Production
in sentence
6080 examples of Production in a sentence
This is all
production
value, no substance, but the Disney name probably will help it.
What really makes me feel dejected is how could such an impressive banner like Yash Chopra Films ever succumb to such an awful
production?
The fun that was present in the other 'movies' has all but disappeared with this third effort, which means the rubbishy
production
values show through more than ever.
Nicholas Hammond is as endearing as ever, struggling valiantly against the drab
production
and lame performances of the rest of the cast.
The
production
values for this film make it fall short of Hollywood blockbuster status, and the script makes it fall short of cult status.
I understand this is an TV
production
and the acting is not supposed to be the one from Citizen Kane.
The
Production
Code was firmly in place by the time of this film's release, so the humour is all of the hokey, wocka-wocka variety and gone are the dry one-liners that sounded so cosmopolitan dripping off the lips of the gorgeous dames from the first film.
Obviously, this isn't meant to scare, but one fatal flaw with the
production
entirely sapped the joy out of the viewing experience.
Half of the other actors had all the skill and subtlety of the actors in the sixth grade
production
of "Annie" I just saw.
..."Flight of the Living Dead" sports
production
values that belie the substandard script from director Scott "I'm a producer, can'tcha tell?" Thomas and two hacks who shall remain nameless because I feel sorry for them having to attach those no-names to this turkey.
This movie was recommended to me, supposedly because it's raw, disturbing and thought provoking despite the low budget
production
values.
In fact this entire
production
is an embarrassment.
I saw it first in the Provincetown
production
the first summer it was in P-town (2001)--before it was, curiously enough, banned in that overwhelmingly gay resort (the codes which resulted in its closing have since been amended).
I saw it again later in the off-Broadway, long-running
production
in New York.
Oddly enough, the P-town
production
was far better than the New York one--fresher, cuter, more spirited and funnier--but that was only in the 2001 showing; subsequent attempts to clone the
production
("Bare Naked Lads" in 2007) were definitely third-rate.
This filmed
production
features a Los Angelos
production
cast, and it is, as other comments have suggested, not the best.
I would rate it somewhere in between the top-notch 2001 P-town
production
and the third-rate "Bare Naked Lads" P-town show from last summer.
I absolutely could not believe the levels of ineptitude on display in this
production.
A good deal of discussion has been stimulated by the movie's final sequences that are apparently not expected by a viewer based upon what has come before, but in reality these comprise probably the only thoughtful portions of a poorly cobbled screenplay, and bids fair to make the work almost watchable, despite the shabby quality of the
production
as a whole.
The cast and crew of this cheap horror potboiler are more interesting than anything that occurs throughout the movie itself; we have Barbara Payton, Raymond Burr, Lon Chaney Jr., Tom Conway, Paul Cavanaugh and Woody Strode in front of the camera and writer-director Curt Siodmak, cinematographer Charles Van Enger, editorial supervisor Francis D. Lyon and
production
assistant Herman Cohen behind it.
Cultural Vandalism Is the new Hallmark
production
of Gulliver's Travels an act of cultural vandalism?
There's some nonsense involving Siamese twins, a frying-pan-to-the-head-obvious hot dog joke, a reasonable amount of bare boobies,
production
values in the low-budget-to-laughable range, scripting that would make Syd Field cry, acting that by and large only an Ed Wood could love, and camera-work a step above pedestrian.
But this "Tobe Hooper
" production
(come on, the man from the original Texas Chainsaw and Poltergeist !!) was below standards, even for a fan.
Or, it could just be shoddy
production
values and editing.
The
production
budget must have skyrocketed to well over fifty cents with the addition of The Space Alien Phallic Transportation Machine which, for a time, must have meant that the Oscar Meyer Wiener Mobile was not available.
We both found the movie soundtrack and
production
techniques to be lagging.
Stacey Keach is too soppy as Lou Ford, and the whole thing has the same
production
values as that seventies TV spin off, of Planet Of The Apes.
You would think that
production
would be better 10 years after the original was released, however Retro Puppet Master was not directed by or written by the original writers and contained poor story, lack of any emmontional connection to any characters, and dragged out slowly scene to scene.
It's not the fault of the actors and the
production
team that the budget is so low, of course, but you have to question the point of making this in the first place when there's neither the time nor money to do it justice.
The acting was awful, the
production
was awful, the filming was awful, awful, awful, awful.
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