Presence
in sentence
2256 examples of Presence in a sentence
It's one thing to have star names but when their
presence
distracts attention from the dramatic production itself, you are in trouble.
I was surprised to see how very tall he was, and felt a little nervous around someone with so much physical
presence.
Mr Quaid's
presence
is massive, and I mean that in the best way.
This is definitely Van Damme's best, focusing on story and not action, but I guess his
presence
makes a lot of people overlook it.
Ringo provides a comforting presence, his hang-dog, neither here nor there expression almost uplifting given the circumstances.
Personal taste will have to determine the picture's ultimate value, though Cagney's low-keyed self-assurance (some may say smugness) is rather enjoyable--and his
presence
is certainly odd in these corny circumstances.
And it is again the
presence
of children that transfigures the amazing final struggle between hero and villain.
Fate and History are not presented as flesh and blood characters in this first part of Theodoros Angelopoulos' "Trilogy: The Weeping Meadow," but the
presence
of each is so tangible that they could be exactly that.
Fox's ingratiating
presence
keeps the movie humming from start to finish; he receives fine support from Warner (her nude skinny-dipping introductory scene is a genuinely sexy corker), Woody Harrelson as shrewd, dashing life insurance salesman Hank Gordon, David Ogden Steirs as hearty, jolly Mayor Nick Nicholson, Barnard Hughes as cranky veteran physician Dr. Aurelius Hugue, Bridget Fonda as aggressively flirtatious man-hungry tramp Nancy Lee Nicholson, Frances Sternhagen as sour old maid Lillian, Roberts Blossom as crusty Judge Evans, Mel Winkler as laid-back, gregarious Melvin the Mechanic, and Eyde Byrde as stern, by-the-book Nurse Packer.
Generally the
presence
of Yaphet Kotto in a film is enough to spark my interest; prior to seeing this film, Bullock had also begun to have that sort of status for me.
Kotto provides the only light here, in my estimation, and a fine light, too -- but his role comes too late and his
presence
in too limited to save this junk bucket.
The car chase, some decent gunfights and the
presence
of character actor Timothy Carhart elevate this above a one, but it is still very, very poor.
His screen
presence
is a draw, but not when he ain't on the freaking screen.
You can pretty much guess my feelings of this movie when I say that the two best things about it are the movie's title and the
presence
of Edwige Fenech.
Kareena Kapoor as Kaurwaki makes a beautiful and sensuous princess, commanding the screen with a presence, that few of her contemporaries can rival.
The music and cinematography have a
presence
of their own throughout the movie.
Gregory Peck's performance is Oscar worthy, he projects command
presence
and competence.
I truly detest his on-screen movie
presence.
Neither the slick production values, half-decent creature-effects nor the
presence
of the great Jeffrey Combs (as H.P. Lovecraft) are enough to overcome a basically dull plot, or should I say plots as there are four short stories rolled into one here and all of them are quite forgettable.
Bela's grimacing
presence
doesn't even begin to salvage this one.
That's what makes Salvation better than the original, even if Michael Wincott's villain in The Crow had a slightly better
presence
than Fred Ward's villain in Salvation.
When I first saw it (and every time since), you could literally FEEL the
presence
of God in the theater.
Like his earlier Bowling for Columbine the film is very much a set up, especially in the second half where Moore's antics or at least his camera crew and
presence
result in some staged scenes-the whole Cuba thing.
but for the incredible allure and erotic
presence
of Krista Allen.
The intriguing plot of an under the border Mexican tunnel being connected to an Arizoina gold mine, and the
presence
of veteran character actor Richard Lynch.
It's cold, sometimes slow and completely devoid of laughs, despite the
presence
of Walter Matthau, who managed to add at least some (black) comedy to even the bleakest films (FAIL SAFE, CHARLIE VARRICK).
One of those rules,is not allow any woman to work and even go out of the house without the
presence
of a man;since there aren't men in Osama's family, she needs to pretend that she is a boy,to bring some food to her family.
One would think, with Cushing's
presence
and director John Gilling at the helm, that this might be a Hammer film (Gilling later went on to give us such extraordinary Hammer fare as "The Plague of the Zombies" and "The Reptile"), but in truth it was shot at Shepperton, and its creators have done a good job at pastiching the Hammer style.
Given its fusion of the spheres of materialistic excess and idealized romantic love, the immense
presence
of the wedding within popular culture should come as little surprise, being arguably the single most prevalent 'happy ending' plot point and often an easy way of concisely suggesting a lifetime of resolution and happiness.
The only way I could describe it to someone who really was interested in knowing is as a chain of events involving a bunch of sick and sad people all driven by the mere
presence
of the doll to do things that no rational person would consider - and do nothing very interesting at all in the process.
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