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Projects in sentence

2702 examples of Projects in a sentence

The movie ends neither too soon, which would leave them still tacky when you got up to turn it off, nor does it run long enough to disqualify it as a good excuse to sit down and paint your nails and let them dry thoroughly before starting in on any other projects.
Easily one of the most misguided projects in film history by virtue of its dogged determination to site the camera itself as the first person narrator point of view.
I definitely think this kind of projects are the best ways for an aspiring filmmaker to learn the trick...actually I would like to see this type of films made in my own country.
The girls at the party was fine!!!! Does the director have anymore projects pending?
At different times in his illustrious career, John Boorman has announced that his intention to make film versions of both The Lord Of The Rings, and Wagners "Ring" cycle.Like Scorsese's plans to do film biographies of Gershwin and Robert Johnson, or Coppola's plans to make versions of Faust and Pinocchio, these grandiose projects have come to nothing.
More than anything else, Boccia/Anton was one of those directors who accepted everything, did not argue with producers, took his projects as just another job and never thought of identifying with them.
Those who were expecting something more playful like her other documentary projects, they will be disappointed, but shouldn't be surprised because it is nothing like anything you have seen from Madonna before.
This show is humorous only to those who enjoy the dark comedies and evil feelings that Zim projects.
A couple of years ago I did manage to speak to writer/director Merlin Ward who like nearly every British screenwriter was having problems getting money for his projects and was suffering the heart breaking experience of seeing his screenplays sitting on a shelf gathering dust , so when I heard one of his projects was finally going into production I felt happy for the guy .
Once again, Robert Duvall comes out of the gate with one of his personal projects, writing, directing, producing, and starring, and delivers an almost perfect film.
But the projects that he stars in is usually low budget junk and "True Blue" is absolutely junk!
During the eighties I used to purchase those fantastic Variety and Hollywood Reporter film market editions that were stuffed with movie poster ads advertising the latest film projects in various stages of development from dozens of companies.
James Caan and Lucas Haas both are wonderful in other projects, but they were given nothing to work with in this film.
Physically he is more beautiful than any man has a right to be, but his beauty also comes from within because he projects a warmth and humanity that few actors can convey.
Aiming at showing the evidence of huge turnovers hidden behind the canonization projects with the connivance of Vatican, the movie supports the thesis of religious conversions due to mere spirit of opportunism to open new prospects of eternal life insurance.
Taken from the Chaplin family film vaults, it showed (in three episodes) scenes that were filmed by Chaplin from movies that were actually finished but re-cut (like CITY LIGHTS, THE CIRCUS, and THE CURE), as well as films that were made for private viewing (a film with visitor Sir Harry Lauder), and film that was created for projects that did not work out.
It was a wonderful series, and all too brief - mostly due to the tragic fact that Chaplin did not save all the cut material from all his projects and films.
We all create greatness if we learn from past projects.
Here's the plot...and you're apparently supposed to gain some sort of "insight" from this, but here it is...if you're a white girl from the midwest you better not date black men from the projects or you'll get treated with unkind gestures(ouch!) from black ladies who'll claim you "steal the one decent black man"(oh no she didn't!) in the neighborhood.
I admire projects like this that don't fall into lockstep with every other predictable romance flicks.
He extracts good performances from his actors, he has a sense and understanding of emotion, he portrays the entire story realistically, and that's what makes his first work so great (although he would ruin that image in his future projects BAB and JBJ).
Wile the opening third is laboriously slow and drawn out, the story fortunately picks up steam and really starts cooking when the boat passengers reach the island: The island location projects a profoundly unsettling feeling of isolation and vulnerability, the cannibal's filthy corpse-strewn underground lair is a truly scary place, and, of course, the moments of intense hardcore splatter deliver the disgusting goods (stomach-churning highlights include a meat cleaver to the face, a severed head in a bucket, a couple of torn out jugular veins gushing blood, the infamous fetus eating scene, and the gloriously gruesome climax with the cannibal munching on his own intestines).
His early starting projects for Edison used Clay Animation.
Later projects the first & bigger project would not use clay.
sure it looks a little like one of my weekend film projects but like mine this film has some real potential.
The acting is rather hit or miss: Hampton barely registers as the insipid would-be hero, the ever-alluring Lynn Lowry contributes a memorably sexy turn as the enticing Nurse Forsythe, Barbara Steele projects her usual sense of class and commanding presence as poised lesbian Betts, Allan Kolman does well as the infected Nicholas Tudor, and pretty Susan Petrie likewise impresses as Tudor's sweet, distraught wife Janine.
I enjoy because I think that most of us who started watching televised science fiction (When there were really only three channels, when the creatures were usually enlarged garden denizens, large bug-like sculptures, or just some guy wearing something that looked like one of your auntie's failed quilting projects, and when any sci-fi tended to be broadcast long after our parents had been safely tucked into bed and Johnny Carson had signed off.) learned early on that a little artistic honesty and a sense of humor are far more important than overly dramatic posturing to any show's success as entertainment.
Julie Christie continues to work when she wants to and picks her projects well.
I watched it because I thought that Jeff Goldblum, being a star, would pick good projects.
Kate Nelligan projects a range of emotions and frustration seldom seen outside of theater.
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