Melodrama
in sentence
311 examples of Melodrama in a sentence
The Last Station, director Michael Hoffman's
melodrama
about the last months in the life of Leo Tolstoy, begins with fog and sleep.
Too generously inspired by Milos Forman's Amadeus for it to merit any comparison with last year's Rock On!, Vipul Shah's latest is a clunky
melodrama
that's as loosely directed as it is scripted.
Confounding
melodrama
taken from a William Gibson story, produced by John Houseman and directed by Vincente Minnelli!
Three writers made a valiant attempt to adapt Jane Stanton Hitchcock's novel for the tube, yet this television movie has ultimately been injected with too much
melodrama
and just doesn't know when to quit.
It's
melodrama
at its worst.
I had a suspicion it was trying to be a comedy, but since it also seems to want to be a dark and solemn
melodrama
I wasn't sure.
Just in time to capitalize on the long-awaited movie version of "Dreamgirls" is the DVD release of this semi-forgotten 1976 musical
melodrama
that also takes the rise of the Supremes as its inspiration.
In the same way, the director of the movie "Something Wicked This Way Comes" took out the excitement and gore in favor of
melodrama
for younger audiences.
Released in 1965, but clearly shot years earlier, this is an inept little crime
melodrama
with some inept sexploitation up front.
I was further excited to hear that it wasn't another stupid action movie or
melodrama
as Filipinos love these types of movies.
there is none of the emotion or depth of the book, just mindless
melodrama.
'SherryBaby' is quite a painful and sordid
melodrama
set in Jersey, the story of a young mother who is out of jail on probe after a drugs-related conviction and fights to stay clean, to find a place for herself in life and especially to win back the love of her kid daughter who is being taken care by her brother's family.
Demer Daves,is a wonderful director when it comes to westerns and "broken arrow" remains in everybody's mind.As far as
melodrama
is concerned,he should leave that to knowing people like Vincente Minelli,George Cukor or the fabulous Douglas Sirk.
It seemed to reduce the novel into a hand- wringing, costumed
melodrama
of debatable worth.
Begins quite promisingly, with a still-relevant probe into an airplane explosion, however the
melodrama
involving James Stewart and wife Vera Miles just gets in the way (Miles had a habit of playing tepid wives under duress, and her frayed nerves arrive here right on schedule).
Jean Crain attempts a stage accent in alternate sentences and the other members of the cast seem to believe this is a
melodrama
and not a comedy; indeed, the entire production has bookends that reduce it to tragedy -- doubtless the Hays office insisted.
Generally, though, I would have to say that I'm just not much of a fan of
melodrama.
Attempting to be a new millennium cross-hybrid between On Golden Pond and The Prince of Tides, this film ends up being an erratic mess shifting so mercurially between comedy and
melodrama
that the emotional pitch always seems off.
Now alone,because she's lost Hudson (but anyway,he was not in love with her).This end is a bit reactionary,but
melodrama
is par excellence reactionary;three years later,in "imitation of life",Sarah-Jane (Susan Kohner) will be blamed because she does not know her place.
More sex? No, more
melodrama.
Though the plot is melodramatic, it's so intelligently written and acted that it reminds us of how satisfying good
melodrama
can be.
Well-made but basically dreary low-life
melodrama
which, according to the accompanying interview with lead Isabelle Huppert, writer/director Pialat infused with a good deal of autobiographical detail; given the mainly unsympathetic characters involved, it doesn't do him any compliments - and he does seem to have been a troubled man, as Huppert also says that Pialat often disappeared for days on end during the shoot!
Now, Ben Hur and Gone With the Wind seem kinda hokey to me, with the hammy acting and excessive
melodrama.
True, all the drama is melodrama; but that's entirely fitting for a movie with a soap opera background.
I could really get into this
melodrama
stuff.
At this point, the film becomes full-fledged fantasy (before this it was more comedic/fantastic
melodrama
in the style of Charlie Chaplin).
"Baby Face" is a precode
melodrama
starring a very young Barbara Stanwyck, an almost unrecognizable George Brent, and Theresa Harris.
This early Sirk melodrama, shot in black and white, is a minor film, yet showcases the flair of the German director in enhancing tired story lines into something resembling art.
Lee Chang Dong, director and writer of this movie, said in an interview, "In a vast sense, I wanted to express what love is and this movie could be a
melodrama
in a sense.
Ostensibly, "Big Guns" is a rather bloodless outing, but it does have a high body count for a 1973 mobster
melodrama.
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