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Opening in sentence

2901 examples of Opening in a sentence

Apparently, the opening titles are letterboxed, but the remainder (most) is full-screen.
One can see it as anti-war, because of the opening and closing scenes, and the folly of pretended grandeur, as how wonderful the cavalry men looked as they prepared for the great charge at Eylau, contrasted with its so horrible and disturbing conclusion, when we see the bloody uniforms, the boyish dead, etc--but chiefly, I see the film as about a moral man in an immoral society.
This film was superb, the opening was very cleverly done, the story held together well, in a nutshell two fish'n chip shop owners who normally enemies are forced to form an alliance of sorts to engage in a David and Goliath struggle against a fast food chain which builds a restaurant on their street.
Although i don't like cricket at all and i have seen this movie 13 years ago, I still think it is one of the best coming-of-age movies ..i remember the day i returned home from my school and sat down to have my lunch, I saw the opening titles of that movie and then....i was so immersed in it that i felt i was there, it really affected me personally.
A touching opening.
It was the only programme that ever made us miss opening time.
All of them struggle with belonging,finding them selves and keeping their painful secrets from being revealed.Has the feel of a coming of age documentary focusing on students inner landscape and their way of dealing with everyday challenges.Gets of with a powerful opening and develops like a hymning requiem.Thalluri moves the camera with great skill and invites us slowly into the youngsters minds and hearts.
The opening 10 minutes (pre-credits) are great and so is the completely deranged climax.
Was excited at the opening to hear part of "Chevaliers De Sangreal" but wanted more so I bought said Hans Zimmer piece.
The opening at CERN where the "God Particle" or largest quantity of Antimatter is created with STUNNING visuals is an immediate clue which foretells the excellence of this movie.
I saw Heaven's Gate on its opening week nearly twenty years ago.
Despite the staginess of this film, Garbo is really excellent, especially in the opening scene with the equally great Marie Dressler as Marthy.
The Goat is choc-a-bloc with brilliant site gags, from the opening scene at the bread queue, right up to the wonderful elevator chase at the end.
Guest-stars ( including William Shatner! ) were killed off in the opening credits.
While it's true that the opening theme of the twelfth (and Connery's last) Bond film is one of the worst of the entire series, the film itself still manages to stand on its own, despite many other weaknesses.
When I saw Raquel Welch's name in the opening credits, I decided to watch it.
It was the opening night and was such a delightful movie.
Great opening title sequence that really catches the mood of 1959 New York while Johnny Mathis sings the "Best of Everything" theme song in an echo chamber surrounded by a chorus of violins and another chorus of background screamers.
The opening shot of a winding, deserted road in a downpour at dusk (and the score that accompanied it) set the tone so well -- just terrific.
The opening with that theme song was fantastic!!!
This essentially tradition rooted melodrama is given only a moderate budget, despite the presence of a goodly number of well-known players, including Steve Buscemi, Anthony Quinn, and Stanley Tucci, and was kept in the can for about a year before its rather desultory distribution and leaden marketing efforts on its behalf, more's the pity as its solid production characteristics are firmly complemented by Alexandre Rockwell's admirably controlled direction, a consistent virtue of his work, and on display in this film from its very opening scene, frames that form a montage behind the credits, featuring Perez at Skid Row's Fifth and Main Streets.
In an opening scene they recover a shoebox full of money from an antique store by distracting the crooks with a "bull in a china shop" routine.
This is a very modest, very lovely movie with a great score by Hoagy Carmichael and Frank Loesser with a standout number, We're The Couple In The Castle, that is totally evocative of the period and harks back to Penthouse Serenade just as the opening premise (Hoppity's coming) may well have inspired Fred Saidy and Yip Harburg's opening (Woody's Coming) in Finian's Rainbow six years later.
The opening sequence of the police arriving at a dark and rainy house wherein the "wife" has committed murder.......or is it??....and the remainder of the film seeks to unravel what really happened....OK...the film is a bit "campy"...but has good editing and dialogue.....professional acting.....often humorous......and the very last scene with the facial expression is one of the best of its' kind......definitely worth watching.....deserving at least a 7 or an 8!
Renoir's tale of Paris,the Cancan,a washer-girl and the Moulin Rouge.A more subdued,but highly entertaining version of the opening of the Moulin Rouge.
If you enjoyed Knoxville getting flipped by the Bull you'll take great carnal pleasure in the opening "act".
There is that opening scene where the wounded soldier says that age 12 is old enough to kiss and proceeds to give a child a lingering, and very adult, mouth to mouth kiss.
Anyone who correctly identifies the opening images as God killing himself without reading the end credits certainly deserves a free ticket to a rest home in Transylvania.
After the darker opening scenes, the film increasingly blunts its edge until the entire production comes off with the artificial quality of a stage play (and I'll admit, the last 15 minutes go way too far into "Happy Ending" territory for my liking).
It occurred to me while watching "Imaginary Heroes" that any screenwriter attempting to make a drama about family relationships should seriously consider killing off a kid or two in the opening reel as a way of getting his characters to open up and reveal themselves.
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