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Lively in sentence

325 examples of Lively in a sentence

And we put them into one of these experiments, as you've seen earlier, and then we watch lively movement that comes out.
I was eager to engage in lively debate with peers and professors and with outside speakers; to listen, to learn and gain a deeper understanding of myself and of others.
And as the conversation grew and grew, it became more and more lively, and eventually you were left with this huge, big, rhythmic pointer of this conversation.
So I believe that lively, enjoyable public spaces are the key to planning a great city.
In fact, each of the cell types in our body could probably give a lively TED Talk about what it does at work.
But not so long ago, many burial grounds were lively places, with blooming gardens and crowds of people strolling among the headstones.
Their lively, evolving friendship is often credited as the original hero and sidekick duo, inspiring centuries of fictional partnerships.
The C-13 and C-14 was showing me that paper birch and Douglas fir were in a lively two-way conversation.
It was lively.
KM: I mean, I didn't really think of that as an argument so much as just a lively discussion.
I'm reminded every night that not getting ahead isn't the same thing as falling behind any more than not being lively is the same thing as being dead.
So the maids and the gardeners and the guards that live in this lively part of town on the left walk to work, in the boring, rich neighborhood.
It has a good cast; it's lively; it's prepared to tackle sex head on, with some of the characters actually getting some of it here and there, which is unusual for a British comedy.
It does get a big boost from Clooney's charismatic, Gableesque mugging, and also from the art direction and T-Bone Burnett's lively music.
The lavish production values that you generally find in a Merchant/Ivory film are all here, but this is an exceedingly dull take on what could have been a very lively affair.
These sequences are lively and well-filmed, but overall this is an overlong and unsatisfying comedy-drama with a flat ending.
Instead of this, the atmosphere is nor lively nor heavy.
MGM production values only so-so, however director Gottfried Reinhardt tries adding some visual flavor to the flashback segues and he attempts a lively pacing for the movie's initial half-hour.
I too watched this film right after finishing the book, and was seriously disappointed... the main character is basically a new made up Fanny, for she shows NO resemblance whatso ever to the book...she's so lively and laughing all the time... if there was one thing the author wanted to set on this was that she was a very shy, introverted character.... please!!!!!
Actually, the best performances are from a couple of fat guys who impress with a lively tap dance and a Four Tops takeoff, and the jazz band itself, especially in the number featuring the bass player.
None of the characters are what they should be: Fanny is lively and conscious of her mistreatment, while Sir Thomas, who treated her very well, seems to have accidentally fallen into Aunt Norris' personality.
What this movie has going for it is, it's VERY fast-paced and lively; you're never bored or waiting for another kill.
This one isn't even lively enough to be fun.
Moreover, the lively and enthusiastic acting from a fine game cast adds immensely to the zany merriment: Bobcat Goldthwait as the spastic Egg Stork, Tom Villard as his goofy brother Clay, Curtis Armstrong as the sweet Ack Ack Raymond, Mark Metcalf as evil rich jerk Aquilla Beckersted, Matt Mulhern as the mean Teddy, Kimberly Foster as the fetching Cookie, Joe Flaherty as the gung-ho General Raymond, William Hickey as cranky Old Man Beckersted, Jeremy Piven as smug preppy bully Ty, and John Matuszak as hulking biker Stan.
Director/co-writer Sergio Martino relates the lively and absorbing story at a constant snappy pace, offers a flavorsome evocation of the lush and remote tropical setting, does an expert job of creating and maintaining a creepy and mysterious atmosphere in the spooky opening third, further spices things up with a nice line in dry humor, and stages the exhilarating action-loaded climax with considerable rip-roaring aplomb.
Okay, so this flick is an obvious cheapo cute'n'paste job that uses copious footage from both "Hercules in the Haunted World" and "Hercules and the Captive Women," but it's still an extremely lively and entertaining romp all the same.
Director Kimiyoshi Yasudo and screenwriter Tetsuro Yoshida give the compelling story all the power and simplicity of an ancient age-old legendary folktale: there's a very strong sense of an ancient time and faraway remote place (it's specifically set in feudal Japan), the good guys are noble and appealing while the villains are truly nasty and detestable, the occasional stirring swordfights are staged with considerable skill and gusto, the special effects are fine and impressive, the serious tone and steady pace never falter for a minute, and Majin's last reel rampage of savage destruction is extremely lively, exciting, and more than a little scary.
The animation is lively and colorful and the film itself boasts some of the best songs ever put in an animated feature.
As to the film itself, this is an excellent all-rounder with good picture quality, more than satisfactory soundtrack, lively plot involving suspense, emotion, sadness, frustration, feeling good and exotic surroundings ( for a European ).
Props to a warmly sympathetic Jonathan Caouette as Mr. Cox, a kindred spirit to Rodney (Ash Christian), the lively and spirited Ashley Finke as Rodney's best friend, and Deborah Theaker as Rodney's mom, who is given the best one-liners in the script and steals her every scene.
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