Presence
in sentence
2256 examples of Presence in a sentence
McQueen's reliably strong, personable and charismatic screen
presence
really holds the picture together; McQueen brings a likability and vulnerability to Thorson that's refreshing and appealing in equal measure.
Take him or leave him, one can't deny the tremendous screen
presence
of James Cagney.
I was yawning after two minutes of seeing seals wash up on rocks and having inane dialog try and justify its
presence.
Kirsten Dunst is completely wasted in a small and weepy role as the daughter of a corrupt officer, and Eric Mabius as the Crow has a great
presence
although his dialogue is quite appaling and clichéd.
Once heralded as one of Hollywood's premier talents, Liebling (in both his acting and writing modes) was a dynamic
presence
who embodied a wide spectrum and depth of expertise that transcended his young age.
His presence, utterly submerged in his character, gives the impression of a patient, caring Guevara, steely, rather than fiery and almost never ill-tempered.
That little black and white film is in a way fascinating because it is not for us, its western audience, attached to Mexico only but to any south American country where the
presence
of Indians is important and where these Indians are systematically victimized and pressurized by the conservative if not reactionary governments and their armed forces.
Many of them were engaged in the second oldest profession with the sideline of rolling drunks and the less- hazardous "badger game" and the
presence
of an obvious psycho in their midst would have been bad for business.
Neither the youth nor the
presence
to carry your role.
Just being in the
presence
of this man was an incredible experience.
One can see why Hayakawa would have been a successful silent film actor with his elegant physical
presence
and one can simultaneously hear why he didn't cut the mustard in talkies - the accent is so thick that one must strain to understand him.
I would have thought his
presence
in this episode would have elevated him to bigger parts.
David Bradley is awful here, he annoyed me, and had no charisma what so ever, and while he has lots of skill he just isn't that exciting,and he had no chemistry with Steve James!. Steve James is not his usual fantastic self, he looked very bored here, and gave a mediocre performance (Not his fault), and had no chemistry with David Bradley!, still he was able to keep this movie barely bearable with his
presence.
You wonder if your
presence
at the movie is a testament of your perversity.
His very
presence
seems to be meant to be enough.
When W.C. Fields set out to make THE OLD-FASHIONED WAY in the spring of 1934, he had quite recently reached super-stardom in the movies, although having been a well-known stage
presence
for decades, both as a juggler and comedian.
As the movie proceeds, it becomes more and more apparent that Nastassja has something called screen presence, meaning that whenever she is on screen there is the promise of something electric occurring that is extraordinary.
While it is pleasant enough, it never rises to the level one would expect given the star
presence.
the oil people's
presence
is given much more of a positive portrayal than i would have expected from flaherty.
One of them is his wife, June Miller, who is a constant
presence
under the different names in all Miller's works.
Even the
presence
of Bela Lugosi does nothing to help the film.
Indeed, time has proved that Minnelli had a whole lot in common with Sally, the parallels are even echoed in much of the dialogue, but this part utilizes her entire range (sarcastic sass, vulnerable imp, high-powered musical presence) and she's fabulous.
He didn't need to be anything more than an archetype, his
presence
was cartoonish...the hapless bad guys were equally cartoonish.
Milian is in especially fine form... apparently he felt a bit threatened by his co-star's screen
presence
and sought to steal scenes from him at every opportunity.
On paper it looks as though this strenuously boring film should be worth watching: Shawn's previous credentials, the direction by Tom Cairns, and the
presence
of Julianne Moore and Matthew Broderick together with little feature appearances by the likes of Campbell Scott and Blossom Dearie should suggest investing time in viewing.
El Charro himself, although dumber than Jason the Hockey Mask Boy, has a couple of nice scenes and a certain
presence.
At such a distance it is easy to forget the impact that Naschy's
presence
as either Daninsky or his werewolf alter-ego made on the movie-going public when it first appeared (proving obviously popular enough to generate the myriad sequels, or variations on the same theme, which followed) for, even if the monster gets a fair work-out here (scenes from this film were actually lifted outright for the abysmal THE FURY OF THE WOLFMAN [1970]!), he's also chained up for a good part of the second half, as if Naschy was as yet unsure how to use his 'creation'.
Her
presence
is most rewarding in a rather awkward film.
The limited connections between the films are the book, the film title and a few references to the 1971 film (and Caine's
presence
in both).
Perhaps not, in fact it surely isn't but all the characters are played with tons of style (you will always remember the
presence
of Bruce Willis here).
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