Production
in sentence
6080 examples of Production in a sentence
After having seen the Canadian/Icelandic/British 2004
production
of "Beowulf & Grendel," which I thought brilliant and stunning, I approached this--the first of 3 newer Beowulf movies due out this year--with trepidation.
Plot is weak, acting - miserable, actors wondering around like in a 1st year production, trying very hard to act with no chance at all from the beginning.
The cheap
production
values don't help.
Of course, you wouldn't really notice that the
production
values are cheap if they didn't keep trying to convince you they HAD a
production
values to begin with.
However, this film just turned me off as far as its
production
and direction.
Obviously "Carnosaur" and "Xtro" have two different
production
groups at work here, but if you've seen all three movies of both franchises you find yourself referring back and forth between the two.
The result comes across like "Satan's School for Girls" (catchy title; made-for-TV
production
values; intriguing plot) crossed with "Children Shouldn't Play With Dead Things" (low-rent movie about low-rent movie makers who wake the dead); trouble is, it's nowhere near as entertaining or fun.
But the
production
literally doesn't have the guts to pull it off.
The acting was on the caliber of a 6th grade
production
of Oklahoma and the plot, such as there was, is predictable, boring and inane.
Although the
production
and Jerry Jameson's direction are definite improvements, "Airport '77" isn't much better than "Airport 1975": slick, commercial rubbish submerging (this time literally) a decent cast.
The predominantly black
production
staff couldn't allow the antagonist be black, so they swapped Rutger's and Ice-T's roles.
This message should have been resounding throughout this film, Education is our road to freedom and power I think any future endeavors of this
production
team should make this their focus.In my opinion,this film swayed toward an anti-American sentiment.
For reasons which will probably forever be completely obscured, the
production
and casting call for this 'criminals-on-steroids' movie somehow got both Maggie Q and Michael Biehn to sign on as villains.
There is no date on the video case, apparently designed by Wellspring; and, what's even worse, there's no
production
date for the original film listed anywhere in the movie!
It's just a horrible scam and it amazes me that anyone associated with this
production
ever got another job in the industry.
Betty, long past her prime, thanks to the
Production
Code, is running a pet shop and leaves Henry in charge for far too long -- five minutes.
The only reason I watched it until the end is because I teach video
production
and I wanted to make sure my students never made anything this bad ... but it took all my intestinal fortitude to sit through it though.
The whole
production
had an incredibly dark and dreary feel to it.
The
production
of the movie also has the feel of a debut movie made about fifteen years ago.
Perhaps the biggest waste of
production
time, money and the space on the video store shelf.
I wished the filmmakers would have taken their time with this project instead of rushing it into
production.
The idea behind such a trim, minimal low-budget Indie
production
isn't bad, but it's a confused muddle and in the end didn't do anything for me.
The beautiful sets are here with all that made the Hamer
production
values a trademark, yet Paris drowned in the fog is a sign of indolent neglect.
When it comes to horror movies, I am more than willing to suspend disbelief, ignore sub-par
production
values, and overlook plot holes in the interest of a good scare.
The American Humane Association, which is the source of the familiar disclaimer "No animals were harmed..." (the registered trademark of the AHA), began to monitor the use of animals in film
production
more than 60 years ago, after a blindfolded horse was forced to leap to its death from the top of a cliff for a shot in the film Jesse James (1939).
Jenny Neumann (from the sexploitation flick MISTRESS OF THE APES, the American slasher HELL NIGHT and others) is Helen Selleck, an American actress who gets a lead role in an Australian stage
production.
The
production
is an insult to viewers who wasted their time with this drivel and a crime for having wasted the talents of veteran actors Oliva Hussey and Don Murray (what were they thinking?).
If you can forget about how underpar the
production
quality is, and if you find smut jokes funny, then you should be all right.
Much-ballyhooed version of the Tarzan tale has an OK production, but is crippled by the single-handedly worst direction of a film I have ever seen.
Add to that the cheap
production
values and you've got a movie that doesn't look like it even belongs on television.
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