Production
in sentence
6080 examples of Production in a sentence
No it wasn't a Blockbuster Hollywood
production
but frankly I'm sick of that shite.
If you go in expecting a $100 million dollar
production
you'll be disappointed.
Overall however,the acting and writing elevates this
production
to a high level of small screen excellence.
Without doubt a great all round show that if shown today would attract a huge following.Bodyguards was only 6 episodes and a trailer,but deserved a few more series to really bring it up-to speed.With outstanding performances from the highly talented and versatile Sean Pertwee and the dynamic Louise Lombard,it really did put it up with the likes of the Proffesionals,The Sweeney and Thief Takers.The story lines are based on the Diplomatic Protection Services and with great filming and story lines and scene locations,it stood out from some of the junk that gets churned by other TV
production
companies.I do not think that it has been shown on terrestrial TV either,such as Sky or Freeview,witch is a shame as if it were to be shown nowadays,i am sure it would get a large viewing audience.So i hope one day the guys at Carlton TV decide to release it on DVD,cheers,Nick.
It also is self-consciously poetic (the scene on the ledge, saving the cat, is but one example of this) and has intellectual aspirations in that charming way that only French films can get away with--I can imagine the heavy-handed, melodramatic, shallow way this kind of material would have been handled by an American studio production, and the sensationalistic, moralistic, suggestive way this kind of material would have been handled by American drive-in/exploitation filmmakers.
The 1956 version, besides having top
production
values, shows James Stewart as the perfect 'innocent' American abroad, and gives Doris Day her best role ever.
This was a truly epic
production
that had all the elements that one would want in a fantasy film.
"Escapade" has got over the years has come from the horror stories Stan Laurel told of its
production.
Yes, it's flawed: the cheapness of the
production
shows through, the dubbing is awful and Laurel and Hardy were too old to do the energetic slapstick of their greatest films.
It's very well directed and the
production
value is top notch.
However, the
production
is lush and the general handling strangely affecting.
Somebody in
production
was really smart to take filming to Oxford, Mississippi, because you can't get that kind of authenticity from a studio backlot.
At the same time the film does an excellent job of delineating the characters, if not their motives, and the cast and
production
is superb.
It has a great hostess, has great guests, a great
production
and some of the best professionals of the modeling world contributing for something they hadn't achieved yet: present a true America's Next Top Model.
After all, Betty Boop was in part responsible for the
Production
Code coming into existance.
I love the stark black and white film noir movies.Film noir in color is not as good.The cast and script is excellent.The rather creepy music is fun to listen to.Ida Lupino is one of the best and talented actresses to ever grace the screen.I have never seen a
production
that she was in that I did not like.She was not only breathtakingly beautiful,she was a fine actress.The first movie that I remember seeing Ida Lupino in was Roadhouse with Richard Widmark and Cornel Wilde.I never forgot the movie,or her.
Not a bad docu-drama with class A directing and
production
work.
India and its people are essential ingredients of the narrative, and except for the main characters, the roles are played beautifully and persuasively by locals recruited during the film's
production
while on the road between the Indian towns and villages that form the film's setting.
My first exposure to Japanese animation director Hayao Miyazaki and his Studio Ghibli
production
company was when an English-dubbed version of Spirited Away was released about 7 years ago.
An excellent character study and a find
production
with little to fault, "OTT" offers three fine performances by a trio of top actors and some plaintive reflections on life and death.
The acting in this film is the greatest strength of the production, but the script, direction, and editing deserve applause.
The
production
values for the movie are good, too, with appropriately fine costumes, settings and photography.
All in all it was a pretty classy
production
with some fine acting.
I was quite awestruck by the
production
values when it first aired on NBC in late 1986.
The hardest - and best - thing to get used to is the
production
values of the new series.
The
production
values in this movie are so bad they could qualify as existential special effects.
The
production
standards are decidedly Grade-B, but it is Cagney who makes this movie the delight that it is: this was his first film away from Warner Brothers after seeking release in court from his unreasonable contract, and he seems to be at ease and enjoying himself tremendously--the performance turned in here is intelligent and crackles with his unique energy and surefire charisma.
Mae Clarke's presence lends a definite Warner's feel to the overall
production.
In "House of Dracula" you can see the factory like
production
values of 1945 taking their toll on an otherwise potentially scary movie.
Compare to other movies based on Shakespeare's play, this
production
has made the play so easy to understand and follow.
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