Marble
in sentence
204 examples of Marble in a sentence
When you see the planet looking like a blue-green
marble
the way it does in this picture, you're seeing it because the sunlight is reflecting off of it, and that's why you can see the oceans, the clouds, the land.
Another idea that really fascinated me as a child was that an entire galaxy could be contained within a single
marble.
And so over here, each book and each world becomes a little
marble
that I drag in to this magical device within the device.
And it would be the size of a small
marble.
Now look inside the blueberry, and blow it up to the size of a football stadium, and now the nucleus is a
marble
in the middle.
In the old days they used to take a lump of Pentelic
marble
and drill from the surface in order to identify the skin, the appearance, what Aristotle defined as the distinction between substance and appearance, the thing that makes things visible, but here we're working from the other side.
It's always reminded me of the Apollo image of the Earth, the blue
marble
picture, and it's similarly meant to suggest, I think, that we can't really understand it as a whole.
The shared spaces are also treated in the same manner, where walls are decorated in faux
marble
patterns.
In fact, it looked like the Appian Way
marble
salesman showed up with his sample book, showed it to Hadrian, and Hadrian said, "We'll take all of it."
If we record a hologram at the bottom inside of the screen, we can record the position and angle of each
marble
exiting the maze.
And then we can bring in marbles from below and have the hologram direct each
marble
to exactly the right position and angle, such as they emerge in a line at the top of the scatter matrix.
A guest bedroom, which has this dome with
marble
on it.
Michelangelo said that when he looked at raw marble, he saw a figure struggling to be free.
Thanks to Constantinople's walls, that pile of brick and
marble
that guarded them for so long, we still have our classical past.
Now imagine that a
marble
and an antimarble are brought together.
Instead of being accustomed to filling space with busyness, he took a hammer and chisel and hacked away at a piece of
marble
to reveal the figure within.
Now, I've seen the Washington Monument in person thousands of times, well aware of the change in the color of
marble
a third of the way up, but I had never really looked at it out of context or truly as a work of art.
We had
marble
floors, and you know, I would look at the
marble
floors, and I would see all sorts of patterns and designs in it, and I thought everybody could see them.
So I would call my brother, and I would be like, "Ikeolu, come and see this
marble
design, see this pattern, see this mask."
As a child I saw art on the
marble
floors, I saw art on walls, but now I see art on people's faces and people's bodies.
And they're not quite what you might expect from our
marble
monument.
Why not chisel a coral reef out of
marble?
Now we saw this graphic earlier on, that we really live on a hard
marble
that has just a slight bit of wetness to it.
It's like you dipped a
marble
in water.
A
marble
statue could wave its hand at us; the atoms that make up its crystalline structure are all vibrating back and forth anyway.
Because there are so many of them, and because there's no agreement among them in their preferred direction of movement, the marble, as we see it in Middle World, stays rock steady.
Matthew MacFayden is another favorite of mine from MI-5 on A&E; in P&P, however, he is more the young Heathcliffe, never smiling--though Austen observes in the novel that Darcy smiles at Lizzy quite a bit, and she realizes this when she sees his wonderful smiling portrait at Pemberley--a portrait that in this movie is for some reason replaced by a sculptured
marble
bust.And much of Austen's dialogue is changed to modern speech.
I love how the med school autopsy room is a cavernous vaulted
marble
mausoleum low-lit in red with huge Rembrandt paintings hanging from the walls.
You've never seen the white
marble
of Rome's Vittorio Emmanuelle monument looking so yellow...
The film started out with a lighthearted approach to Bogart's legacy and some comical moments with his surgery oriented face, but after the first 15-30 minutes it morphs into a more serious thriller, where two palm size sapphires, purportedly laid as eyes into a
marble
headpiece of Alexander the Great, for him, and seen by him, right before his death.
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