Production
in sentence
6080 examples of Production in a sentence
The only thing missing was the famous 007 music theme, which, of course, could not be used by this competing
production.
This
production
did not disappoint - Michael Sheen transformed himself almost magically into Kenneth Williams, and gave a performance that was as tragically moving as it was skillful.
A murder in one of the building's posh penthouse apartments casts suspicion on the luscious Rockettes--among them, Vera Ralston (who besides giving an appealing performance of subtlety and vulnerablity, provides a few dazzling ice-skating
production
numbers), Helen Walker, Ann Rutherford, Julie Bishop, and several other delectable B-movie starlets of the '40s.
Republic sank a hefty budget in this Grade-A production, and "Murder in the Music Hall" is as slick, unnerving, and immensely enjoyable as any of the major studios' films of its era.
There was supposed to be a TV
production
of Mame a few years back, with Cher, but I think Bette would be the best bet (pun intended) for Auntie Mame.
The point is that this film looks like it cost a couple of million quid and it clearly cost a tiny fraction of that Great special effects, terrific
production
design, effective props and costumes, excellent photography, good acting and direction, an impressive score and an absolutely stunning sound mix.
The film almost feels like a theatrical
production
the way it is staged and lit.
The ones cast for this production, however, were not at all disappointing - in fact, after I got used to Rachael Stirling as Nan, I think Nina Gold did a damn fine job in the casting department.
Part of me wants to reward it solely for it's absolute innovativeness and moments of pure sublimity, but at the same time I can't completely ignore the occasionally downright awful "acting" and overtly bad
production
values.
Possibly the best laughs come from George Cole as Flash Harry (who comes out of a bush when whistled at) and various visits to classrooms by Ms Fritton (Sims) reacting to explosions ('Oh poor Betty!") or science lab gin
production
("just send a few bottles of that up to my room"').
Raoul Walsh's mega-epic, stunning filmed in an early widescreen process by the great Arthur Edeson, can be slow and static in the early talkie manner, but this classic wagon train journey across America to the NorthWest is thrilling as a sheer physical
production
when seen on the big screen.
First of all it can count on great
production
values, as very few Italian films nowadays can, with wonderful settings and costumes.
being the first stereo movie i had ever seen and being such a huge musical
production
i certainly enjoyed watching it every time i showed it for the run.
Let's face it, there is no perfect
production
of Hamlet, it's simply far too long and varied and cerebral to get completely perfect across the board, especially what with the challenges of Elizabethan English and Shakespeare's abstruse dialogue.
In a genre by itself, this film has a limited audience and narrow appeal coupled with a subtle undertone which permeates the entire
production.
Yes, the history may be a bit inaccurate and it is certainly not as powerful as the book, BUT it was the 2nd film by Fox made in Real Cinemascope and the
production
values alone merit a restoration and distribution.
American Movie, which commenced
production
not long after, accurately portrays the person that I knew, although in greater depth than I expected or believed existed.
I could have made more money working for a
production
with a bigger budget but I doubt I would have had the fun and been around so many great actors and the great people of West Texas as I was.
Looking forward to future projects by this
production
company.
A few years ago I contacted someone involved with the
production
(either with PBS or in England) and was told they had no plans to release it on VHS (at the time).
This was a BBC
production
and ran in the U.S. on American Playhouse.
Any film about WWII made during WWII by a British
production
company has no latter-day peer in my opinion, respectfully.
The
production
values are in a class of their own.
This
production
should be bottled and sold as a cure for insomnia because it's about ten times as potent as any sleep aid on the market.
Despite the rave reviews this flick has garnered in New Zealand, any hype surrounding the
production
is sadly undeserved.
The Danish
production
crew tried, with a budget of about $49, to make a Star Trek-style film about a crew of very gay men traveling about the galaxy wiping out female oppression by killing all the women--like they proceeded to do on the Earth!
For a professional
production
it very much has the feel of a university media project you have to feel sorry for the sorry for anyone who had to put their names to this.
The idea of reviving the character in a bigger, slicker
production
must have sounded good, but there was no point in it, other than the hope of making money; it's just a show, which mostly fails to capture the atmosphere of the character's world and wholly fails to take the character anywhere he hasn't been already (also, the actor wasn't at his best).
Although released by RKO, this has the look of an independent
production
that was picked up by the studio for distribution.
Filmed in what the old movie posters used to call "A Riot of Color" it resembles nothing more than an expensively-dressed but intellectually-challenged
production
of "The Student Prince" .Mr James Mason,wearing a very natty little white number,utilises his all-purpose mittel-European accent whenever he remembers.I am a great admirer of his and I sincerely hope the remuneration was comensurate with the distaste he clearly felt for the character he was playing.
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