Producers
in sentence
1672 examples of Producers in a sentence
BOR--------ING------------!!!!!!!! Cannot believe these
producers
want to make a series like 'Sex And The City'.
The
producers
put these spoiled kids up in million dollar homes or whatever, pay for trips to other countries and give them all kinds of things to do.
I imagine the film will get some attention as it stars Ryan Carnes, who just made a splash as the gay gardener on ABC's hit Desperate Housewives and the kid is undeniably cute and charismatic, but I felt sorry for him here as he is exploited by the film's director and
producers.
I wonder where the
producers
of this film are!
The
producers
also looks for people who would end up fighting with each other, for example a homophobic and the most camp homosexual alive.
I understand the intentions of the producers, they wanted to show to the viewers, that there was a few kids that have been charged with murder and put to death penalty... but that is only theoretical truth, deathpenaltyinfo.org on this page you can see all the people punished with death sentence, for the crime they've committed, when they were under aged... as you can see all the defendants were 17, not 14, when they committed the crime...
C.S. Lewis is an amazing story teller in the people behind this production are amazing film
producers.
If the
producers
and director wanted to give us a feel of what hell they went through in the trench having every other scene with the actors eating isn't going to help.
While I understand the commercialism involved in making such a TV series, I never understand why
producers
and directors believe that audiences will tolerate such poor quality as fare...
All in all I blame the
producers
and the network.
Let's just say that the screenwriters, producers, and director insisted on reshaping a great work of popular art into a cookie cutter shape, substituting clichés for subtleties and an "epic" (read Lord of the Rings) war story for what should have been a personal struggle with good/evil.
The
producers
should be gauged with a hook.
Hint to all young
producers
and directors: just because someone is named ice something does not mean he can carry a movie alone or even act.
Thankfully one of the
producers
was there at last night's Inside Out screening, so I got a chance to untangle some of the tendrils of this incredibly complicated movie built up around the unbelievable Craig Russell, whose performance and drag impersonations just stand on top of the thing.
He claims that was the
producers
desire.
And I wonder if the movie would have done so well if not for the purse strings and names of 2 of its executive
producers.
The only shame, that Vicente Aranda didn't have the right
producers
and sometimes you can feel it through the movie.
As a testament to Ben Johnson, in The Last Picture Show,
producers
wanted him so badly that they agreed to let him take out the curse words from his part as they offended him.
Hey, producers, here's a thought for you.
(And by the way, to the producers, clever title there guys, what did it take you, maybe all of about four seconds to think of the title for this one?)
The budget for the movie couldn't have been more than $150 (and the
producers
more than likely took the cast out for dinner with the surplus).
The
producers
must have taken all the funny bits and put them into 60 seconds.
The
producers
spend too much time developing characters that you're just not interesting in getting to know better.
It has become customary for tired Hollywood
producers
to look for European art house successes which can be remade in a more commercial style.
After season 6, it didn't make any sense anymore and it felt like the
producers
and writers were so out of ideas for the show that it resulted in using cliché plots.
Safe to say that Charmed wasn't always quality entertainment, but after season 4, it became quantity entertainment and I start to think that the
producers
and writers knew this.
This is an unbelievably awful movie that doesn't "spoof" anything except, apparently, the intelligence of the witless
producers
who poured money into it.
It was the kind of film that if you could go back in time to help out the screenwriter's,
producers
and the director and even Bruce and mos def you would.
At some point, the
producers
should have realized what was going on, thrown out the script, and let Hammond and Foley improv their own movie.
The director and
producers
of the movie used symbolism to truly make a statement beyond just the obvious.
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