Manages
in sentence
975 examples of Manages in a sentence
The idea is original, and well executed, as it
manages
to preserve the reality aspect, but still remain entertaining.
Park
manages
to give us everything we need from this silent character through his expression.
The entire cast
manages
to pull in a powerful performance despite a few lousy one-liners.
This little film is hysterical, full of stereotypes about gays, straights, dwarfs, British tea and pubs, American gun culture, divorce and marriage; yet, it
manages
to be sensitive to the issues surrounding each.
And while D'Amato's staple was erotica, the film
manages
to show some decent clips of the films you may remember from old time, late night Cinemax...
But Westerners, on the other hand, suffer from the poor quality of subtitle translation, which
manages
to lose all the subtlety and double meanings that make a careful study of the film so much fun.
The two biggest styles that the film mixes are a 'Road Trip' style teenage comedy and a 'Texas Chainsaw Massacre' style redneck horror vibe, and while one gets in the way of the other quite often; director Michael Davis
manages
to keep things moving thanks to the fact that the constant shift in tone means that we're never quite sure where the film is going to be taken next.
"eXistenZ
" manages
to show that he (Cronenberg) is up to his old tricks and it still works like a charm.
Now, given that Peter is not the same caliber a singer that Petula is, he still
manages
to sell his songs to the audience, and that, after all, is what it is all about.
She
manages
to stay as believable as Alexander Knox is in another difficult role he assumes with aplomb.
Better than the original, "the Gamers: Dorkness Rising
" manages
to pull off a funny comedy with good acting, fine special effects, and comedy that transcends the "gamer" knowledge-base and do so on a low budget.
Due to the heroics of the barber, he
manages
to save one of the germans and by doing that gets a member of the enemy on board, which helps in the struggle which the jews had.
That's the underlying theme of this martial arts romp which borrows ideas from "Underworld" and "Buffy The Vampire Slayer" but
manages
to maintain a style of its own.
This is truly a very special film because it
manages
to be certainly not my favorite of the Troma-productions, but released on a disc that because of what I just said is one of my most valued and favorite DVD's.
This show
manages
to teach us about life, robotics, Alien and human encounters, and an insight into more of the paranormal, and how it affects the people.
All the elements click: a terrific script (by French writers Julien Carbon and Laurent Courtiaud) that even
manages
to subvert the odd cliché, reliably imaginative direction by Johnnie To, and excellent central performances by Andy Lau and Lau Ching Wan, the latter displaying his great comic timing to wonderful effect without ever crossing the line into parody (especially in his exasperated reactions to his superior's abysmal negotiating skills).
But even leading up to that, it's quite funny what Bugs does to escape getting eaten; somehow, he always
manages
to use the other character's weakness against him, and then pull any convenient object out of thin air!
He
manages
to pull it off, giving a very good performance and so does the rest of the cast.
The film gives a good character study of both Nanny and Ruben and
manages
to capture life's ups and downs in a realistic fashion unlike so many memoirs that are made into film.
And at the same time, Chaplin
manages
to portray the evils of totalitarian persecution.
What is extraordinary is that she not only conveys Lucy's dottiness, tactlessness and her more lovable qualities BUT she also
manages
to pull off the underlying truth that in fact, Lucy is not really all that nice!
He also
manages
to radiate a sweet charm that belies his outrageous pratfalls.
Finally Mumblethunder
manages
to drag Philip into a tailor's shop to be measured for a proper pair of pants, but Philip escapes from there as well to chase more skirts.
The acting is very good, and the characters are very interesting, particularly that of the lead boy (John Kielty), who
manages
to play a teenager experiencing difficulties whilst remaining really likable.
It is a crime comedy of the same ilk as Snatch etc, and it
manages
to nicely balance elements of suspense with comedy.
He
manages
to get orange after biting woman's leg as she was holding and selling the fruit.
In less than 90 minutes, it
manages
to be not only a time-capsule of an era, but also a full-length experimental feature that defies time,space and convention in a way that only underground films of the sixties could.HEAD is a reflection of those films.
While it's true that the opening theme of the twelfth (and Connery's last) Bond film is one of the worst of the entire series, the film itself still
manages
to stand on its own, despite many other weaknesses.
Despite the long running time, Wilder
manages
to make it quite exciting and is able to sustain the drama even though the outcome is known.
Not realizing she is being pursued by the two hit men, she drives to LA where she
manages
to link up with Kinnear and is actually written into the show as a nurse named Betty.
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