Presence
in sentence
2256 examples of Presence in a sentence
Even though Emma's role was uncertain at times just having Jason's
presence
in the movie made everything worth watching again...and again...and again...
"Love Me or Leave Me" is one of the few such films of real quality, due in no small part to the
presence
of James Cagney and Doris Day.
I really enjoyed their
presence
and their performance really made the film work.
Alicia Keyes's staunch strong
presence
and voice added some light...but I'm not sure if there's enough acting ability where it can become a day job.
Dario Argento's daughter posing as the female lead doesn't have any other qualification for her role than an Italian accent and a nice body -- no screen presence, no femme fatale charisma, no "edge" -- and the budget has obviously been someone's lunch money for a week, but those things alone would not have done too much damage.
The only reason I decided to check this movie out is the
presence
of Maggie Q, in one of her earliest roles.
Now, the tarantulas, of course, disembark, and before you know it they've made their
presence
known over apparently SEVERAL square miles, which is pretty silly considering how slowly they seem to move.
Hearing this,Sally comes to the realization that she is Geoffrey's next victim of a well-planned crime.Stanwyck has never been better as a panic-stricken wife,trying to survive her husband's evil doings.Bogart gives a highly underrated performance as a psychopath,who gets brutal when his murder plot doesn't go according to plan.His
presence
on screen is often frightening.The ending is wonderfully witty and comical.While not in the same league as "The Maltese Falcon"or "Key Largo",this is still a highly entertaining Bogart film,that will not disappoint.
Goldberg's mere
presence
brings a smile, but this is hand-me-down material (much more so than the cookie-cutter first installment) and is completely without merit.
Like more than a few other unfortunate souls, I rented this based on the
presence
of Jeffrey Combs, whose unusually stiff performance tipped me off to the long ride ahead.
This film ran on the Sundance Channel last night, and after watching less than ten minutes of it, i knew I was in the
presence
of yet another poorly written, embarrassingly acted piece of TLA crap.
Richard Johnson as Cassius, John Gielgud as Caesar, Robert Vaughn as Casca and Diana Rigg as Portia are fine actors, with full dramatic presence, at home in Shakespeare's language.
While in the crime scene, Jack notices the constant
presence
of a beautiful young woman, Ta'Ra (Maryam d'Abo).
Redemption proves that Don Wilson is no longer the fierce martial artist that ruled the low budget martial arts scene in the Bloodfist movies, in fact Wilson has softened his approach and has tried to use his typically wooden
presence
to make the stretch as a corrupt cop.
The concert footage that shows Midler's tremendous voice and stage presence, and the scenes where she's on the verge of a nervous breakdown and the inability to exist in the real world.
Shot very effectively in a style somewhere between Italian neo-realism, early Scorsese and even Cassavettes improv but with a flavor all its own, it doesn't matter that one of the plot twists is very obvious (so obvious, in fact, I'm not even sure that it's even meant to be a twist) because co-writer Paddy Considine is such a riveting yet natural
presence
in the lead: he's able to be genuinely threatening while keeping it absolutely real, creating a very believable monster.
She's just impossibly gorgeous and a very warm
presence
throughout.
Though an extremely likable
presence
in his films (he cameos as the grocer in this one), the lovely man hasn't an ounce of talent as a director.
She delivers most of the lines with tongue planted firmly in cheek, and metaphorically winks at the audience with every cheesy line and action she goes through....Misty Mundae is able to pull off something very few other actors could, and her commanding
presence
and on-screen charisma suck you in, and intrigue you in ways that endear you to her character and her portrayal, and simultaneously enable you to overlook the overall quality of the material, and whatever other shortcomings the film may have.
So is Miss Mircalla, who has truly striking, sensuous presence, and the breast-baring and heavy-breathing lipstick lesbianism is actually very tame.
The only major highlights of this movie were the underlining suspense throughout the movie, the top-notch animation of the puppets, and a rather nice surprise
presence
from Emily Harrison, who plays Jane carried my interest somewhat.
This was my first Fairbanks film and I was quite impressed with not only his screen presence, but his ability to do impressive stuntwork, including the infamous sliding down a sail on a knife.
He's not just an intimidating presence, or a guy who wears flashy clothes.
The only high points to the film are the
presence
of Robert Forster, who is still good even in dreck like this and gets a few good lines and one scene later in the movie when the banker deals with his blackmailer.
Andrea Corr has a screen
presence
you just can't teach.
There's no real
presence
or weight there.
Even as formidable a
presence
as Mirren's can't stand up to the lunatic intensity of Hoskins' performance.
I only give it a 2, because of Lana's
presence
in it.
Their
presence
is something like a bump in a carpet.
The great Black comedian Mantan Moreland easily steals the movie out from under all the white stars; he's genuinely witty and a charismatic screen presence, and he gets the first line of dialogue as well as the final gag.
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