Production
in sentence
6080 examples of Production in a sentence
Watching this odd little adventure movie, it's hard to believe that it was directed by the same man who brought us such high quality Giallo classics as The Strange Vice of Mrs Wardh and The Case of the Scorpion's Tail, but it has to be said that despite it's low quality
production
values, Island of the Fish Men is an entertaining ride and one that surely deserves more praise than it's getting.
Sadly my daughters cannot remember seeing Sammy Davis Jr. in any production, although they have heard of him.
This
production
went to simply amazing lengths to recreate all aspects of the period in which the story occurred.
With no nudity or graphic sex, they conveyed more passion and titillation than any American
production
could ever hope to evince.
It is known as their epic and best and most highly rated
production.
I disagree with anyone who thinks this should have been a Hollywood production, the UK team gave it a chilling and foreboding atmosphere from day one and I was on the edge of my seat for the last 30 minutes wondering what was going to happen to my home city.
This film entered
production
before WW2 began, but was not released until it was well under way.
"Porgy and Bess" is an outstanding
production
of George Gershwin's masterpiece.
Cant believe it.... after all these years finally tracked this down.. it was meant to be named 'The Great Pretender' at
production
stage.
No, Nossiter's real targets are those who would streamline and assimilate the peculiarities of local (wine)
production
for business purposes.
FC is a better movie, but I prefer watching this one because 1) I think Scheider is great and this is his best movie, and 2) this has the best car chase EVER, one that makes Bullitt look like a cable
production
(thanks again to Bill Hickman, who actually plays the driver).
71 minutes of eye-candy (the plot, having something to do with nefarious derrings-do in ancient Egypt, is beside the point) offers the cinematographer and audiences the delectable sight of Debra Paget wearing an assortment of see-thru veils, most of which hit the ground when she shakes and shimmies thru a slave-girl
production
number unparalleled in film history.
For those who might think Paget & Hunter can't act and were only hired for their physical attributes, check out their subtle, overlooked, heartbreaking work together a few years later in "White Feather" (another Fox
production
that has sadly vanished into the realm of "lost films").
I was very impressed with the latest
production
from Mick Molloy.
As a Long Island independent film maker myself, and having have had two theatrical releases under my producing/directing belt I had always been told of how much I could learn by viewing a FRED CARPENTER
production
so I was lucky enough to have his "Eddie Monroe" as my initiation to his superb budgeting, production, casting, settings and masterful directing talents.
there is a point towards the end of the film where the name of a character who then speaks with an American accent is actually beeped out--a simple google search of "lumumba film censor" or something similar will reveal a truly fascinating (and perhaps disturbing) twist regarding the
production
of this important film.
The
production
design brings the sets to life with lots of attention paid to small details making the setting feel like a home that's been lived in for 40 years.
I will definitely take my hat off to the
production
team and the actors.
It was a great
production
and the cast was perfect in their roles.
I believe this performance was at the Dorothy Chandler Pavilion in Los Angeles, rather than on a Broadway stage and am not sure that the minimalist set was utilized in New York, as it was in this
production.
This is a video version of a stage production, with extra shooting for the video edition.
The makers of Ernest Goes to Africa did not rise to the creative challenges inherent in low budget film
production.
Quite possibly the best I've ever seen, the Direction, the Production,the score and the cinematography,absoloutley wonderful.
Stone may have been pushing some uber-liberal agenda but it was the actual movie and
production
that got my attention.
It's a wonderfully written, ensemble
production
with terrific performances by Michael Lewis as Joey and Vincent D'Onofrio as his brother, Daryl.
This
production
was quite well done for a television original, providing a very appropriate original slant on Swift's work.
This
production
was top notch with the original music score, and the actors put their hearts into it(you can tell).
Laurel & Hardy were under the protection of Hal Roach, so
production
standards for their shorts and sound films were pretty good.
Before I wrap this up, I'd like to say that everyone always gave a good performance, the
production
design was spectacular, the costumes were well-designed, and the writing was always very strong.
It tells a childhood story with great simplicity and charm; the sentimentality is muted; the evocation of childhood adventures is involving; and Jeffries brings cleverness and style to his
production.
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