Producers
in sentence
1672 examples of Producers in a sentence
The Habanera from Carmen sounded a bit weird at times, too, and the way it was rearranged at the end just shows how little the
producers
really think of classical music - it's stiff and boring but hey, add some drums and electric guitars and it's almost as good as Britney Spears!
Not the actors' fault, but the writer/director, producers, financiers, etc., need a very stiff talking to.
Performances are serviceable and the plot is actually not bad, or would have been had the director and
producers
not redirected the plot into making sure we see lots of shapely people in bathing suits (or in what I'm guessing the reason for the "unrated" moniker a few fleeting bare breasts).
If you get roped in to seeing this you won't pluck your eyes out since the eye candy is pleasant but we really need to stop
producers
from making films that are excuses to have a paid vacation.
I get the impression, however, that the
producers
of this movie took themselves way to seriously, like they were putting together a 10-star classic, complete with poor attempts at poignant lines and dumb camera shots.
What in the blazing pit is wrong with the writers,
producers
and director?
Evidently, the
producers
ran out of money and to satisfy overseas contractual obligations, they grafted Pyun's sequel onto director Rusty Lemorande's movie.
This was due to the
producers
and the director breaking the contract with the University of Oregon where it was shot.
Shame on HBO,
producers
and director, for releasing such a stink-bomb.
The FX of the movie was so bad that I thought the director and
producers
were enviormentally friendly by recycling cheap special effects from grade Z horror flicks from yesteryear.
Why in God's name must writers, directors, and
producers
have the audience leave the theatre feeling depressed?
Watching this flick reminded me of those funny scenes in Altman's "The Player," when the writers pitch their bizarre ideas to
producers.
i saw switching goals ..twice....and always the same feeling...you see the Olsen twins make same movie....they like play different sports and then fall in love to boys..OK now about the movie....first off all such little boys and girls don't play on such big goals...2.football does not play on time outs...3.if the game is at its end the referee gives some overtime (a minute or more)...and the finish is so foreseen....i think that this movie is bad because of the lack of football knowledgement....if it were done by European
producers
it would be better..and also the mane actors aren't the wright choice...they suffer from lack of authentic..OK they played some seasons in full house but that doesn't make them big stars....you have got to show your talent....and that is what is missing in the Olsen twins
The original title was "Johnny Zombie" (thank God the
producers
had a change of heart!)
I think that it is high time that Indian directors and
producers
start thinking of Indian customers as intelligent lot.
This film looks like the
producers
just ran out of money and never completed the film.
Do
producers
not listen to productions before they are aired to make sure the dialogue is audible?
Refusing to acknowledge that any time had passed since the mid-60's (ludicrous) the
producers
simply replace Marilyn & Eddie with younger actors.
The ending was pitifully trite; obviously the
producers
were leaving the door open for a sequel....and there were many.
It seems like the
producers
sat around and decided that they needed to put extra people in the movie just so the tooth fairy would have people to kill.
If the film I saw in a movie theater was originally released on TV, I would plead with its
producers
and distributors to not fool a paying audience with the false promise of a cinematically worthy documentary feature.
It seems as if today's television
producers
are only interested in making money, rather than engaging the imaginations of children and making money!
Gung Ho has a Happy Days and Laverne and Shirley feel to it as the
producers
of both TV shows made the film and then made the TV version of this movie as well which gives the film its' lightweight feel.The Japanese manager gets to love his American workers and feels he and other Japanese people can learnfrom Americans.His No.2 man Saito who supposedly doesn't like Americans all that much doesn't think so.I would have prefered all the Japanese characters been like Saito than the soft goofball characters they made the Japanese out to be.It would have made the film more interesting.
Despite the fear of directors or producers, many audiences yearn for beauty, poetry, and the pristine flavor of life.
If I were Ebert or Roper, I would have cut my thumbs off and thrown them at the
producers.
It's as if the
producers
of Laugh-In sat down and decided to write a full length film, covering all the high points (and more) of the issues between the flower children and the establishment, then put it in the hands of a couple of hippies and gave them about a $10,000 budget to complete it.
Does such a scenario, or the casting director and destroy this question is on Halmark
producers.
The
producers
and writers aimed really high with this, but fell really low.
I really groaned at the lame 'surprise' at the end of Aja's otherwise excellent film, and the
producers
quite literally go for broke at the end of "Hills 2," setting the stage--VERY lamely setting the stage--for a third installment...yet the Cravens and Weisz have created a film that is such a cynical bastardization of what made the 1977/2006 versions work that they'd be hard-pressed to find an audience after this insulting slap in the face.
He matches Luke Duke to a tee!!!!!! Cleary these
producers
did not look at the appearance of the old cast members.
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