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Prime in sentence

1821 examples of Prime in a sentence

It's no wonder that this film is a prime target in the movie, "It Came From Hollywood," where this gem is hammered for the line, 'A Bird As Big As A Battleship', with gleeful, endless needling.
On the (very slim) plus side, Raquel was in her physical prime, she looks good, and you get to see a fair bit of her, since she plays a go-go dancer; she had great legs, that's for sure.
Of course, this movie was made in 1997 and they were both past their prime, but that doesn't mean they didn't have what it takes anymore - they just needed the help of good writing and direction.
Cheaters is a prime example, they could find plenty of female cheaters yet the vast majority shown are men, why?
The prime threat to any government's power resides in the male population, they're less likely to abide by authority and are more of a physical combat threat.
This film is a prime example of how IMPORTANT casting is, and how directing plays such an important part in creating the sense of purpose.
It's an enjoyable 90 minutes, demands little of the viewer, and delivers as much, and on any terrestrial television channel even in a prime time slot I think that Rabbit Fever would be rather well received.
All of these characters are prime candidates for "Serial Slasher of the Year" and you just have to sit through this movie until the end to find out who-done-it.
Other than cop rock and that show where the kid dies from eating a spoiled hamburger he found under the bed, this has consistently been the worst and dumbest show to survive prime time.
Here's a prime example.
The prime appeal of the Johnny Depp character is that he's able to make one tear roll down his cheek(thus his namesake) at various times and makes the women fall all over the place for him.
The big studios' Williamson films of the early-to-mid 70's rarely had the punch of their mid-level counterparts, and this is a prime example.
'Flood' is a prime example of how throwing good actors and cgi at a film will do little to compensate for a rubbish script.
It is his prime directive to escape and so he garners the forces and puts them to work to reach the top of the cylinder.
Jan-Micheal Vincent is in his prime and looks and acts like the "All-American" boy.
They are gentle, but gentle is so refreshing in a society of kids killing kids, a horrible war, inappropriate prime time television and poverty.
So he invents a first sabotage that succeeds but one of the victims, the friend of the one who dies in it, becomes the prime suspect and run-away for the sabotage.
This film is a prime example of how these low budget contracts benefit actors as well as film makers.
Elizabeth Taylor is Velvet and in her prime (of her childhood, at least), Mickey Rooney is a cynical friend who eventually becomes her trainer and they go off to the Grand National steeplechase with her beloved horse "the Pi"--short for "Pirate"--only to have Velvet become the jockey and have a chance at victory.
Still, it's very watchable, with a young Spencer Tracy (his old-man makeup makes him look just like, well, an old Spencer Tracy) showing depth and authority, and Colleen Moore -- a little past her prime, and not physically well matched -- playing a multifaceted woman-behind-the-man. There's also Helen Vinson as one of the most treacherous femmes fatales in movie history, sending the final third into ecstatic soap-opera reverberations.
Meanwhile, Grace Carpenter (Lauren Holly) is a most talented dessert maker in Manhattan but, she can not seem to land a prime confectionery position because of the glass ceiling.
As much as I love the Laurel and Hardy team and feel that there was never a funnier comedy duo on screen during their prime, it's nice to see them on their own once in a while (check out THE FIGHTING KENTUCKIAN that Hardy made with the Duke as another fine example.)
It's amazing to watch Julia Roberts along with Kevin Bacon, Oliver platt, William baldwin and Kiefer Sutherland at such a prime time of their careers.
If it turns out that the contribution to the arts by the United States was in the dimension of the 'movie,' this is a prime example of that art.
A look at three geishas who are way past their prime.
A true comedy.The dialog is fast and very witty.Eleanor Parker at her physical peak .Flynn as only Flynn can be"the charming rogue'..although now past his prime.. Most of the scenes between the principals are short so the movie moves well.
Secondly, This was a very low budget film, created in the Rennaissance of the prime moment of film noir.
One of 4 films Scott made at RKO during his prime (1947) the others are always easy to get.
All the movie shows us is parts where he's in his prime, and most successful, which is good, it's just I wanted to see some bits about his older life too.
Dan Ackroyd in his prime stars as Johgn Burns, a mental asylum escapee who poses as his own shrink to travel out to La La Land and host a popular radio talk show while the regular host (Charle Grodin in his snarling prime) takes a vacation.
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