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Morgue in sentence

45 examples of Morgue in a sentence

My particular favorite was a blonde woman from the Deep South who eventually admitted to me that she was really a necrophiliac, and had taken this job after she got in trouble down at the morgue.
The reception of the Hotel Ukraine became a makeshift morgue.
You see the autopsy table, morgue trays, x-ray machines and even used utensils, which you see on the autopsy table.
A mosque in northern Bosnia was destroyed by Serbian artillery and was used as a makeshift morgue.
was in the morgue when Mrs Renauld identified the victim).
There are too many terrible things to mention them all, the least of which is the opening that has Belushi jumping out of his body bag in the morgue and getting into a taxi driven by a guy named "Angel."
A previous reviewer cites a scene in which the female detective working undercover as a nurse in the doctor's laboratory (overseeing the theft of bodies from a nearby morgue) enlists the help of a multi-talented chauffeur to cut up the body parts.
Chiklis makes a commendable attempt at looking the part, and he's funny in an early scene trying to escape from the morgue.
With "educational" PR like this, serious music will soon slip from life support to the morgue.
Although well-known, he cannot be identified because he scratched out the personal information in his passport and his body lays unclaimed at the city's morgue for three days.
A number of brides are mysteriously murdered while at the altar, and later their bodies are stolen en route to the morgue.
Cut back to the morgue where our dead body comes back to life and kills the mortician and owner (who gets his eyes popped out).
We see a body of dead girl in a morgue with the coroner trying to close the eyes of the girl, but whatever he tries they won't stay open.
Gadg himself appears in an uncredited small role as a morgue attendant but the film is rich in talent beginning with Jack Palance (still being billed as Walter Jack Palance)as the local Mr 'Big' followed side-kick Zero Mostel, Barbara Bel Geddes, Emile Meyer, Tommy Rettig plus the rock-solid ever reliable Paul Douglas as the cop who comes round to doc Widmark's point of view.
We are accustomed to brief scenes in Denis's film which are inexplicable: Nénette astride Boni feeding with a spoon; a drive by shooting of Boni's father and then the briefest of images of Boni with a gunshot wound in the head; a scene of Louis in a morgue with a cadaver with the scar of a transplant but the body of Sidney.
But a funny thing happens on the way to the morgue.
Eric has a compassionate fiancé (sweetly played by the lovely Tracee Newberry) and a job transcribing autopsy reports at a local morgue.
Mainly notable as Bela Lugosi's only film in color (he's actually quite good as a magician), it's narrated by a corpse (could it have influenced SUNSET BOULEVARD [1950]?) - however, judging by the absurd split-second flashes to the body on the morgue slab every once in a while, the film-makers apparently thought the audiences constantly needed to be reminded of this novelty!
Winkler plays Chuck Lumley, a lowly morgue attendant who used to work for Wall Street got stuck doing the night shift with a very wild and outlandish partner named Bill "Blaze" Blazejowski(Keaton) who happens to be businessman wannabe.
The two morgue attendants decide to turn the city morgue into the ultimate brothel.
I would have found it more interesting had the character been dating the girl in morgue.
Using recently deceased cadavers stolen from the morgue, he uses radioactivity to bring them back to life and control their movements in order to seek out revenge on enemies.
Scared to Death is the story of a woman's murder told by the victim as her body lies on a slab in the morgue.
Nebbish everyman Henry Winkler (shedding his Fonzie image) abandons Wall Street brokerage for the more quiet and subdued night shift at the city morgue, much to the aggravation of his weight worrying girlfriend.
This film was told though a series of flashbacks as told by a dead woman lying on a slab at the morgue.
Ron Howard directed his "Happy Days" co-star Henry Winkler in this wacky story of two men turning a morgue into a brothel.
It has some novel ideas, such as illegally obtaining a fresh cadaver that has to be transported from the city morgue to the school, while rigor mortis is beginning to set in.
Can't you see he's alive?!" And when they brought him to the morgue I was like "Oh my God, they're gonna bury him alive!"
In the funniest part of the movie, the old fellow, who looks like a friendly grandpa, takes out a hammer in a morgue, driving a stake through a corpse's heart with the words "In the name of my grandfather, I destroy you".
Englund sends him to a hospital morgue where the killer, possessed of some kinda demonic power, comes back to life with an urge to rip out hearts.