kafka (the house keeper in this film is called Mrs. Grubach, as is the one in Der Prozess...) are clearly present but in this case are accompanied by clear references to the colonial past of Belgium in Africa.
For Englishmen in their fifties (and I am in that bracket), it is always entertaining to see glimpses of and hear sounds of the Swinging Sixties, and although this film spends a lot of time in offices, it has plenty of Sixties nostalgia, including
red
buses, Carnaby Street, a song by Lulu and a delicious shot up the micro-skirt of a waitress, the like of which England has never seen since in public places.
And they play fair; on second, third and fourth viewings of the clues and
red
herrings we should be just as pleased to marvel at how well it all comes together as we were at being surprised in the first place.
"Devdas", a hapless, fedar- festooned foreign return drinking to oblivion, with characters running in endless corridors oblivious to any one's feelings or sentiments-alas they live in an ornate squalor of
red
tapestry and pageantry.
The monsters are visually stunning as well, like a fire dragon comprised of a swarm of evil
red
bats.
These evil people capture the Yokai and throw them into a
red
pit along with unwanted objects, like motorbikes and other mechanical things and these meld into one horribly violent robotic monsters whose only job is to kill.
Takashi a young boy is the one to become their saviour, alongside a
red
man/dragon a turtle man and a River Princess as well as a cute little creature that, if it had been America they could have turned it into a cuddly toy and sold it at all good toy stores.
Another problem arises as well, Cheech's brother
"Red"
(Cheech is another role) is in town and wants to hang with him.
Made at the height of the cold war and
red
scare, the villian of the piece is the ordinary looking commie, played by Richard Kiley who is much more dangerous than the pickpocket who is a criminal but is just trying to make a living and above all is a loyal American.
Evelyn begins to say repeatedly: "I am the
red
lady and Kitty is the black lady".
After attending the funeral of her grandmother, she decides to take the
red
eye flight.
Ann Shirley,"Murder My Sweet",'44 played a young orphan gal who was called Carrot Top because of her
red
hair and found herself being taken into a home of two elderly folks, who were like two wise owls and watched over Ann Shirley.
There's a "monk", and how anyone identifies this thing as a "monk" is beyond me, it carries a whip and dresses in a
red
outfit with a
red
hood, more of a Klan member of a different color than a monk.
Without spoiling so much, of course there is a
red
herring and a twist.
The most special effects are also beautiful, although some are really fake (like a drilled-out tongue, that has laid for 1 night outside, and is still
red
in the morning).
It seems a little to the films of David Lynch: the strange story, the bizarre dreams, the
red
curtains.
The opening, in which cave-paintings seem to show how some dinosaurs at least survived into the age of human beings, is a nice
red
herring.
Other effects he uses such as the colour and black and white in one scene much like Hitchcock and the girl with the
red
coat grabs attention and enhances the drama and meaning of the scene.
As I watched the American flag (50 stars in 1864?) being dragged behind the horse, I realized why burning that piece of
red
white and blue doesn't upset me as much as our destruction/indifference to the Bill of Rights.
Well, I'm pleased to report that most viewers should be well satisfied with the various knifings, shootings, impalements and other carnage that this film tastefully dishes out...not to mention the crypts, freaky dream sequence, rats and bats (and LOTS of 'em, too!), the drug references, a rape scene, the obligatory
red
herrings and, in the person of Ugo Pagliai, a hunky leading man for the female viewers.
Starting with the animated blowing, popping bubbles, the entrance to the Daytime Awards, the usual phony drivel spewed by the stars on the
red
carpet, the rehearsed and badly acted acceptance speech, the venomous comments uttered by the actor's jealous co-stars and producer, under phony smiles.
The fourth egg cracks open, and a bawdy, free-spirited little scamp in a
red
cocktail lounge jacket and a blue zootsuit bowtie pops fourth, and this little guy comes out SWINGIN'!
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